is time these arms were changed. See that you have here fairly painted the arms of my Queen and me—Howard and Tudor—in token that we have passed this way and sojourned in this Castle of Pontefract.'
He was dallying with time as if it were a luxury to dally: he looked curiously round the room.
'Why, they have not housed you very well,' he said, and, as the Archbishop shivered suddenly, he added, 'there should be glass in the windows. This is a foul old kennel.'
'I have made a complaint to the Earl Marshal,' Cranmer said dismally, 'but 'a said there was overmuch room needed above ground.'
This room was indeed below ground and very old, strong, and damp. The Archbishop's own hangings covered the walls, but the windows shot upwards through the stones to the light; there was upon the ground of stone not a carpet but only rushes; being early in the year, no provision was made for firing, and the soot of the chimney back was damp, and sparkled with the track of a snail that had lived there undisturbed for many years, and neither increasing, because it had no mate, nor dying, because it was well fed by the ferns that, behind the present hangings, grew in the joints of the stones. In that low-ceiled and dark place the Archbishop was aware that above his head were fair and sunlit rooms, newly painted and hung, with the bosses on the ceilings fresh silvered or gilt, all these fair places having been given over to kinsmen of the yellow Earl Marshal from the Norfolk Queen downwards. And the temporal and material neglect angered him and filled him with a querulous bitterness that gnawed up even through his dread of a future—still shadowy—fall and ruin.
The King looked sardonically at the line of the ceiling. He had known that Norfolk, who was the Earl Marshal, had the mean mind to make him set these indignities upon the Archbishop, and loftily he considered this result as if the Archbishop were a cat mauled by his own dog whose nature it was to maul cats.
The Archbishop had been standing with one hand on the arm of his heavy chair, about to haul it back from the table to sit himself down. He had been standing thus when the King had entered with the brusque words—
'Make you ready to write a letter to Rome.'
And he still stood there, the cold feet among the damp rushes, the cold hand still upon the arm of the chair, the cap pulled forward over his eyes, the long black gown hanging motionless to the boot tops that were furred around the ankles.
'I have made a plaint to the Earl Marshal,' he said; 'it is not fitting that a lord of the Church should be so housed.'
Henry eyed him sardonically.
'Sir,' he said, 'I am being brought round to think that ye are only a false lord of the Church. And I am minded to think that ye are being brought round to trow even the like to mine own self.'
His eyes rested, little and twinkling like a pig's, upon the opening of the Archbishop's cloak above his breastbone, and the Archbishop's right hand nervously sought that spot.
'I was always of the thought,' he said, 'that the prohibition of the wearing of crucifixes was against your Highness' will and the teachings of the Church.'
A great crucifix of silver, the Man of Sorrows depending dolorously from its arms and backed up by a plaque of silver so that it resembled a porter's badge, depended over the black buttons of his undercoat. He had put it on upon the day when secretly he had married Henry to the papist Lady Katharine Howard. On the same day he had put on a hair shirt, and he had never since removed either the one or the other. He had known very well that this news would reach the Queen's ears, as also that he had fasted thrice weekly and had taken a Benedictine sub-prior out of chains in the tower to be his second chaplain.
'Holy Church! Holy Church!' the King muttered amusedly into the stiff hair of his chin and lips. The Archbishop was driven into one of his fits of panic-stricken boldness.
'Your Grace,' he said, 'if ye write a letter to Rome you will—for I see not how ye may avoid it—reverse all your acts of this last twenty years.'
'Your Grace,' the King mocked him, 'by your setting on of chains, crucifixes, phylacteries, and by your aping of monkish ways, ye have reversed—well ye know it—all my and thy acts of a long time gone.'
He cast himself back from the table into the leathern shoulder-straps of the chair.
'And if,' he continued with sardonic good-humour, 'my fellow and servant may reverse my acts—videlicet, the King's—wherefore shall not I—videlicet, the King—reverse what acts I will? It is to set me below my servants!'
'I am minded to redd up my house!' he repeated after a moment.
'Please it, your Grace——' the Archbishop muttered. His eyes were upon the door.
The King said, 'Anan?' He could not turn his bulky head, he would not move his bulky body.
'My gentleman!' the Archbishop whispered.
The King looked at the opposite wall and cried out—
'Come in, Lascelles. I am about cleaning out some stables of mine.'
The door moved noiselessly and heavily back, taking the hangings with it; as if with the furtive eyes and feathery grace of a blonde fox Cranmer's spy came round the great boards.
'Ay! I am doing some cleansing,' the King said again. 'Come hither and mend thy pen to write.'
Against the King's huge bulk—Henry was wearing purple and black upon that day—and against the Archbishop's black and pillar-like form, Lascelles, in his scarlet, with his blonde and tender beard had an air of being quill-like. The bones of his knees through his tight and thin silken stockings showed almost as those of a skeleton; where the King had great chains of gilt and green jewels round his neck, and where the Archbishop had a heavy chain of silver, he had a thin chain of fine gold and a tiny badge of silver-gilt. He dragged one of his legs a little when he walked. That was the fashion of that day, because the King himself dragged his right leg, though the ulcer in it had been cured.
Sitting askew in his chair at the table, the King did not look at this gentleman, but moved the fingers of his outstretched hand in token that his crook of the leg was kneeling enough for him.
'Take your tablets and write,' Henry said; 'nay, take a great sheet of parchment and write——'
'Your Grace,' he added to the Archbishop, 'ye are the greatest penner of solemn sentences that I have in my realm. What I shall say roughly to Lascelles you shall ponder upon and set down nobly, at first in the vulgar tongue and then in fine Latin.' He paused and added—
'Nay; ye shall write it in the vulgar tongue, and the Magister Udal shall set it into Latin. He is the best Latinist we have—better than myself, for I have no time——'
Lascelles was going between a great cabinet with iron hinges and the table. He fetched an inkhorn set into a tripod, a sandarach, and a roll of clean parchment that was tied around with a green ribbon.
Upon the gold and red of the table he stretched out the parchment as if it had been a map. He mended his pen with a little knife and kneeled down upon the rushes beside the table, his chin level with the edge. His whole mind appeared to be upon keeping the yellowish sheet straight and true upon the red and gold, and he raised his eyes neither to the Archbishop's white face nor yet to the King's red one.
Henry stroked
