wielding their ramshackle fiddles and trumpets and drumsticks.
The musicians struck up "Sur le Pont d'Avignon," the only dance tune they knew, and that one none too well.
"Sur le pont d'Avignon, On y danse, on y danse, Sur le pont d'Avignon, On y danse tout en rond."
It was at this point that the outburst of laughter rose to such a high pitch that the thrifty housewives down below were tempted to abandon their loot. What had caused the uproar was the sudden appearance of the ci-devant Marquis through what seemed to be a hole in the wall. As a matter of fact this was a door masked by tapestry which gave first on a vestibule and thence on a small boudoir where Madame la Marquise had been sitting with François and Cécile, and with poor Marie huddled up in a corner like a frightened rabbit, all fully expecting that the tumultuous crowd would soon tire, and content itself as it had done four years ago with breaking a few windows, carrying off what portable furniture there was left in the salon, and ending its unpleasant visitation in the cellar and the larder, where there was little enough to tempt its greed.
François de la Rodière was for facing the rabble with a riding-whip. For a time his sister was able to restrain him from such a palpable act of folly, but presently the sound of ribald laughter coming from the grand salon where his father had once lain in state, surrounded by flowers and ecclesiastical appurtenances, so outraged him that he lost all control over himself and all sense of prudence. He shook off Cécile's detaining hand, and strode out of the room. Madame la Marquise had offered no protest or advice, she was one of those women, the product of generations of French high-born ladies who, entrenched as it were in their own dignity, never gave a single thought to such a matter as a social upheaval. "It will all pass away," was their dictum, "God will punish them all in His own time!" So she turned a deaf ear to the rioting of the rabble, and went on with her crochet work with perfect serenity.
Cécile, on the other hand, was all for conciliation. She knew her brother's violent temper and genuinely feared for his safety should he provoke the crowd, who at present seemed good-tempered enough, either by word or gesture. She followed him into the vestibule, and saw him take a riding-whip off the wall and throw open the narrow door which gave on the grand salon. The moment he did that the uproar in the salon which had been deafening up to now suddenly died down. Complete silence ensued, but only for a few seconds; the next moment François had closed the door behind him and at once the hubbub in the next room rose louder than ever and there came a terrific outburst of hilarious shouting and laughter and vigorous clapping of hands. Cécile stood there listening, terrified and undecided, longing to go to her brother's assistance, yet feeling the futility of any intervention on her part should the crowd turn ugly. For a moment they appeared distinctly amused, for the laughter went on louder than ever, and it was accompanied by the measured stamping of feet, the clapping of hands and the strains of dance music. What was going on in there? Cécile, terrified at first, felt a little more reassured. She couldn't hear her brother's voice, and apparently the people were enjoying themselves, for they were dancing and laughing and the music never ceased. At last anxiety got the better of prudence. Tentatively she in her turn opened the communicating door, and exactly the same thing happened that had greeted François de la Rodière's appearance in the crowded salon. Absolute silence for a few seconds, and then a terrific, uproarious shout.
What Cécile saw did indeed turn her almost sick with horror, for there was her brother in the middle of the room, dishevelled, with his necktie awry and his cheeks the colour of ashes, in the centre of a ring made up of the worst type of ragamuffins and cinderwenches she had ever seen, all holding hands and twirling round and round him to the tune of a wild rigaudon. His riding-whip was lying broken in half across the threshold at Cécile's feet. The crowd had seized upon him directly they were aware of his presence, torn the whip out of his hand, broken it and thrown it on the floor. They had dragged him and pushed him to the centre of the room, formed a ring round him, shouted injurious epithets and made rude gestures at him; and the more pale he got with rage, the more helpless he found himself, the louder was their laughter and the wilder their dance.
Cécile felt as if she were paralysed. She couldn't move, her knees were shaking under her, and before she could recover herself two women had seized her, one by each hand, and dragged her across the room, where she was thrust into the centre of another ring of uproarious females who danced and capered round her, holding hands and laughing at her obvious terror. It was all like a terrible nightmare. Cécile, trying in vain to control herself, could only put her hands up to her face so as to hide from the mocking crowd the blush of indignation and shame that flooded her cheeks at the sound of the obscene words that men and women, apparently all in right good-humour, flung at her, while they danced what seemed to the poor girl like a saraband of witches. Suddenly she heard a cry:
"Make her dance, Jacques! Make the aristo step it with you! I'll warrant she has never danced the rigaudon with such a handsome partner before."
And Cécile was conscious first of a whiff of garlic, then of a clammy hand seizing her own, and finally of a shoulder pressed against her side and of an arm around her waist. With a shudder she looked down and saw the grinning, puckish face and misshapen, dwarfish body of Jacques, the son of the local butcher, whom she had often befriended when he was baited by boys bigger and stronger than himself. He was leering up at her and clinging to her waist, trying to make her foot a measure with him. Now unlike her brother, Cécile de la Rodière was possessed of a good deal of sound common sense. She knew well enough that to try and run one's head against a stone wall could only result in bruises, if not worse. Here they were both of them, she and François, not to mention maman, at the mercy of a couple of hundred people who, though fairly good-tempered at the moment, might soon turn ugly if provoked. She rather felt as if she had been thrust into a cage full of wild beasts and that to humour them was the only chance of safety. She looked about her helplessly, hoping against hope that she might encounter a face that was neither cruel nor mocking, and in her heart prayed, prayed to God to deliver her from this nightmare.
And then suddenly the miracle happened. It was a miracle in very truth, for there un the wide-open doorway was the one man in the world, her world, on whom she could rely, the man who alone next to God could save her from this awful humiliation. Pradel! Simon Pradel! He looked flushed and anxious; he was panting as if he had been running hard for goodness knows how long. His dark, deep-set eyes roamed rapidly round the room till they encountered hers. Thank God! Thank God, that he was here! The scar across his forehead where François had hit him still showed crimson across the pale, damp skin, but his eyes were kind and reassuring. Hers were fastened on him with a look of appeal, and in a moment he was half across the room pushing his way towards her through the crowd.
All at once the crowd saw him. Docteur Pradel! Simon! their Simon! The hero of the hour! A lusty cheer roused the echo of the vast hall at sight of him. Now indeed would the fun be fast and furious! Pradel, in the meanwhile, had reached the centre of the room, he broke through the cordon that surrounded Cécile quite good-naturedly but very firmly he thrust Jacques the butcher's son to one side, took hold of the girl's trembling hand and put his strong arms round her waist.
"Allons," he shouted to the musicians, "put some verve into your playing. 'Tis I will dance the rigaudon with the aristo!"
Nothing loth, the musicians blew their trumpets and beat their drums with renewed vigour:
"Sur le pont d'Avignon, On y danse, on y danse, Sur le pont d'Avignon, On y danse tout en rond!"
A hundred couples were formed and soon they were all of them dancing and singing, not hoarsely or stridently, but just with immense gusto, as if they desired nothing but to enjoy a real jollity.
"Try to smile," Pradel whispered in Cécile's ear. "Be brave! don't show that you are afraid!"
Cécile said: "I am not afraid." And indeed,
