The limousine dwindled, once it flashed under a light, and then vanished.
“It is the American,” said one of the waiting dandies.
“The icicle!”
“The volcano, rather, which fools believe extinct.”
“Probably sent back her maid for her Bible. Ah, these Americans; they are very amusing.”
“She was in magnificent voice to-night. I wonder why she never sings Carmen?”
“Have I not said that she is too cold? What! would you see frost grow upon the toreador’s mustache? And what a name, what a name! Eleonora da Toscana!”
Courtlandt was not in the most amiable condition of mind, and a hint of the ribald would have instantly transformed a passive anger into a blind fury. Thus, a scene hung precariously; but its potentialities became as nothing on the appearance of another woman.
This woman was richly dressed, too richly. Apparently she had trusted her modiste not wisely but too well: there was the strange and unaccountable inherent love of fine feathers and warm colors which is invariably the mute utterance of peasant blood. She was followed by a Russian, huge of body, Jovian of countenance. An expensive car rolled up to the curb. A liveried footman jumped down from beside the chauffeur and opened the door. The diva turned her head this way and that, a thin smile of satisfaction stirring her lips. For Flora Desimone loved the human eye whenever it stared admiration into her own; and she spent half her days setting traps and lures, rather successfully. She and her formidable escort got into the car which immediately went away with a soft purring sound. There was breeding in the engine, anyhow, thought Courtlandt, who longed to put his strong fingers around that luxurious throat which had, but a second gone, passed him so closely.
“We shall never have war with Russia,” said some one; “her dukes love Paris too well.”
Light careless laughter followed this cynical observation. Another time Courtlandt might have smiled. He pushed his way into the passage leading to the dressing-rooms, and followed its windings until he met a human barrier. To his inquiry the answer was abrupt and perfectly clear in its meaning: La Signorina da Toscana had given most emphatic orders not to disclose her address to any one. Monsieur might, if he pleased, make further inquiries of the directors; the answer there would be the same. Presently he found himself gazing down the avenue once more. There were a thousand places to go to, a thousand pleasant things to do; yet he doddered, full of ill-temper, dissatisfaction, and self-contempt. He was weak, damnably weak; and for years he had admired himself, detachedly, as a man of pride. He started forward, neither sensing his direction nor the perfected flavor of his Habana.
Opera singers were truly a race apart. They lived in the world but were not a part of it, and when they died, left only a memory which faded in one generation and became totally forgotten in another. What jealousies, what petty bickerings, what extravagances! With fancy and desire unchecked, what ingenious tricks they used to keep themselves in the public mind—tricks begot of fickleness and fickleness begetting. And yet, it was a curious phase: their influence was generally found when history untangled for posterity some Gordian knot. In old times they had sung the Marseillaise and danced the carmagnole and indirectly plied the guillotine. And to-day they smashed prime ministers, petty kings, and bankers, and created fashions for the ruin of husbands and fathers of modest means. Devil take them! And Courtlandt flung his cigar into the street.
He halted. The Madeleine was not exactly the goal for a man who had, half an hour before, contemplated a rout at Maxim’s. His glance described a half-circle. There was Durand’s; but Durand’s on opera nights entertained many Americans, and he did not care to meet any of his compatriots to-night. So he turned down the Rue Royale, on the opposite side, and went into the Taverne Royale, where the patrons were not over particular in regard to the laws of fashion, and where certain ladies with light histories sought further adventures to add to their heptamerons. Now, Courtlandt thought neither of the one nor of the other. He desired isolation, safety from intrusion; and here, did he so signify, he could find it. Women gazed up at him and smiled, with interest as much as with invitation. He was brown from long exposure to the wind and the sun, that golden brown which is the gift of the sun-glitter on rocking seas. A traveler is generally indicated by this artistry of the sun, and once noted instantly creates a speculative interest. Even his light brown hair had faded at the temples, and straw-colored was the slender mustache, the ends of which had a cavalier twist. He ignored the lips which smiled and the eyes which invited, and nothing more was necessary. One is not importuned at the Taverne Royale. He sat down at a vacant table and ordered a pint of champagne, drinking hastily rather than thirstily.
Would Monsieur like anything to eat?
No, the wine was sufficient.
Courtlandt poured out a second glass slowly. The wine bubbled up to the brim and overflowed. He had been looking at the glass with unseeing eyes. He set the bottle down impatiently. Fool! To have gone to Burma, simply to stand in the golden temple once more, in vain, to recall that other time: the starving kitten held tenderly in a woman’s arms, his own scurry among the booths to find the milk so peremptorily ordered, and the smile of thanks that had been his reward! He had run away when he should have hung on. He should have fought every inch of the way. …
“Monsieur is lonely?”
A pretty young woman sat down before him in the vacant chair.
CHAPTER II
THERE IS A WOMAN?
Anger, curiosity, interest; these sensations blanketed one another quickly, leaving only interest, which was Courtlandt’s normal state of mind when he saw a pretty woman. It did not require very keen scrutiny on his part to arrive swiftly at the conclusion that this one was not quite in the picture. Her cheeks were not red with that redness which has a permanency of tone, neither waxing nor waning, abashed in daylight. Nor had her lips found their scarlet moisture from out the depths of certain little porcelain boxes. Decidedly she was out of place here, yet she evinced no embarrassment; she was cool, at ease. Courtlandt’s interest strengthened.
“Why do you think I am lonely, Mademoiselle?” he asked, without smiling.
“Oh, when one talks to one’s self, strikes the table, wastes good wine, the inference is but natural. So, Monsieur is lonely.”
Her lips and eyes, as grave and smileless as his own, puzzled him. An adventure? He looked at some of the other women. Those he could understand, but this one, no. At all times he was willing to smile, yet to draw her out he realized that he must preserve his gravity unbroken. The situation was not usual. His gaze came back to her.
“Is the comparison favorable to me?” she asked.
“It is. What is loneliness?” he demanded cynically.
“Ah, I could tell you,” she answered. “It is the longing to be with the one we love; it is the hate of the wicked things we have done; it is remorse.”
“That echoes of the Ambigu-Comique.” He leaned upon his arms. “What are you doing here?”
“I?”
