houses on the sea and mountains on the housetops. At caricature they greatly excel, indeed they scarcely attempt to represent the human face and figure in any other light. In place of entertaining any idea of what is lovely in our species, they look only at the human face and form from the ludicrous side, and this they render by giving it ideal ugliness, or by exaggerating the grosser characteristics. The Japanese artist knowing nothing of anatomy as a science, in its connection with art, nor even attempting the simplest principle of foreshortening, we can only fairly judge as to his success in what he practices. It will be curious to watch the progress of the Japanese, and see their first attempts in perspective drawing. So intelligent and imitative a race will not fail to acquire this simple principle of art and nature; the only mystery seems to be how it has so long escaped them.
Architecture can hardly be said to exist in Japan, though we have used the term. The houses of the prince and the cobbler are the same, consisting of a one-story building composed of a few upright posts, perhaps of bamboo, and a heavy thatched roof. The outer walls are mere sliding doors or shutters, while the interior is divided by screens or sliding partitions. The man of means uses finer material and polished wood, with better painted screens: that is all. Prince and peasant use rice-paper in place of glass, and a portable brasier to warm the hands and feet and to cook with; there are no fireplaces in the country, except in European houses. The pagodas and temples at Nikko and elsewhere are of the typical Chinese stamp, and as far as architectural design is concerned are all alike, and all built of wood. When speaking of the fine and durable masonry, reference was had to the lofty inclosing walls, causeways, and steps which lead up to the broad ground and tombs at Nikko.
We took passage from Yokohama for Kobé in the English mail steamship Sumatra, of the P. and O. line, which, after two days' pleasant voyage, landed us at the northern entrance to the Inland Sea of Japan. Kobé is of some commercial importance, quite Europeanized, but of very little interest to the traveler, gaining its business as the sea-port for the imperial city of Osaka, with which it is connected by the river Yedo. After looking about us here for a day, visiting some lofty and pretty falls in the neighborhood, and some curious Buddhist shrines in a grove back of the town, the cars were taken for Kioto, sixty miles inland, where we arrived in the afternoon and found a good native public house, the Masuyama Hotel, situated on a hill-side completely overlooking the town. Here we had beds, wash-stands, chairs, and the ordinary comforts of civilization. Kioto has a population of over three hundred thousand, and, as we were told, once numbered two million of inhabitants, which one can easily credit, since it was in the past the political capital of the country and sole residence of the emperors; but now the Mikado lives permanently at Tokio.
Kioto is called the City of Temples, and we certainly visited so many that only a confused memory of them in the aggregate is retained. They were by no means equal in grandeur, ornamentation, architecture, or age to those of Nikko, Kamakura, or Tokio. More religious pretentiousness was obvious here—more people were congregated before the images, engaged in acts of devotion. It might be added, if there was any chastening influence in the ceremonies, they were more needed at Kioto than at any other place, perhaps, in the whole country, judging from only too obvious circumstances. The Japanese character presents as much unlikeness to the Oriental as to the European type, and is comparable only to itself. In nothing is this more apparent than in the fact that a people who are so intelligent, who can reason calmly and cogently on nearly any other subject, should be so obtuse in religious matters. A Japanese believes the little caricature in ivory or wood, which has perhaps been manufactured under his own eye, or even by his own hands, is sacred, and will address his prayers to it with a solemn conviction of its powers to respond. Than this idolatry cannot further go. His most revered gods are effigies of renowned warriors and successful generals. African fetich is no blinder than such baseless adoration performed by an intelligent people. Some of the indigenous animals, such as foxes, badgers, and snakes, are protected with superstitious reverence, if not absolutely worshiped. At Tokio we saw ponies that were held sacred, dedicated in some way to the use of the church, kept in idleness, and reverenced by both priests and people, being fed on the fat of the land, like sacred bulls at Benares.
At the Kioto temples it was observable that fully a score of priests were kept busy writing brief prayers upon slips of paper at the solicitation of devotees, doubtless suited to their supposed necessities. These scraps the recipients pressed to their lips, foreheads, and breasts, then pinned or pasted them up in the temples among thousands of similar offerings. One of these temples, we were told by our guide, contained over thirty thousand idols, and as far as a casual glance could take in the confused mass of them ranged close to each other, the aggregate number may be correct. These idols were three feet high, representing some approach to the human figure, each possessing many arms and hands. They were carved from solid blocks of wood, and very heavily gilded, presenting a most gaudy and toy-like appearance. While we stood within this temple some women came in, prostrated themselves before the glittering toys for a few moments, and then passed out, making room for others; but we saw no men at devotion in this temple of many thousand idols.
The streets of Kioto were thronged with mountebanks, peep-shows, performing acrobats, and conjurers. Sleek and pampered priests in yellow robes were met at every turn, a class who exercise a certain influence over the people through their superstition, but who command no personal respect. We were told that they are a profligate set, like too many of their class elsewhere, and enjoyed a certain immunity from the laws. Before the temples was seen in one or two instances a theatrical performance in progress, which seemed rather incongruous, but upon inquiry this was found to be designed to appease the special gods of the temple—to entertain and amuse them! so that they would grant favors to the people. The exhibition consisted of dancing and posturing by professionals of both sexes, accompanied by the noise of tom-toms, whistles, gongs, bells, and fifes. There was no attempt at time or harmony, as far as could be discovered, the end and aim being apparently to make all the noise possible.
Amusements are not lacking at Kioto, as there are numerous theatres where farce, tragedy, and comedy are duly represented after the crude fashion of the country. These theatres open at early morning and the play lasts until midnight, with the briefest intermissions. The spectators bring their food with them; so that eating, drinking, and smoking are going on all the while during the performance. At some of these theatres women only perform, at others only men, but in no instance do the two sexes mingle in these public exhibitions. The mechanical arrangements are of the most primitive character, such as would not satisfy children in America, but the pantomime is very good. As to speaking characters, they are very seldom attempted. The price of admission is about five cents of our currency, and from six hundred to a thousand persons often gather at these theatres. Music (it is called by that name) and posturing fill up the intervals. To an American observer the whole exhibition seems cruder than a Comanche wardance.
Singing and posturing girls are here let out in groups, as in other Japanese cities, to entertain foreigners or natives at their meals; but the performances and the purpose are highly objectionable, morality in this latitude being much like that of the average European capitals, that is, at a very low ebb, as viewed from our stand-point. There are also public exhibitions of acrobats in wrestling, fencing, and the like, while others are devoted entirely to sleight-of-hand tricks, very good of their kind.
The porcelain manufactories of Kioto were found interesting—everything being done, however, by the patient and slow process of hand labor, with the crudest of tools. The same remark applies to the silk manufactories, where the weaving is performed in a laborious manner, each small hand-loom requiring two persons to operate it. The goods thus produced are really fine, but could not be sold in the present markets of the world except that Japanese labor is held at starvation prices. The average pay of the weavers is less than thirty cents per day, and the boy helpers, who work the shuttles, receive but twelve. The various manufactories of paper here and elsewhere in the country form one of its most extended industries, the basis of the material being the bark of certain trees; indeed, one is on this account designated as the paper-tree, and, being a species of the mulberry, it serves a double purpose—its leaves feeding the little insect which is so important a factor in Japanese products. It must not be supposed
