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MODE OF TRAVELLING IN JAPAN. A JINRIKSHA
In looking about this commercial capital everything strikes us as curious; every new sight is a revelation, while in all directions tangible representations of the strange pictures we have seen upon fans and lacquered ware are presented to view. One is struck by the partial nudity of men, women, and children, the extremely simple architecture of the dwelling-houses, the peculiar vegetation, the extraordinary salutations between the common people who meet each other upon the streets, the trading bazaars, and the queer toy-like articles which fill them; children flying kites in the shape of hideous yellow monsters. Each subject becomes a fresh study. Men drawing vehicles, like horses between the shafts, and trotting off at a six-mile pony-gait while drawing after them one or two persons, is a singular sight to a stranger. So are the naked natives, by fours, bearing heavy loads swung from their shoulders upon stout bamboo poles, while they shout a measured chant by means of which to keep step. No beggars are seen upon the streets; the people without exception are all neat and cleanly. The houses are special examples of neatness, and very small, being seldom more than twenty feet square, and one story in height. All persons, foreigners or natives, take off their shoes before entering upon the polished floors, not only out of respect to the customs of the country, but because one does not feel like treading upon their floors with nailed heels or soiled soles. The conviction forces itself upon us that such universal neatness and cleanliness must extend even to the moral character of the people. A spirit of gentleness, industry, and thrift are observable everywhere, imparting an Arcadian atmosphere to these surroundings. In the houses which we enter there are found neither chairs, tables, nor bedsteads; the people sit, eat, and sleep upon the floors, which are as clean as a newly laid tablecloth.
Here and there upon the roadsides moss-grown shrines bearing sacred emblems are observed, before which women, but rarely men, are seen bending. The principal religions of Japan are Shinto and Buddhism, subdivided into many sects. The Shinto is mainly a form of hero worship, successful warriors being canonized as martyrs are in the Roman Catholic Church. Buddhism is another form of idolatry, borrowed originally from the Chinese. The language of the country is composed of the Chinese and Japanese combined. As we travel inland, places are pointed out to us where populous cities once stood, but where no ruins mark the spot. A dead and buried city in Europe or in Asia leaves rude but almost indestructible remains to mark where great communities once built temples and monuments, and lived and thrived, like those historic examples of mutability, Memphis, Pæstum, Cumæ, or Delhi; but not so in Japan. It seems strange indeed that a locality where half a million of people have made their homes within the period of a century, should now present the aspect only of fertile fields of grain. But when it is remembered of what fragile material the natives build their dwellings—namely, of light, thin wood and paper—their utter disappearance ceases to surprise us. It is a curious fact that this people, contemporary with Greece and Rome at their zenith, who have only reared cities of wood and temples of lacquer, have outlived the classic nations whose half-ruined monuments are our choicest models. The Greek and Latin races have passed away, but Japan still remains, without a change of dynasty and with an inviolate country.
In journeying inland we are struck with many peculiarities showing how entirely opposite to our own methods are many of theirs. At the post-stations the horses are placed and tied in their stalls with their heads to the passage-way, and their tails where we place their heads. Instead of iron shoes, the Japanese pony is shod with close-braided rice-straw. Carpenters, in using the fore-plane, draw it towards them instead of pushing it from them. It is the same in using a saw, the teeth being set accordingly. So the tailor sews from him, not towards his body, and holds his thread with his toes. The women ride astride, like the Hawaiians.
A trip of fifteen miles from Yokohama will take us to the town of Kamakura, where we find the remarkable idol of Dai-Butsu. This great Buddha image, composed of gold, silver, and copper, forms a bronze figure of nearly sixty feet in height, within which a hundred persons may stand together, the interior being fitted at the base as a small chapel. A vast number of little scraps of paper bearing Japanese characters, flutter from the interior walls of the big idol, fastened there by pious pilgrims, forming petitions to the presiding deity. As we enter, these scraps, agitated by the winds, rustle like an army of white bats. This sacred figure is as remarkable as the Sphinx, which presides so placidly at the feet of the great Pyramids. As a work of art, its only merits consist in the calm dignity of expression and repose upon its colossal features. It is many centuries old, and how such an enormous amount of bronze metal was ever cast, or how set up in such perfect shape when finished, no one can say. It must have been completed in sections and put together in the place where it stands, the joints being so perfectly welded as not to be obvious. It was formerly covered by a temple which has long since mouldered to dust, but it is certainly none the less effective and impressive, as it now sits surrounded by the natural scenery and the thick woods.
Japanese art, of which we have all seen such laughable specimens, is not without some claims to excellence; otherwise we should not have the myriads of beautifully ornamented articles which are produced by them, exhibiting exquisite finish and perfection of detail. Of perspective they have no idea whatever; the play of light and shade they do not understand; there is no distinction of distances in their pictures. Their figures are good, being also delicately executed, and their choice of colors is admirable. Thus in profile work they get on very well, but in grouping, they pile houses on the sea, and mountains on the houses. In caricature they greatly excel, and, indeed, they scarcely attempt to represent the human face and figure in any other light.
Tokio is the political capital of Japan, and is situated about twenty miles from Yokohama, containing over half a million of people. It has broad streets and good roadways, having adopted many American ideas of city customs and government. The Bridge of Japan is situated in this city, crossing the river which intersects the capital, and is here what the golden milestone was in the Forum at Rome—all distances in the Empire are measured from it. There are many elaborate temples within the city, containing rare bronzes of great value. Priests are constantly seen writing upon slips of paper, inside of the temples, at the request of devotees, which the suppliants pin upon the walls of the temple as a form of prayer. The renowned temple of Shiba is one of the greatest attractions to strangers in Tokio. Here lie buried most of the bygone Tycoons (sovereigns of Japan). The grounds are divided into many departments, tombs, shrines, and small temples. In the main temple there is an amount of gold, silver, and bronze ornaments of fabulous value, leading us to wonder where the raw material could have come from. History knows nothing of the importation of the precious metals, but it is true that they are found in more or less abundance all over the country. Copper of the purest quality is a native product, the exportation of which is prohibited, and mining for the precious metals is carried on to but a very limited extent. The temple of Shiba is situated near the centre of the population, occupying many acres of ground, walled in, and shaded by a thick grove of trees, whose branches are black with thousands of undisturbed rooks and pigeons which are considered sacred. The principal characteristic of the architecture is its boldness of relief, overhanging roofs, heavy brackets, and elaborate carvings. The doors are of solid bronze in bas-relief.
In the suburbs is a hill known as Atago-Yama, from whence there is a grand, comprehensive view of the capital. A couple of miles to the southeast lies the broad, glistening Bay of Tokio, and round the other points of the compass the imperial city itself covers a plain of some eight miles square, divided by water-ways, bridges, and clumps of graceful trees looming conspicuously above the low dwellings. The whole is as level as a checker-board; but yet there is relief to the picture in the fine open gardens, the high-peaked gable roofs of the temples, and the broad white roadways.
A visit to Kioto, which is called the City of Temples, shows us some prominent local peculiarities. The Japanese character presents as much unlikeness to the Oriental as to the European type, and is comparable only to itself. A native believes that the little caricature in ivory or wood which has, perhaps, been manufactured under his own eyes, or even by his own hands, is sacred, and he will address
