Fair Italy, the Riviera and Monte Carlo. W. Cope Devereux
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[E] In my former work, "The Cruise of the Gorgon," my object was to expose the iniquity of the East African slave-trade, and our mode of suppressing it; and it is now my object to draw attention to the immorality of the Monte Carlo gambling principality, with a view to the exposure and suppression of its evils, for the benefit of those who, for health and pleasure, resort to these lovely shores of the Mediterranean.
While these pages are passing through the press, the author is greatly gratified to see the noble exertions Italy is making, both in her Parliament and through the press, for the suppression of this gambling principality—recounting the many terrible suicides so frequently occurring there. But, a still more hopeful sign is the action recently taken in our own House of Commons as evidenced by the following extract from the Morning Post of Feb. 12th, 1884:—
"A question is to be put to Lord E. Fitzmaurice to-morrow by Mr. Anderson (Glasgow) on the subject of the recent tragedies reported from Monte Carlo. The hon. member will ask whether her Majesty's Government will make friendly representations to the Governments of France and Italy, with the view of inducing them to unite for the suppression of the public gambling tables in that principality; and whether her Majesty's Government will also make friendly representations to the Government of France regarding the continuance of public gaming tables at Aix les Bains?"
Italy, however, would do well to set the example by the abolition of her State "Lotto Banks;" and we in England would do well to suppress the little "Monte Carlos" at our West End, and so called Proprietary Clubs and Stock Exchanges.
CHAPTER VII.ToC
Scenery en route—Bordighera—Pegli—Genoa—Its magnificent situation—The grandeur of its past—The harbour—Streets—Palaces—Churches—Cathedral of San Lorenzo—Sacred Catina—Chapel of St. John the Baptist—Italian Beggars—Sudden change in the atmosphere—The Campo Santo—Shops of Genoa—Marble promenade—City of precipices—Climate of Genoa.
After our visit to Monte Carlo, we returned to our hotel at Mentone, which we left early on the following day for Genoa, our next halting-place.
The country around Ventimiglia, Bordighera, and San Remo, is in many parts grand and beautiful, affording varied and interesting excursions. These three places are filled with visitors. The climate is somewhat more relaxing than at Nice or even Mentone. The date-palm seems to flourish at Bordighera, which is said to have the monopoly of supplying these graceful branches to Rome, for the Church ceremonies at Easter-time.
Savona was the largest town passed on our route. It has a very fine Cathedral, and was at one time a considerable port. A little further eastward on the coast is Pegli, a pretty little seaside place, fast growing into favour. The Imperial Princess of Germany stayed here with her children some time since.
After a very pleasant journey by rail we reached Genoa at 10 p.m.
Genoa, Gênes, Genova, as it is called in English, French, and Italian, derives its name from the Latin word genu, the knee, supposed to be the shape of the large inlet of the sea around which the land lies in a vast semicircle. It is also called "La Superba," from its magnificent situation; indeed, few cities equal its imposing grandeur as seen from the sea. Handsome buildings line the shore for about the length of two miles; splendid palaces, churches, and convents rise tier upon tier on the steep sides of the hills, whose barren summits are crowned by formidable-looking forts and ramparts. Immediately behind are the Apennines, and upon these mountain heights are again several strong forts commanding the town, which is also enclosed by a double line of fortifications on the land side. The stern aspect of these works is relieved by gardens, whose foliage gives the one touch needed to soften the beauty of the whole. The harbour has a pier at each end, and upon one of these is a very fine lighthouse.
From time immemorial Genoa has been famous as a seaport, and as the contemporary and rival of fair Venice, and, like her, has had a proud and eventful history. How sadly are these splendid cities of the past, these great and wealthy republics of ancient times, sunk at the present day to a shadow of their former magnificence and grandeur! Their ruined splendour alone remains to show us what they were. But it is like gazing on the beauty of death; the soul, the spirit, is wanting, and we are continually haunted by the hollow mockery of the empty house which was once its dwelling. Doubtless the Genoese are proud of their city, yet it reminds one of the last descendant of a long and ancient pedigree, whose ancestors were once lords of many a fair manor, but who now has nothing but his name left, to recall the recollections of bygone days, and points on this side and on that, with the words "These lands once belonged to my illustrious family, of which I am the sole representative."
Baedeker says, "The beauty of its situation, and the interesting reminiscence of its ancient magnificence, render a visit to Genoa very attractive, especially to the traveller who is visiting Italy for the first time. … The Renaissance palaces are objects of extreme interest, surpassing in number and magnificence those of any other city in Italy. Many of the smaller churches are of very ancient origin, though usually altered in the Gothic period."
The many splendid palaces of the old nobility, with all their art treasures and galleries of fine paintings by the great masters, have been left to the city as a free gift, with the stipulation of their being open to visitors. Rubens and Vandyke both resided here, and there are a number of their greatest works to be seen. As an example of the wealth of the nobles even at the present day, and their patriotic pride in their city, the Duke of Galliera, who died in 1876, presented twenty million francs for the improvement of the harbour, on condition that the Government would advance the remainder of the sum required, and the work is now in progress.
This semicircular harbour is crowded with shipping, while all around are large warehouses, and stretching along the edge is a superb promenade of white marble on raised arches. The Gulf of Genoa is very stormy, and there are but few fish to be found in it.
The streets are paved with stone which tires one to walk on. Many of them are dark and crooked, particularly in the interior of the town and near the sea, and so steep and narrow that in some of them a carriage cannot pass through. Most people will remember Dickens' amusing remarks on this subject in his "Pictures of Italy."
Some of the streets, however, are very fine. The Via Roma stretches up the hill, and descends in an almost unbroken line to the valleys beneath the mountains, and is remarkably clean and pleasant. On either side are houses of stone, with overhanging roofs. In the Via Carlo Felice is the Via Carlo Felice Theatre, the third largest in Italy. The Via Garibaldi has no less than eighteen splendid marble palaces in succession, while the fine streets, Nuovissima, Balbi, and Carlo Alberto, are also lined with these grand old palaces of the Genoese nobility. Many of them contain rare and magnificent works of art, and their furniture and decorations are rich and beautiful in the extreme. They are usually on view from ten till three, on payment of a small fee to the keeper. In each saloon you find catalogues of the pictures, amongst which the works of Rubens, Titian, Correggio, and Vandyke are conspicuous.
Palace after palace, gallery after gallery; it is really embarras de richesse, and one gets quite bewildered with the wealth of artistic genius.
The churches are also very fine, but many of them are left in a very unfinished condition. The Capuchin church of St. Annunziata, in the Piazza del Annunziata, erected in 1587, has a portal upborne by marble columns, while the brick façade is left quite unfinished, with great holes