The Historical Works of Hilaire Belloc. Hilaire Belloc
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There are many wonderful things in Epinal. As, for instance, that it was evidently once, like Paris and Melun and a dozen other strongholds of the Gauls, an island city. For the rivers of France are full of long, habitable islands, and these were once the rallying-places of clans. Then there are the forts which are placed on high hills round the town and make it even stronger than Toul; for Epinal stands just where the hills begin to be very high. Again, it is the capital of a mountain district, and this character always does something peculiar and impressive to a town. You may watch its effect in Grenoble, in little Aubusson, and, rather less, in Geneva.
For in such towns three quite different kinds of men meet. First there are the old plain-men, who despise the highlanders and think themselves much grander and more civilized; these are the burgesses. Then there are the peasants and wood-cutters, who come in from the hill-country to market, and who are suspicious of the plain-men and yet proud to depend upon a real town with a bishop and paved streets. Lastly, there are the travellers, who come there to enjoy the mountains and to make the city a base for their excursions, and these love the hill-men and think they understand them, and they despise the plain-men for being so middle-class as to lord it over the hill-men: but in truth this third class, being outsiders, are equally hated and despised by both the others, and there is a combination against them and they are exploited.
And there are many other things in which Épinal is wonderful, but in nothing is it more wonderful than in its great church.
I suppose that the high Dukes of Burgundy and Lorraine and the rich men from Flanders and the House of Luxemburg and the rest, going to Rome, the centre of the world, had often to pass up this valley of the Moselle, which (as I have said) is a road leading to Rome, and would halt at fipinal and would at times give money for its church; with this result, that the church belongs to every imaginable period and is built anyhow, in twenty styles, but stands as a whole a most enduring record of past forms and of what has pleased the changing mind when it has attempted to worship in stone.
Thus the transept is simply an old square barn of rough stone, older, I suppose, than Charlemagne and without any ornament. In its lower courses I thought I even saw the Roman brick. It had once two towers, northern and southern; the southern is ruined and has a wooden roof, the northern remains and is just a pinnacle or minaret too narrow for bells.
Then the apse is pure and beautiful Gothic of the fourteenth century, with very tall and fluted windows like single prayers. The ambulatory is perfectly modern, Gothic also, and in the manner that Viollet le Duc in France and Pugin in England have introduced to bring us back to our origins and to remind us of the place whence all we Europeans came. Again, this apse and ambulatory are not perpendicular to the transept, but set askew, a thing known in small churches and said to be a symbol, but surely very rare in large ones. The western door is purely Romanesque, and has Byzantine ornaments and a great deep round door. To match it there is a northern door still deeper, with rows and rows of inner arches full of saints, angels, devils, and flowers; and this again is not straight, but so built that the arches go aslant, as you sometimes see railway bridges when they cross roads at an angle. Finally, there is a central tower which is neither Gothic nor Romanesque but pure Italian, a loggia, with splendid round airy windows taking up all its walls, and with a flat roof and eaves. This some one straight from the south must have put on as a memory of his wanderings.
The barn-transept is crumbling old grey stone, the Romanesque porches are red, like Strasburg, the Gothic apse is old white as our cathedrals are, the modern ambulatory is of pure white stone just quarried, and thus colours as well as shapes are mingled up and different in this astonishing building.
I drew it from that point of view in the market-place to the north-east which shows most of these contrasts at once, and you must excuse the extreme shakiness of the sketch, for it was taken as best I could on an apple-cart with my book resting on the apples--there was no other desk. Nor did the apple-seller mind my doing it, but on the contrary gave me advice and praise saying such things as--
'Excellent; you have caught the angle of the apse ... Come now, darken the edge of that pillar ... I fear you have made the tower a little confused,' and so forth.
I offered to buy a few apples off him, but he gave me three instead, and these, as they incommoded me, I gave later to a little child.
Indeed the people of Épinal, not taking me for a traveller but simply for a wandering poor man, were very genial to me, and the best good they did me was curing my lameness. For, seeing an apothecary's shop as I was leaving the town, I went in and said to the apothecary--
'My knee has swelled and is very painful, and I have to walk far; perhaps you can tell me how to cure it, or give me something that will.'
'There is nothing easier,' he said; 'I have here a specific for the very thing you complain of.'
With this he pulled out a round bottle, on the label of which was printed in great letters, 'BALM'.
'You have but to rub your knee strongly and long with this ointment of mine,' he said, 'and you will be cured.' Nor did he mention any special form of words to be repeated as one did it.
Everything happened just as he had said. When I was some little way above the town I sat down on a low wall and rubbed my knee strongly and long with this balm, and the pain instantly disappeared. Then, with a heart renewed by this prodigy, I took the road again and began walking very rapidly and high, swinging on to Rome.
The Moselle above fipinal takes a bend outwards, and it seemed to me that a much shorter way to the next village (which is called Archettes, or 'the very little arches', because there are no arches there) would be right over the hill round which the river curved. This error came from following private judgement and not heeding tradition, here represented by the highroad which closely follows the river. For though a straight tunnel to Archettes would have saved distance, yet a climb over that high hill and through the pathless wood on its summit was folly.
I went at first over wide, sloping fields, and some hundred feet above the valley I crossed a little canal. It was made on a very good system, and I recommend it to the riparian owners of the Upper Wye, which needs it. They take the water from the Moselle (which is here broad and torrential and falls in steps, running over a stony bed with little swirls and rapids), and they lead it along at an even gradient, averaging, as it were, the uneven descent of the river. In this way they have a continuous stream running through fields that would otherwise be bare and dry, but that are thus nourished into excellent pastures.
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