Beauvisage on the other. Great provincial fortunes are usually the product of time multiplied by economy. Thirty years of old age make capital.
In giving to Cecile-Renee a dot of fifty thousand francs a year, her parents still reserved for themselves the two inheritances, thirty thousand a year on the Grand Livre, and their house in Arcis.
If the Marquise de Cinq-Cygne were only dead, Cecile might assuredly marry the young marquis; but the health of that great lady, who was still vigorous and almost beautiful at sixty years of age, precluded all hope of such a marriage if it even entered the minds of Grevin and his daughter, as some persons, surprised at their rejection of eligible suitors like the sub-prefect and the procureur-du-roi, declared that it did.
The Beauvisage residence, one of the best in Arcis, stands on the Place du Pont on a line with the rue Vide-Bourse, at the corner of the rue du Pont, which leads to the Place de l’Eglise. Though, like many provincial houses, without either court or garden, it produces a certain effect, in spite of its ornamentation in bad taste. The front door opens on the Place; the windows of the ground-floor look out on the street-side towards the post-house and inn, and command beyond the Place a rather picturesque view of the Aube, the navigation of which begins at the bridge. Beyond the bridge is another little Place or square, on which lives Monsieur Grevin, and from which the high-road to Sezanne starts.
On the street and on the square, the Beauvisage house, painted a spotless white, looks as though built of stone. The height of the windows and their external mouldings contribute to give a certain style to the house which contrasts strongly with the generally forlorn appearance of the houses of Arcis, constructed, as we have already said, of wood, and covered with plaster, imitating the solidity of stone. Still, these houses are not without a certain originality, through the fact that each architect, or each burgher, has endeavored to solve for himself the problem of styles of building.
The bridge at Arcis is of wood. About four hundred feet above the bridge the river is crossed by another bridge, on which rise the tall wooden sides of a mill with several sluices. The space between the public bridge and this private bridge forms a basin, on the banks of which are several large houses. By an opening between the roofs can be seen the height on which stands the chateau of Arcis with its park and gardens, its outer walls and trees which overhand the river above the bridges, and the rather scanty pastures of the left bank.
The sound of the water as it runs through the courses above the dam, the music of the wheels, from which the churned water falls back into the basin in sparkling cascades, animate the rue du Pont, contrasting in this respect with the tranquillity of the river flowing downward between the garden of Monsieur Grevin, whose house is at one angle of the bridge on the left bank, and the port where the boats and barges discharge their merchandise before a line of poor but picturesque houses.
Nothing can better express provincial life than the deep silence that envelops the little town and reigns in its busiest region. It is easy to imagine, therefore, how disquieting the presence of a stranger, if he only spends half a day there, may be to the inhabitants; with what attention faces protrude from the windows to observe him, and also the condition of espial in which all the residents of the little place stand to each other. Life has there become so conventional that, except on Sundays and fete-days, a stranger meets no one either on the boulevards or the Avenue of Sighs, not even, in fact, upon the streets.
It will now be readily understood why the ground-floor of the Beauvisage house is on a level with the street and square. The square serves as its courtyard. Sitting at his window the eyes of the late hosier could take in the whole of the Place de l’Eglise, the two squares of the bridge, and the road to Sezanne. He could see the coaches arriving and the travellers descending at the post-inn; and on court days he could watch the proceedings around the offices of the mayor and the justice of peace. For these reasons, Beauvisage would not have exchanged his house for the chateau, in spite of its lordly air, its stone walls, and its splendid situation.
VIII. IN WHICH THE DOT, ONE OF THE HEROINES OF THIS HISTORY, APPEARS
Entering the Beauvisage house we find a versatile, at the farther end of which rises the staircase. To right we enter a large salon with two windows opening on the square; to left is a handsome dining-room, looking on the street. The floor above is the one occupied by the family.
Notwithstanding the large fortune of the Beauvisage husband and wife, their establishment consisted of only a cook and a chamber-maid, the latter a peasant, who washed and ironed and frotted the floors rather than waited on her two mistresses, who were accustomed to spend their time in dressing and waiting upon each other. Since the sale of the business to Jean Violette, the horse and cabriolet used by Phileas, and kept at the Hotel de la Poste, had been relinquished and sold.
At the moment when Phileas reached his house after the Giguet meeting, his wife, already informed of the resolutions passed, had put on her boots and shawl and was preparing to go to her father; for she felt very sure that Madame Marion would, on that same evening, make her certain overtures relating to Simon and Cecile. After telling his wife of Charles Keller’s death, Phileas asked her opinion with an artless “What do you think of that, wife?” which fully pictured his habit of deferring to Severine’s opinion in all things. Then he sat down in an arm-chair and awaited her reply.
In 1839, Madame Beauvisage, then forty-four years old, was so well-preserved that she might, in that respect, rival Mademoiselle Mars. By calling to mind the most charming Celimene that the Theatre-Francais ever had, an excellent idea of Severine Grevin’s appearance will be obtained. The same richness of coloring, the same beauty of features, the same clearly defined outlines; but the hosier’s wife was short—a circumstance which deprived her of that noble grace, that charming coquetry a la Sevigne, through which the great actress commends herself to the memory of men who saw both the Empire and the Restoration.
Provincial life and the rather careless style of dress into which, for the last ten years, Severine had allowed herself to fall, gave a somewhat common air to that noble profile and those beautiful features; increasing plumpness was destroying the outlines of a figure magnificently fine during the first twelve years of her married life. But Severine redeemed these growing imperfections with a sovereign, superb, imperious glance, and a certain haughty carriage of her head. Her hair, still black and thick and long, was raised high upon her head, giving her a youthful look. Her shoulders and bosom were snowy, but they now rose puffily in a manner to obstruct the free movement of the neck, which had grown too short. Her plump and dimpled arms ended in pretty little hands that were, alas, too fat. She was, in fact, so overdone with fulness of life and health that her flesh formed a little pad, as one might call it, above her shoes. Two ear-drops, worth about three-thousand francs each, adorned her ears. She wore a lace cap with pink ribbons, a mousseline-de-laine gown in pink and gray stripes with an edging of green, opened at the bottom to show a petticoat trimmed with valencienne lace; and a green cashmere shawl with palm-leaves, the point of which reached the ground as she walked.
“You are not so hungry,” she said, casting her eyes on Beauvisage, “that you can’t wait half an hour? My father has finished dinner and I couldn’t eat mine in peace without knowing what he thinks and whether we ought to go to Gondreville.”
“Go, go, my dear. I’ll wait,” said Phileas, using the “thee” and “thou.”
“Good heavens!” cried Severine with a significant gesture of her shoulders. “Shall I never break you of that habit of tutoying me?”
“I never do it before company—not since 1817,” said Phileas.
“You
