and two baskets, which were placed under the seats; then she climbed on the box beside Father Simon, wrapping herself in a great rug which covered her completely. The porter and his wife came to bid them good-by as they closed the carriage door, taking the last orders about the trunks, which were to follow in a wagon. So they started. Father Simon, the coachman, with head bowed and back bent in the pouring rain, was completely covered by his box coat with its triple cape. The howling storm beat upon the carriage windows and inundated the highway.
They drove rapidly to the wharf and continued alongside the line of tall-masted vessels until they reached the boulevard of Mont Riboudet. Then they crossed the meadows, where from time to time a drowned willow, its branches drooping limply, could be faintly distinguished through the mist of rain. No one spoke. Their minds themselves seemed to be saturated with moisture like the earth.
The baroness leaned her head against the cushions and closed her eyes. The baron looked out with mournful eyes at the monotonous and drenched landscape. Rosalie, with a parcel on her knee, was dreaming in the dull reverie of a peasant. But Jeanne, under this downpour, felt herself revive like a plant that has been shut up and has just been restored to the air, and so great was her joy that, like foliage, it sheltered her heart from sadness. Although she did not speak, she longed to burst out singing, to reach out her hands to catch the rain that she might drink it. She enjoyed to the full being carried along rapidly by the horses, enjoyed gazing at the desolate landscape and feeling herself under shelter amid this general inundation. Beneath the pelting rain the gleaming backs of the two horses emitted a warm steam.
Little by little the baroness fell asleep, and presently began to snore sonorously. Her husband leaned over and placed in her hands a little leather pocketbook.
This awakened her, and she looked at the pocketbook with the stupid, sleepy look of one suddenly aroused. It fell off her lap and sprang open and gold and bank bills were scattered on the floor of the carriage. This roused her completely, and Jeanne gave vent to her mirth in a merry peal of girlish laughter.
The baron picked up the money and placed it on her knees. “This, my dear,” he said, “is all that is left of my farm at Eletot. I have sold it — so as to be able to repair the ‘Poplars,’ where we shall often live in the future.”
She counted six thousand four hundred francs and quietly put them in her pocket. This was the ninth of thirty-one farms that they had inherited which they had sold in this way. Nevertheless they still possessed about twenty thousand livres income annually in land rentals, which, with proper care, would have yielded about thirty thousand francs a year.
Living simply as they did, this income would have sufficed had there not been a bottomless hole always open in their house — kind-hearted generosity. It dried up the money in their hands as the sun dries the water in marshes. It flowed, fled, disappeared. How? No one knew. Frequently one would say to the other, “I don’t know how it happens, but I have spent one hundred francs to-day, and I have bought nothing of any consequence.” This faculty of giving was, however, one of the greatest pleasures of their life, and they all agreed on this point in a superb and touching manner.
Jeanne asked her father, “Is it beautiful now, my castle?” The baron replied, “You shall see, my little girl.”
The storm began to abate. The vault of clouds seemed to rise and heighten and suddenly, through a rift, a long ray of sunshine fell upon the fields, and presently the clouds separated, showing the blue firmament, and then, like the tearing of a veil, the opening grew larger and the beautiful azure sky, clear and fathomless, spread over the world. A fresh and gentle breeze passed over the earth like a happy sigh, and as they passed beside gardens or woods they heard occasionally the bright chirp of a bird as he dried his wings.
Evening was approaching. Everyone in the carriage was asleep except Jeanne. They stopped to rest and feed the horses. The sun had set. In the distance bells were heard. They passed a little village as the inhabitants were lighting their lamps, and the sky became also illuminated by myriads of stars. Suddenly they saw behind a hill, through the branches of the fir trees, the moon rising, red and full as if it were torpid with sleep.
The air was so soft that the windows were not closed. Jeanne, exhausted with dreams and happy visions, was now asleep. Finally they stopped. Some men and women were standing before the carriage door with lanterns in their hands. They had arrived. Jeanne, suddenly awakened, was the first to jump out. Her father and Rosalie had practically to carry the baroness, who was groaning and continually repeating in a weak little voice, “Oh, my God, my poor children!” She refused all offers of refreshment, but went to bed and immediately fell asleep.
Jeanne and her father, the baron, took supper together. They were in perfect sympathy with each other. Later, seized with a childish joy, they started on a tour of inspection through the restored manor. It was one of those high and vast Norman residences that comprise both farmhouse and castle, built of white stone which had turned gray, large enough to contain a whole race of people.
An immense hall divided the house from front to rear and a staircase went up at either side of the entrance, meeting in a bridge on the first floor. The huge drawingroom was on the ground floor to the right and was hung with tapestries representing birds and foliage. All the furniture was covered with fine needlework tapestry illustrating La Fontaine’s fables, and Jeanne was delighted at finding a chair she had loved as a child, which pictured the story of “The Fox and the Stork.”
Beside the drawingroom were the library, full of old books, and two unused rooms; at the left was the diningroom, the laundry, the kitchen, etc.
A corridor divided the whole first floor, the doors of ten rooms opening into it. At the end, on the right, was Jeanne’s room. She and her father went in. He had had it all newly done over, using the furniture and draperies that had been in the storeroom.
There were some very old Flemish tapestries, with their peculiar looking figures. At sight of her bed, the young girl uttered a scream of joy. Four large birds carved in oak, black from age and highly polished, bore up the bed and seemed to be its protectors. On the sides were carved two wide garlands of flowers and fruit, and four finely fluted columns, terminating in Corinthian capitals, supported a cornice of cupids with roses intertwined. The tester and the coverlet were of antique blue silk, embroidered in gold fleur de lys. When Jeanne had sufficiently admired it, she lifted up the candle to examine the tapestries and the allegories they represented. They were mostly conventional subjects, but the last hanging represented a drama. Near a rabbit, which was still nibbling, a young man lay stretched out, apparently dead. A young girl, gazing at him, was plunging a sword into her bosom, and the fruit of the tree had turned black. Jeanne gave up trying to divine the meaning underlying this picture, when she saw in the corner a tiny little animal which the rabbit, had he lived, could have swallowed like a blade of grass; and yet it was a lion. Then she recognized the story of “Pyramus and Thisbe,” and though she smiled at the simplicity of the design, she felt happy to have in her room this love adventure which would continually speak to her of her cherished hopes, and every night this legendary love would hover about her dreams.
It struck eleven and the baron kissed Jeanne goodnight and retired to his room. Before retiring, Jeanne cast a last glance round her room and then regretfully extinguished the candle. Through her window she could see the bright moonlight bathing the trees and the wonderful landscape. Presently she arose, opened a window and looked out. The night was so clear that one could see as plainly as by daylight. She looked across the park with its two long avenues of very tall poplars that gave its name to the château and separated it from the two farms that belonged to it, one occupied by the Couillard family, the other by the Martins. Beyond the enclosure stretched a long, uncultivated plain, thickly overgrown with rushes, where the breeze whistled day and night. The land ended abruptly in a steep white cliff three hundred feet high, with its base in the ocean waves.
Jeanne
