CHAPTER I
CHAPTER I
An old man sat in the shadows of the summer night. From a veranda chair he looked at the stars. He wore a white beard, and his eyes, grown small with age, watered continually as if he were weeping. Half-hidden under his beard his emaciated lips kept the monotonous grimace of a smile on his face.
He sat in the dark, a patient, trembling figure waiting for bedtime. His feet, though he rested them all day, grew heavy at night. Of late this weariness had increased. It reached like a caress into his mind. Thoughts no longer formed themselves in the silences of his hours. Instead, a gentle sleep, dreamless and dark, came upon him and left him sitting with his little eyes, open and moist, fastened without sight upon familiar objects.
As he sat, the withered body of this old man seemed to grow always more motionless, except for his hands. Resting on his thighs, his twig-like hands remained forever awake, their thin contorted fingers crawling vaguely about like the legs of 8 long-impaled spiders.
The sound of a piano from the room behind him dropped into the old man's sleep, and he found himself once more looking out of his eyes and occupying his clothes. His attitude remained unchanged except for a quickened movement of his fingers. Life returned to him as gently as it had left. The stars were still high over his head and the night, cool and murmuring, waited for him.
He lowered his eyes toward the street beyond the lawn. People were straying by, seeming to drift under the dark trees. He could not see them distinctly, but he stared at their flowing outlines and at moments was rewarded by a glimpse of a face—a featureless little glint of white in the shadows: dark shadows moving within a motionless darkness with little dying candle-flame faces. "Men and women," he thought, "men and women, mixed up in the night … mixed up."
As he stared, thoughts as dim and fluid as the people in the street moved in his head. But he remembered things best not in words. His memories were little warmths that dropped into his heart. His cold thin fingers continued their fluttering. "Mixed up, mixed up," said the night. "Dark," said the shadows. And the years spoke their memories. "We have been; we are no more." Memories that had lost the bloom of words. The emaciated lips of the old man held a smile beneath the white beard.
This was Isaac Dorn, still alive after eighty years.
The music from the house ended and a woman's voice called through an open window.
"I'm afraid it's chilly outside, father."
He offered no answer. Then he heard Erik, his son, speak in an amused voice.
"Leave the old man be. He's making love to the stars."
"I'll get him a blanket," said Erik's wife. "I can't bear to think of him catching cold."
Isaac Dorn arose from his chair, shaking his head. He did not fancy being covered with a blanket and feeling Anna's kindly hands tucking its edges around his feet. They were too kindly, too solicitous. Their little pats and caressings presumed too much. One grew sad under their ministrations and murmured to oneself, "Poor child, poor child." Better a half-hour under the cold, amused eyes of his son, Erik. There was something between Erik and him, something like an unspoken argument. To Anna he was a pathetic little old man to be nursed, coddled, defended against chills and indigestions, "poor child, poor child." But Erik looked at him with cold, amused eyes that offered no quarter to age and asked for nothing. Good Erik, who asked for nothing, whose eyes smiled because they were too polite to sneer. Erik knew about the stars and the mixed-up things, the dim things old senses could feel in the night though he chose to laugh at them.
But one thing Erik didn't know, and the old man, turning from his chair, grew sad. What was that? What? His thought mumbled a question. Sitting motionless in a corner of the room he could smile at Erik and his smile under the white beard seemed to give an answer to the mumble—an answer that irritated his son. The answer said, "Wait, wait! it is too early for you to say you have lived." What a son, what a son! whose eyes made fun of his father's white hair.
The old man moved slowly as if his infirmities were no more than meditations, and entered the house.
CHAPTER II
The crowds moving through the streets gave Erik Dorn a picture. It was morning. Above the heads of the people the great spatula-topped buildings spread a zigzag of windows, a scribble of rooftops against the sky. A din as monotonous as a silence tumbled through the streets—an unvarying noise of which the towering rectangles of buildings tilted like great reeds out of a narrow bowl, seemed an audible part.
The city alive with signs, smoke, posters, windows; falling, rising, flinging its chimneys and its streets against the sun, wound itself up into crowds and burst with an endless bang under the far-away sky.
Moving toward his office Erik Dorn watched the swarming of men and women of which he was a part. Faces like a flight of paper scraps scattered about him. Bodies poured suddenly across his eyes as if emptied out of funnels. The ornamental entrances of buildings pumped figures in and out. Vague and blurred like the play of gusty rain, the crowds darkened the pavements.
Dorn saluted the spectacle with smiling eyes. As always, in the aimless din and multiplicity of streets he felt himself most securely at home. The smear of gestures, the elastic distortion of crowds winding and unwinding under the tumult of windows, gave him the feeling of a geometrical emptiness of life.
Here before him the meanings of faces vanished. The greedy little purposes of men and women tangled themselves into a generality. It was thus Dorn was most pleased to look upon the world, to observe it as one observes a pattern—involved but precise. Life as a whole lay in the streets—a little human procession that came toiling out of a yesterday into an interminable to-morrow. It presented itself to him as a picture—legs moving against the walls of buildings, diagonals of bodies, syncopating face lines.
Things that made pictures for his eyes alone diverted Dorn. Beyond this capacity for diversion he remained untouched. He walked smiling into crowds, oblivious of the lesser destinations of faces, pleased to dream
