beneath which was a stage, which stretched from one side of the street to the other. This was an historical pageant, representing the King's immediate progenitors. There sat Elizabeth of York in the midst of an immense white rose, whose petals formed elaborate furbelows around her; by her side was Henry VII., issuing out of a vast red rose, disposed in the same manner: the hands of the royal pair were locked together, and the wedding-ring ostentatiously displayed. From the red and white roses proceeded a stem, which reached up to a second stage, occupied by Henry VIII., issuing from a red and white rose, with the effigy of the new King's mother, Jane Seymour, represented by his side. One branch sprang from this pair, which mounted to a third stage, where sat the effigy of Edward VI. himself, enthroned in royal majesty; and the whole pageant was framed with wreaths of roses, red and white.'
This quaint and gaudy spectacle so wrought upon the rejoicing people, that their acclamations utterly smothered the small voice of the child whose business it was to explain the thing in eulogistic rhymes. But Tom Canty was not sorry; for this loyal uproar was sweeter music to him than any poetry, no matter what its quality might be. Whithersoever Tom turned his happy young face, the people recognised the exactness of his effigy's likeness to himself, the flesh and blood counterpart; and new whirlwinds of applause burst forth.
The great pageant moved on, and still on, under one triumphal arch after another, and past a bewildering succession of spectacular and symbolical tableaux, each of which typified and exalted some virtue, or talent, or merit, of the little King's. 'Throughout the whole of Cheapside, from every penthouse and window, hung banners and streamers; and the richest carpets, stuffs, and cloth-of-gold tapestried the streets—specimens of the great wealth of the stores within; and the splendour of this thoroughfare was equalled in the other streets, and in some even surpassed.'
"And all these wonders and these marvels are to welcome me—me!" murmured Tom Canty.
The mock King's cheeks were flushed with excitement, his eyes were flashing, his senses swam in a delirium of pleasure. At this point, just as he was raising his hand to fling another rich largess, he caught sight of a pale, astounded face, which was strained forward out of the second rank of the crowd, its intense eyes riveted upon him. A sickening consternation struck through him; he recognised his mother! and up flew his hand, palm outward, before his eyes—that old involuntary gesture, born of a forgotten episode, and perpetuated by habit. In an instant more she had torn her way out of the press, and past the guards, and was at his side. She embraced his leg, she covered it with kisses, she cried, "O my child, my darling!" lifting toward him a face that was transfigured with joy and love. The same instant an officer of the King's Guard snatched her away with a curse, and sent her reeling back whence she came with a vigorous impulse from his strong arm. The words "I do not know you, woman!" were falling from Tom Canty's lips when this piteous thing occurred; but it smote him to the heart to see her treated so; and as she turned for a last glimpse of him, whilst the crowd was swallowing her from his sight, she seemed so wounded, so broken-hearted, that a shame fell upon him which consumed his pride to ashes, and withered his stolen royalty. His grandeurs were stricken valueless: they seemed to fall away from him like rotten rags.
The procession moved on, and still on, through ever augmenting splendours and ever augmenting tempests of welcome; but to Tom Canty they were as if they had not been. He neither saw nor heard. Royalty had lost its grace and sweetness; its pomps were become a reproach. Remorse was eating his heart out. He said, "Would God I were free of my captivity!"
He had unconsciously dropped back into the phraseology of the first days of his compulsory greatness.
The shining pageant still went winding like a radiant and interminable serpent down the crooked lanes of the quaint old city, and through the huzzaing hosts; but still the King rode with bowed head and vacant eyes, seeing only his mother's face and that wounded look in it.
"Largess, largess!" The cry fell upon an unheeding ear.
"Long live Edward of England!" It seemed as if the earth shook with the explosion; but there was no response from the King. He heard it only as one hears the thunder of the surf when it is blown to the ear out of a great distance, for it was smothered under another sound which was still nearer, in his own breast, in his accusing conscience—a voice which kept repeating those shameful words, "I do not know you, woman!"
The words smote upon the King's soul as the strokes of a funeral bell smite upon the soul of a surviving friend when they remind him of secret treacheries suffered at his hands by him that is gone.
New glories were unfolded at every turning; new wonders, new marvels, sprang into view; the pent clamours of waiting batteries were released; new raptures poured from the throats of the waiting multitudes: but the King gave no sign, and the accusing voice that went moaning through his comfortless breast was all the sound he heard.
By-and-by the gladness in the faces of the populace changed a little, and became touched with a something like solicitude or anxiety: an abatement in the volume of the applause was observable too. The Lord Protector was quick to notice these things: he was as quick to detect the cause. He spurred to the King's side, bent low in his saddle, uncovered, and said—
"My liege, it is an ill time for dreaming. The people observe thy downcast head, thy clouded mien, and they take it for an omen. Be advised: unveil the sun of royalty, and let it shine upon these boding vapours, and disperse them. Lift up thy face, and smile upon the people."
So saying, the Duke scattered a handful of coins to right and left, then retired to his place. The mock King did mechanically as he had been bidden. His smile had no heart in it, but few eyes were near enough or sharp enough to detect that. The noddings of his plumed head as he saluted his subjects were full of grace and graciousness; the largess which he delivered from his hand was royally liberal: so the people's anxiety vanished, and the acclamations burst forth again in as mighty a volume as before.
Still once more, a little before the progress was ended, the Duke was obliged to ride forward, and make remonstrance. He whispered—
"O dread sovereign! shake off these fatal humours; the eyes of the world are upon thee." Then he added with sharp annoyance, "Perdition catch that crazy pauper! 'twas she that hath disturbed your Highness."
The gorgeous figure turned a lustreless eye upon the Duke, and said in a dead voice—
"She was my mother!"
"My God!" groaned the Protector as he reined his horse backward to his post, "the omen was pregnant with prophecy. He is gone mad again!"
Chapter 32
Coronation Day
Let us go backward a few hours, and place ourselves in Westminster Abbey, at four o'clock in the morning of this memorable Coronation Day. We are not without company; for although it is still night, we find the torch-lighted galleries already filling up with people who are well content to sit still and wait seven or eight hours till the time shall come for them to see what they may not hope to see twice in their lives—the coronation of a King. Yes, London and Westminster have been astir ever since the warning guns boomed at three o'clock, and already crowds of untitled rich folk who have bought the privilege of trying to find sitting-room in the galleries are flocking in at the entrances reserved for their sort.
The hours drag along tediously enough. All stir has ceased for some time, for every gallery has long ago been packed. We may sit, now, and look and think at our leisure. We have glimpses, here and there and yonder, through the dim cathedral twilight, of portions of many galleries and balconies, wedged full with other people, the other portions of these galleries and balconies being cut off from sight by intervening pillars and architectural projections.
