throats for a dime, the whole caboodle. Oh! damn a Democrat anyhow, Tom, ’tain’t in the nature of things that they should be anything but thieves and rascals. Just look at the whole thing. It’s founded on lies and corruption and scoundrelism. That’s their foundation. They start out on it, and it ain’t reasonable to expect anything better of them. Good Lord! If I thought Tom Scott would join the Democrats, I believe I’d blow his brains out in his crib this minute.”
Tom’s part in this discussion was that of a large-minded and strictly impartial listener. This was the position he invariably assumed when surrounded by political argument. He was not a politician. His comments upon political subjects being usually of a sarcastic nature, and likely to prove embarrassing to both parties.
“Yes,” he said in reply to the Judge’s outpourings, “you’re right. There ain’t a chance for them, not an eternal chance. You can’t expect it, and it ain’t all their fault either. Where are they to get their decent men from, unless some of you fellows go over? Here you are without a liar or a fool among you—not a durned one—made a clean sweep of all the intellect and honesty and incorruptible worth in the country and hold on to it too, and then let out on these fellows because there isn’t any left for ’em. I’m a lazy man myself and not much on argument, but I must say that’s a weak place in your logic. You don’t give ’em a show at the start—that’s their misfortune.”
“Oh, go to thunder!” roared the Judge, amiably. “You don’t know the first thing about it and never did. That’s where you fail—in politics. The country would be in a mighty poor fix if we had many fellows like you—in a mighty poor fix. You’re a good citizen, Tom, but you ain’t a politician.”
“That’s so,” said Tom. “I ain’t good enough for your party or bad enough for the other, when a man’s got to be either a seraphim or a Democrat, there isn’t much chance for an ordinary fellow to spread himself.”
Whereupon the Judge in an altogether friendly manner consigned him to thunder again and, evidently enjoying himself immensely, proceeded to the most frightful denunciations of Thatcher and his party, the mere list of whose crimes and mental incapacities should have condemned them to perdition and the lunatic asylum upon the spot without further delay.
While he was in the midst of this genial loud-voiced harangue, his wife, who had been in the back room with the baby, came out and, on seeing her, he seemed suddenly to forget his animosities and the depraved political condition of the country altogether, becoming a placable, easily pleased, domesticated creature at once.
“Got Nellie to sleep again, have you?” he said, putting his hand on her shoulder. “Well, let’s go in and have some music. Come and sing ‘The Last Rose of Summer.’ That’s my favourite; it beats all the new-fangled opera things all to pieces.”
He led the way into the parlour, which was a large square room, regarded by Barnesville as the most sumptuous of reception chambers, inasmuch as its floor was covered by a Brussels carpet adorned with exotics of multifarious colours, its walls ornamented with massively framed photographs, and its corners fitted up with whatnots and shining hair-cloth seats known in Hamlin County as “tater-tates,” and in that impressive character admired beyond expression. Its crowning glory, however, was the piano, which had belonged to Jenny Rutherford in her boarding-school days, and was the delight of the Judge’s heart. It furnished him with his most cherished recreation in his hours of repose from political conflict and argument, inasmuch as he regarded his wife’s performance seldom to be equalled and never surpassed, and the soft, pleasant voice with which she sang “The Last Rose of Summer” and other simple and sentimental melodies as that of a cantatrice whose renown might have been world-wide if she had chosen to turn her attention to its development.
“Lord!” he said, throwing himself into one of the shining arm-chairs. “There’s nothing like music, nothing under the shining sun. ‘Music hath charms to soothe the savage breast.’ ”
This in his most sonorous quotation tones: “Let a man get tired or out of sorts, or infernal mad at a pack of cursed fools, and music’s the thing that’ll set him straight every time, if he’s any sort of a fellow. A man that ain’t fond of music ain’t of any account on God’s green earth. I wouldn’t trust him beyond a broom-straw. There’s a mean streak in a man that don’t care for music, sure. Why, the time the Democrats elected Peyton, the only thing that saved me from bursting a blood-vessel was Jenny’s playing ‘My Lodging’s on the Cold Ground’ with variations. I guess she played it for two hours hand-running, because when I found it was sort of soothing me, I didn’t want her to break in on the effect by beginning another. Play it for Tom, Jenny, after you’ve sung awhile. There’s one thing I’ve made up my mind to—if I had fifty girls, I’d have ’em all learn music if they didn’t know anything—not the operatic kind, you know, but enough to teach them to sing to a man like Jenny does. Go on, Jenny.”
The sustaining and cheering effects of Sophronia’s fried chicken and waffles probably added to his comfortable enjoyment, which was without limit. He leaned back in his armchair as far as the stiffly ornamented back would admit of his so doing and kept time with his head or his feet, occasionally joining in on a chorus with startling suddenness in an evidently subdued roar, which, though subdued, was still roaring enough, and, despite the excellence of its intention, quite out of tune enough to cause the wax flowers in their wax basket on the table (both done by Jenny at boarding-school) to shake under the glass shade until they tapped against its side with a delicate tinkle.
It was while this was going on that Tom, sitting near a side table, picked up a book and almost unconsciously opened it and read its title. Having read its title, an expression of interest showed itself on his countenance and he turned over a leaf or so, and as he turned them over dipped into them here and there.
He had the book in his hand when Jenny Rutherford ended her last chorus and came towards him.
“Do you go much by this?” he asked.
She took it from him and glanced at it.
“I brought Tom Scott up on it,” she said. “Mother wasn’t with me then, and I was such a child I did not know what to do with him.”
“Seems to be a good sort of book,” said Tom, and he turned over the leaves again.
“It is,” she answered, smiling at him. “There are lots of things in it every doctor don’t know. It was written by a woman.”
“That’s the reason, I reckon,” said Tom.
He laid the book down and seemed to forget it, but about an hour after when his bedroom candle was brought and he was on the point of retiring for the night, he turned upon the threshold of the sitting-room and spoke to his hostess in the tone of one suddenly recollecting himself.
“Where did you say you got that book?” he inquired, snuffing his candle with his thumb and forefinger.
“I didn’t say at all,” answered Jenny. “I got it from Brough & Bros., Baltimore.”
“Oh, there!” he remarked. “Good-night.”
When he reached his room and shut himself in, he set his candlestick on a table and proceeded to draw from his pocket the memorandum-book, also producing the stump of a lead pencil.
Then he made as he stood up before the looking-glass and in the flickering light of the candle, an entry which was as follows: “Advice to Young Mothers, Brough & Bros.” He made it with a grave countenance and a business-like manner, and somehow, owing it may be to the small size of the
