Wilding, on the other hand, was lively and talkative, and while she worried vivaciously about her luggage, she never missed an opportunity to advertise her dentist. Later on, the solemn station-master paused in the important business of writing “We could do—” to recollect her dazzling teeth before concluding “—with new fire-buckets.” And the porter actually dreamt of the teeth, earnestly filling a freight train with tooth-paste to keep them white. But the dazzling teeth made no impression on Lionel Bultin, saving as possible matter for a theatrical paragraph. He felt no personal emotion about them. He had done with personal emotion ten years ago....
In order to understand Bultin’s attitude, and the detachment with which his trained intelligence now absorbed an incident frightful with suppressed emotion, it is necessary to travel back those ten years to the day when, an eager and unsuccessful young journalist, he came to his great decision. In a not-very-attractive bed-sitting-room he had faced his mirror frankly, and had said:
“You’re making a hash of things. Why is it?”
Yes, why was it? Why did people pay no attention to him? Why had an editor refused, for the third time, to see him that very day? Did eagerness and tenacity count for nothing? Willingness—obligingness—sensitiveness? Bultin possessed all these qualities, plus an average capacity to string words together. So why was he living in this faded bed-sitting-room? Why could he not go across to the restaurant opposite and order a wing of chicken? Why was he hungry?
And then, suddenly, his reflection had changed. The despair and the eagerness had left it. Something quite new had entered and, because he was intelligent as well as hungry, he studied it. The new thing was a queer, cold callousness. A callousness that, because it had lost its faith in humanity, was independent of humanity. He felt as though, all at once, his sensitive soul had died, giving a new functioning power to what remained.
“This means success or the river,” he thought soberly.
He put on his hat and he went out, undecided. The river lay on his right, and the office of the inaccessible editor on his left. He turned to the left. The commissionaire whom he had interviewed thrice saw him coming, and exclaimed, “Can’t you take ‘No’ for an answer?”
Bultin wrote something on a slip of paper. “Give that to your fool of an editor,” he said, and left the office. He had written on the paper: “I could have given you a signed article by Bernard Shaw. Now you can sing for it. The above address will find me.”
Next day the signed article appeared in a rival paper. The editor, a weak man who spent his life in fear of a dropping circulation, never learned that Bultin had not supplied the rival paper with the article. Two hours before Bultin had scribbled his rude note, a friend of his had sold it elsewhere. The editor sent for Bultin and offered him a commission. Bultin turned it down.
He managed to borrow fifty pounds. He began a life of curious isolation. He was ever present in journalistic and social circles, but he remained aloof in his attitude. His manner indicated personal circumstances that did not exist. You would have thought, if you had met Lionel Bultin during those weeks, that he had suddenly come into a large fortune, although he showed no generosity in spending it, and that he could now snap his fingers at life. A successful man attracts success.
Whether Bultin would have achieved his purpose without the assistance of a small social column is not certain. This column was the last remnant of his evaporating work at the time of his decision, and it was itself on the verge of evaporation. Now, however, it began to wake up. It ceased to be soft and kindly. Amazing bits about amazing people appeared in it. Startling bits. Rude bits. With still a few complimentary bits, as bait. All signed Bultin.
“What does Bultin say?” people started asking.
An actress in the Savoy grill-room—yes, Bultin now went there—left her table to tell him of a pearl necklace she had lost. Two or three weeks earlier he would have travelled five miles to the actress. Now she had travelled five yards to him. Twice the alleged value of the necklace was given exclusively in his column next day, with an account of how the actress had left her pâté de fois gras to tell him of the loss. It had really been tomato soup, and the necklace had never been lost at all; but such minor matters were unimportant. The important matter was that the concluding sentence of Bultin’s paragraph was nearly, but not quite, libellous.
Bultin’s column grew to two. Then to a full page. In a short while the fifty pounds was repaid. Bultin had killed himself, and never had a moment’s financial anxiety afterwards. His carcass grew rich....
And, just as the actress in the Savoy grill-room had angled for his publicity, so Zena Wilding posed for him now on Flensham platform, striving to create a paragraph out of her luggage, her Paris hat, and her teeth.
“Oh, dear! Am I keeping everybody waiting?” she gushed, as Mr. and Mrs. Chater moved towards the car.
“Yes,” answered Bultin. (His column should mention later how he had agreed with her.)
Then Zena forgot all about her luggage and her hat and her teeth. She also forgot Bultin. The man who had waited for hours in the Black Stag was standing before her.
She gave a gasp. For an instant she looked almost old. She stared at the man without moving, but Bultin gained an impression that she was arching her back like a cat. Then she turned swiftly, and dived towards the car. Mrs. Chater was just getting in.
“Is anything the matter?” inquired Mrs. Chater, apathetically.
“No, nothing!” cried Zena. “Which corner would you like?”
Mr. Chater turned, and saw the man. He also stared. But his manner was considerably more composed than Zena’s. His expression of surprise changed to a smile, and he walked up to the man. The man had an unlit cigarette in his mouth.
“Want a light?” inquired Mr. Chater.
The man looked livid. Mr. Chater struck a match. The man blew it out.
“See you presently,” he muttered.
“I wouldn’t,” answered Mr. Chater quietly.
Two seconds later, Mr. Chater was entering the car.
About to follow, Bultin changed his mind and strolled casually up to the man.
“You might as well,” he remarked, taking out his lighter. “You’re supposed to burn one end, you know.”
The man switched round violently. Ten years previously Bultin would have dreamt of the expression in the man’s eyes. Now he merely found it undoubtedly interesting.
“I am Lionel Bultin,” he said. “I am spending the week-end at Bragley Court. I shall be there till Monday morning. I pay for material—provided, of course, that I use it.”
For the second time that evening, the man escaped a brainstorm by the breadth of a hair. The first time it had nearly been caused by a penn’orth of mechanical music.
“Bragley Court,” he repeated, suddenly calm. “You’re going there, too, eh?” He bent forward and accepted the light. As he withdrew his head he added, “You’ll get something to write about.”
Chapter VI. Spottings of a Leopard
The drive to Bragley Court was stiff and uncomfortable. Bultin never did anything to put people at their ease, and Zena Wilding’s forced vivacity was as unhelpful as Bultin’s silence. The one subject that most vitally interested the majority
