I admit, but nevertheless true—and I think the rest of his character may be left to the gradual dawn of its historical manifestation.
He had long ere this discovered who the angel was that had appeared to him at the top of the stair upon that memorable night; but he could hardly yet say that he had seen her; for, except one dim glimpse he had had of her at the window as he passed in the street, she had not appeared to him save in the vision of that night. During the whole winter she scarcely left the house, partly from the state of her health, affected by the sudden change to a northern climate, partly from the attention required by her aunt, to aid in nursing whom she had left the warmer south. Indeed, it was only to return the visits of a few of Mrs. Forsyth's chosen, that she had crossed the threshold at all; and those visits were paid at a time when all such half-grown inhabitants as Robert were gathered under the leathery wing of Mr. Innes.
But long before the winter was over, Rothieden had discovered that the stranger, the English lady, Mary St. John, outlandish, almost heathenish as her lovely name sounded in its ears, had a power as altogether strange and new as her name. For she was not only an admirable performer on the pianoforte, but such a simple enthusiast in music, that the man must have had no music or little heart in him in whom her playing did not move all that there was of the deepest.
Occasionally there would be quite a small crowd gathered at night by the window of Mrs. Forsyth's drawing-room, which was on the ground-floor, listening to music such as had never before been heard in Rothieden. More than once, when Robert had not found Sandy Elshender at home on the lesson-night, and had gone to seek him, he had discovered him lying in wait, like a fowler, to catch the sweet sounds that flew from the opened cage of her instrument. He leaned against the wall with his ear laid over the edge, and as near the window as he dared to put it, his rough face, gnarled and blotched, and hirsute with the stubble of neglected beard—his whole ursine face transfigured by the passage of the sweet sounds through his chaotic brain, which they swept like the wind of God, when of old it moved on the face of the waters that clothed the void and formless world.
'Haud yer tongue!' he would say in a hoarse whisper, when Robert sought to attract his attention; 'haud yer tongue, man, and hearken. Gin yon bonny leddy 'at yer grannie keeps lockit up i' the aumry war to tak to the piano, that's jist hoo she wad play. Lord, man! pit yer sowl i' yer lugs, an' hearken.'
The soutar was all wrong in this; for if old Mr. Falconer's violin had taken woman-shape, it would have been that of a slight, worn, swarthy creature, with wild black eyes, great and restless, a voice like a bird's, and thin fingers that clawed the music out of the wires like the quills of the old harpsichord; not that of Mary St. John, who was tall, and could not help being stately, was large and well-fashioned, as full of repose as Handel's music, with a contralto voice to make you weep, and eyes that would have seemed but for their maidenliness to be always ready to fold you in their lucid gray depths.
Robert stared at the soutar, doubting at first whether he had not been drinking. But the intoxication of music produces such a different expression from that of drink, that Robert saw at once that if he had indeed been drinking, at least the music had got above the drink. As long as the playing went on, Elshender was not to be moved from the window.
But to many of the people of Rothieden the music did not recommend the musician; for every sort of music, except the most unmusical of psalm-singing, was in their minds of a piece with 'dancin' an' play-actin', an' ither warldly vainities an' abominations.' And Robert, being as yet more capable of melody than harmony, grudged to lose a lesson on Sandy's 'auld wife o' a fiddle' for any amount of Miss St. John's playing.
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