The Bell-Ringer of Angel's, and Other Stories. Bret Harte
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She walked away to the window again, not angrily, but smoothing down the folds of her bright print dress as if she were wiping her hands of her husband and his guest. Something like a very material and man-like sense of shame struggled up through his crust of religion. He stammered, “You don't understand me, Safie.”
“Then talk of something I do understand,” she said pertly. “Tell me some news of Angel's. Your brother was over there the other day. He made himself quite popular with the young ladies—so I hear from Mrs. Selvedge. You can tell me as we walk along the bank towards Sandy's claim. It's just as well that you should move on now, as it's your FIRST call, and next time you can stop longer.” She went to the corner of the room, removed her smart slippers, and put on a pair of walking-shoes, tying them, with her foot on a chair, in a quiet disregard of her visitor's presence; took a brown holland sunbonnet from the wall, clapped it over her browner hair and hanging braids, and tied it under her chin with apparently no sense of coquetry in the act—becoming though it was—and without glancing at him. Alas for Madison's ethics! The torment of her worldly speech and youthful contempt was nothing to this tacit ignoring of the manhood of her lover—this silent acceptance of him as something even lower than her husband. He followed her with a burning cheek and a curious revolting of his whole nature that it is to be feared were scarcely Christian. The willows opened to let them pass and closed behind them.
An hour later Mrs. McGee returned to her leafy bower alone. She took off her sunbonnet, hung it on its nail on the wall, shook down her braids, took off her shoes, stained with the mud of her husband's claim, and put on her slippers. Then she ascended to her eyrie in the little gallery, and gazed smilingly across the sunlit Bar. The two gaunt shadows of her husband and lover, linked like twins, were slowly passing along the river bank on their way to the eclipsing obscurity of the cottonwoods. Below her—almost at her very feet—the unconscious Arthur Wayne was pushing his work on the river bed, far out to the promontory. The sunlight fell upon his vivid scarlet shirt, his bared throat, and head clustering with perspiring curls. The same sunlight fell upon Mrs. McGee's brown head too, and apparently put a wicked fancy inside it. She ran to her bedroom, and returned with a mirror from its wall, and, after some trials in getting the right angle, sent a searching reflection upon the spot where Arthur was at work.
For an instant a diamond flash played around him. Then he lifted his head and turned it curiously towards the crest above him. But the next moment he clapped his hands over his dazzled but now smiling eyes, as Mrs. McGee, secure in her leafy obscurity, fell back and laughed to herself, like a very schoolgirl.
It was three weeks later, and Madison Wayne was again sitting alone in his cabin. This solitude had become of more frequent occurrence lately, since Arthur had revolted and openly absented himself from his religious devotions for lighter diversions of the Bar. Keenly as Madison felt his defection, he was too much preoccupied with other things to lay much stress upon it, and the sting of Arthur's relapse to worldliness and folly lay in his own consciousness that it was partly his fault. He could not chide his brother when he felt that his own heart was absorbed in his neighbor's wife, and although he had rigidly adhered to his own crude ideas of self-effacement and loyalty to McGee, he had been again and again a visitor at his house. It was true that Mrs. McGee had made this easier by tacitly accepting his conditions of their acquaintanceship, by seeming more natural, by exhibiting a gayety, and at times even a certain gentleness and thoughtfulness of conduct that delighted her husband and astonished her lover. Whether this wonderful change had really been effected by the latter's gloomy theology and still more hopeless ethics, he could not say. She certainly showed no disposition to imitate their formalities, nor seemed to be impressed by them on the rare occasions when he now offered them. Yet she appeared to link the two men together—even physically—as on these occasions when, taking an arm of each, she walked affectionately between them along the river bank promenade, to the great marveling and admiration of the Bar. It was said, however, that Mr. Jack Hamlin, a gambler, at that moment professionally visiting Wayne's Bar, and a great connoisseur of feminine charms and weaknesses, had glanced at them under his handsome lashes, and asked a single question, evidently so amusing to the younger members of the Bar that Madison Wayne knit his brow and Arthur Wayne blushed. Mr. Hamlin took no heed of the elder brother's frown, but paid some slight attention to the color of the younger brother, and even more to a slightly coquettish glance from the pretty Mrs. McGee. Whether or not—as has been ingeniously alleged by some moralists—the light and trifling of either sex are prone to recognize each other by some mysterious instinct, is not a necessary consideration of this chronicle; enough that the fact is recorded.
And yet Madison Wayne should have been satisfied with his work! His sacrifice was accepted; his happy issue from a dangerous situation, and his happy triumph over a more dangerous temptation, was complete and perfect, and even achieved according to his own gloomy theories of redemption and regeneration. Yet he was not happy. The human heart is at times strangely unappeasable. And as he sat that evening in the gathering shadows, the Book which should have yielded him balm and comfort lay unopened in his lap.
A step upon the gravel outside had become too familiar to startle him. It was Mr. McGee lounging into the cabin like a gaunt shadow. It must be admitted that the friendship of these strangely contrasted men, however sincere and sympathetic, was not cheerful. A belief in the thorough wickedness of humanity, kept under only through fear of extreme penalty and punishment, material and spiritual, was not conducive to light and amusing conversation. Their talk was mainly a gloomy chronicle of life at the Bar, which was in itself half an indictment. To-night, Mr. McGee spoke of the advent of Mr. Jack Hamlin, and together they deplored the diversion of the hard-earned gains and valuable time of the Bar through the efforts of that ingenious gentleman. “Not,” added McGee cautiously, “but what he can shoot straight enough, and I've heard tell that he don't LIE. That mout and it moutn't be good for your brother who goes around with him considerable, there's different ways of lookin' at that; you understand what I mean? You follow me?” For all that, the conversation seemed to languish this evening, partly through some abstraction on the part of Wayne and partly some hesitation in McGee, who appeared to have a greater fear than usual of not expressing himself plainly. It was quite dark in the cabin when at last, detaching himself from his usual lounging place, the door-post, he walked to the window and leaned, more shadowy than ever, over Wayne's chair. “I want to tell you suthin',” he said slowly, “that I don't want you to misunderstand—you follow me? and that ain't no ways carpin' or criticisin' nor reflectin' on YOU—you understand what I mean? Ever sens you and me had that talk here about you and Safie, and ever sens I got the hang of your ways and your style o' thinkin', I've been as sure of you and her as if I'd been myself trottin' round with you and a revolver. And I'm as sure of you now—you sabe what I mean? you understand? You've done me and her a heap o' good; she's almost another woman sens you took hold of her, and ef you ever want me to stand up and 'testify,' as you call it, in church, Sandy McGee is ready. What I'm tryin' to say to ye is this. Tho' I understand you and your work and your ways—there's other folks ez moutn't—you follow? You understand what I mean? And it's just that I'm coming to. Now las' night, when you and Safie was meanderin' along the lower path by the water, and I kem across you”—
“But,” interrupted Madison quickly, “you're mistaken. I wasn't”—
“Hol' on,” said McGee, quietly; “I know you got out o' the way without you seein' me or me you, because you didn't know it was me, don't you see? don't you follow? and that's just it! It mout have bin some one from the Bar as seed you instead o' ME. See? That's why you lit out before I could recognize you, and that's why poor Safie was so mighty flustered at first and was for runnin' away until she kem to herself agin. When, of course, she laughed, and agreed you must have mistook me.”
“But,”