glassy and glacial, might be taken for the model of that famous Eye, the formidable emblem of the police, invented during the Revolution. Black silk gloves were on his hands and he carried a switch. He was certainly some official personage, for he showed in his bearing, in his way of taking snuff and ramming it into his nose, the bureaucratic importance of an office subordinate, one who signs for his superiors and acquires a passing sovereignty by enforcing their orders.
The other man, whose dress was in the same style, but elegant and elegantly put on and careful in its smallest detail, wore boots a la Suwaroff which came high upon the leg above a pair of tight trousers, and creaked as he walked. Above his coat he wore a spencer, an aristocratic garment adopted by the Clichiens and the young bloods of Paris, which survived both the Clichiens and the fashionable youths. In those days fashions sometimes lasted longer than parties—a symptom of anarchy which the year of our Lord 1830 has again presented to us. This accomplished dandy seemed to be thirty years of age. His manners were those of good society; he wore jewels of value; the collar of his shirt came to the tops of his ears. His conceited and even impertinent air betrayed a consciousness of hidden superiority. His pallid face seemed bloodless, his thin flat nose had the sardonic expression which we see in a death’s head, and his green eyes were inscrutable; their glance was discreet in meaning just as the thin closed mouth was discreet in words. The first man seemed on the whole a good fellow compared with this younger man, who was slashing the air with a cane, the top of which, made of gold, glittered in the sunshine. The first man might have cut off a head with his own hand, but the second was capable of entangling innocence, virtue, and beauty in the nets of calumny and intrigue, and then poisoning them or drowning them. The rubicund stranger would have comforted his victim with a jest; the other was incapable of a smile. The first was forty-five years old, and he loved, undoubtedly, both women and good cheer. Such men have passions which keep them slaves to their calling. But the young man was plainly without passions and without vices. If he was a spy he belonged to diplomacy, and did such work from a pure love of art. He conceived, the other executed; he was the idea, the other was the form.
“This must be Gondreville, is it not, my good woman?” said the young man.
“We don’t say ‘my good woman’ here,” said Michu. “We are still simple enough to say ‘citizen’ and ‘citizeness’ in these parts.”
“Ah!” exclaimed the young man, in a natural way, and without seeming at all annoyed.
Players of ecarte often have a sense of inward disaster when some unknown person sits down at the same table with them, whose manners, look, voice, and method of shuffling the cards, all, to their fancy, foretell defeat. The instant Michu looked at the young man he felt an inward and prophetic collapse. He was struck by a fatal presentiment; he had a sudden confused foreboding of the scaffold. A voice told him that that dandy would destroy him, although there was nothing whatever in common between them. For this reason his answer was rude; he was and he wished to be forbidding.
“Don’t you belong to the Councillor of State, Malin?” said the younger man.
“I am my own master,” answered Malin.
“Mesdames,” said the young man, assuming a most polite air, “are we not at Gondreville? We are expected there by Monsieur Malin.”
“There’s the park,” said Michu, pointing to the open gate.
“Why are you hiding that gun, my fine girl?” said the elder, catching sight of the carbine as he passed through the gate.
“You never let a chance escape you, even in the country!” cried his companion.
They both turned back with a sense of distrust which the bailiff understood at once in spite of their impassible faces. Marthe let them look at the gun, to the tune of Couraut’s bark; she was so convinced that her husband was meditating some evil deed that she was thankful for the curiosity of the strangers.
Michu flung a look at his wife which made her tremble; he took the gun and began to load it, accepting quietly the fatal ill-luck of this encounter and the discovery of the weapon. He seemed no longer to care for life, and his wife fathomed his inward feeling.
“So you have wolves in these parts?” said the young man, watching him.
“There are always wolves where there are sheep. You are in Champagne, and there’s a forest; we have wild-boars, large and small game both, a little of everything,” replied Michu, in a truculent manner.
“I’ll bet, Corentin,” said the elder of the two men, after exchanging a glance with his companion, “that this is my friend Michu—”
“We never kept pigs together that I know of,” said the bailiff.
“No, but we both presided over Jacobins, citizen,” replied the old cynic—“you at Arcis, I elsewhere. I see you’ve kept your Carmagnole civility, but it’s no longer in fashion, my good fellow.”
“The park strikes me as rather large; we might lose our way. If you are really the bailiff show us the path to the chateau,” said Corentin, in a peremptory tone.
Michu whistled to his son and continued to load his gun. Corentin looked at Marthe with indifference, while his companion seemed charmed by her; but the young man noticed the signs of her inward distress, which escaped the old libertine, who had, however, noticed and feared the gun. The natures of the two men were disclosed in this trifling yet important circumstance.
“I’ve an appointment the other side of the forest,” said the bailiff. “I can’t go with you, but my son here will take you to the chateau. How did you get to Gondreville? did you come by Cinq-Cygne?”
“We had, like yourself, business in the forest,” said Corentin, without apparent sarcasm.
“Francois,” cried Michu, “take these gentlemen to the chateau by the wood path, so that no one sees them; they don’t follow the beaten tracks. Come here,” he added, as the strangers turned to walk away, talking together as they did so in a low voice. Michu caught the boy in his arms, and kissed him almost solemnly with an expression which confirmed his wife’s fears; cold chills ran down her back; she glanced at her mother with haggard eyes, for she could not weep.
“Go,” said Michu; and he watched the boy until he was entirely out of sight. Couraut was barking on the other side of the road in the direction of Grouage. “Oh, that’s Violette,” remarked Michu. “This is the third time that old fellow has passed here to-day. What’s in the wind? Hush, Couraut!”
A few moments later the trot of a pony was heard approaching.
CHAPTER II. A CRIME RELINQUISHED
Violette, mounted on one of those little nags which the farmers in the neighborhood of Paris use so much, soon appeared, wearing a round hat with a broad brim, beneath which his wood-colored face, deeply wrinkled, appeared in shadow. His gray eyes, mischievous and lively, concealed in a measure the treachery of his nature. His skinny legs, covered with gaiters of white linen which came to the knee, hung rather than rested in the stirrups, seemingly held in place by the weight of his hob-nailed shoes. Above his jacket of blue cloth he wore a cloak of some coarse woollen stuff woven in black and white stripes. His gray hair fell in curls behind his ears. This dress, the gray horse with its short legs, the manner in
