grasped the empty cup and the remnants of the bread, and ran to take refuge in the kitchen. After hearing such horrors in this house she felt afraid. She imagined that someone must be stalking through the venerable halls at the other end of the palace; someone—she could not explain to herself who it might be—someone who had been aroused from the sleep of centuries! This palace undoubtedly possessed a soul. When the old woman was alone in it the furniture creaked as if people were moving about and conversing; the tapestries swayed as if stirred by invisible faces, a gilded harp which had belonged to Don Jaime's grandmother vibrated in its corner, yet she never felt terror, because the Febrers had been good people, simple and kind to their servants; but now, after hearing such things——! She thought uneasily of the portraits hanging on the walls of the reception hall. How severe those señores would look if the words of their descendant should reach their ears! How fiercely their eyes would flame!
Mammy Antonia finally grew calm and drank the coffee left by her master. She had laid fear aside, but she felt profound sorrow over the fate of Don Jaime, as if he were in peril of death. To bring the house of the Febrers to this! Could God tolerate such things? Then scorn for her master momentarily overcame her old-time affection. After all he was nothing but a wild fellow, heedless of religion, and destitute of good habits, who had squandered what had been left of the fortune of his house. What would his illustrious relatives have to say? How ashamed his aunt Juana would be—that noble lady, the most pious and aristocratic woman in the island, called by some in jest and by others in an excess of veneration, la Papisa—the Pope-ess!
"Good-bye, Mammy. I'll be back about sunset."
The old woman grunted a farewell to Jaime, who peeped into the kitchen before leaving. Then, finding herself alone, she raised her clasped hands invoking the aid of the Sangre de Cristo, of the Virgin of Lluch, patron saint of the island, and of the powerful San Vicente Ferrer, who had wrought so many miracles when he ministered in Majorca—a final and prodigious saint, who might avert the monstrosity her master contemplated! Let a rock from the mountains fall and forever close the way to Valldemosa; let the carriage upset, and let Don Jaime be carried home on a stretcher by four men—anything rather than that disgrace!
Febrer crossed the reception hall, opened the door to the stairway, and began to descend the worn steps. His forefathers, like all the nobles of the island, had builded on a grand scale. The stairway and the zaguán occupied a third of the lower story. A kind of loggia in Italian style, with five arches sustained by slender columns, extended to the foot of the stairway, the doors of which gave access to the two upper wings of the building opening at either end. Above the center of the stairway, facing the street door, were the Febrer arms cut in the stone, and a great lantern of wrought iron.
On his way down Jaime's cane struck against the sandstone steps, or touched the great glazed amphoræ decorating the landings which responded to the blow with the sonorous ring of a bell. The iron balustrade, oxidized by time and crumbling into scales of rust almost shook from its sockets with the jar of his footsteps.
As he reached the zaguán Febrer stood still. The extreme resolution which he had adopted, and which would forever cast its influence on the destiny of his name, caused him to look curiously at the very places which he had so often passed with indifference.
In no other part of the building was the old-time prosperity so evident as here. The zaguán, enormous as a plaza, could admit a dozen carriages and an entire squadron of horsemen. Twelve columns, somewhat bulging, of the nut-brown marble of the island, sustained the arches of cut undressed stone over which extended the roof of black rafters. The paving was of cobbles between which grew dank moss. A vault-like chill pervaded this gigantic and solitary ruin. A cat slunk through the zaguán, making its exit through a hole in a worm-eaten door of the old stables, disappearing into the deserted cellars which had held the harvests of former days. On one side was a well dating from the epoch when the palace was constructed, a hole sunk through rock, with a time-worn stone curb and a wrought-iron spout. Ivy was growing in fresh clusters between the crevices of the polished rock. Often as a child Jaime had peered over the curb at his reflection in the luminous round pupil of the sleeping waters.
The street was deserted. Down at its end, near the walls of the Febrer garden, was the city rampart, pierced by a broad gateway, with wooden bars in the arch like the teeth in the mouth of an enormous fish. Through this the waters of the bay trembled green and luminous with reflections of gold.
Jaime walked a short distance over the blue stones of the street which was destitute of sidewalks, and then turned to contemplate his house. It was but a small remnant of the past. The ancient palace of the Febrers occupied a whole square, but it had dwindled with the passing of the centuries and with the exigencies of the family. Now a part of it had become a residence for nuns, and other parts had been acquired by certain rich people who disfigured with modern balconies the original unity of the design, which was still suggested by the regular line of eaves and tile-covered roofs. The Febrers themselves who were living in that portion of the great house which looked upon the garden and the sea, had been compelled to let the lower stories to warehousemen and small shopkeepers, in order to augment their rents. Near the lordly portal, inside the glass windows, some girls who greeted Don Jaime with a respectful smile were busy ironing linen. He stood motionless contemplating the ancient house. How beautiful it was still in spite of its amputations and its age!
The foundation wall, perforated and worn by people and carriages, was cleft by several windows with grilles on a level with the ground. The lower story of the palace was worn, lacerated, and dusty, like feet which had been plodding for centuries.
As it rose above the mezzanine, a story with an independent entrance which had been rented to a druggist, the lordly splendor of the façade developed. Three rows of windows on a level with the arch of the portal, divided by double columns, had frames of black marble delicately carved. Stone thistles climbed over the columns which sustained the cornices, while above them were three great medallions—that in the center being the bust of the Emperor with the inscription DOMINUS CAROLUS IMPERATOR, 1541, in memory of his passing through Majorca on the unfortunate expedition against Algiers; those on either side bore the Febrer arms held by fish with bearded heads of men. Above the jambs and cornices of the great windows of the first story were wreaths formed of anchors and dolphins, testifying to the glories of a family of navigators. On their finials were enormous shells. Along the upper portion of the façade was a compact row of small windows with Gothic decorations, some plastered over, others open to admit light to the garrets, and above them the monumental eaves, such as are found only in Majorcan palaces, their masses of carved timbers blackened by time and supported by sturdy gargoyles projecting as far as the middle of the street.
Over the entire façade extended cleats of worm-eaten wood with nails and bands of rusted iron. They were the remains of the grand illuminations with which the household had commemorated certain feasts in its times of splendor.
Jaime seemed satisfied with this examination. The palace of his ancestors was still beautiful despite the broken panes in the windows, the dust and cobwebs gathered in the crevices, the cracks which centuries had opened in its plaster. When he should marry, and old Valls' fortune should pass into his hands, everyone would be astounded at the magnificent resurrection of the Febrers. And yet, would some people be scandalized at his decision, and did he himself not feel certain scruples? Courage, forward!
He turned in the direction of El Borne, a broad avenue which is the center of Palma, a stream bed which in ancient times divided the city into two villages and into two hostile factions—Can Amunt and Can Avall. There he would find a carriage to take him to Valldemosa.
As he entered the Paseo del Borne his attention was attracted by a group of people standing in the shade of the dense-crowned trees staring at a peasant family which had stopped before the display windows of a shop. Febrer recognized their dress, different from that worn by the peasants on the island. They were Ivizans. Ah, Iviza! The name of this
