York: Verso, 2005], p. 74), Adorno writes: ‘The occultation of production by means of the outward appearance of the product – that is the formal law governing the works of Richard Wagner.’26 26. Schoenberg, Accompanying Music for a Film Scene for orchestra, op. 34 (1929–39).
27 27. Hans Rosbaud (1895–1962) conducted the Baden-Baden Symphony Orchestra of Southwest Radio at the ‘gala concert on the tenth anniversary of the International Summer Course for New Music’ on 20 May 1955 at the Darmstadt Stadthalle. The programme consisted of Schoenberg’s Accompanying Music for a Film Scene and Variations for Orchestra, op. 31, as well as Alban Berg’s Chamber Concerto for Piano and Violin with 13 Wind Instruments and, as a world premiere, Luigi Nono’s Incontri for 24 Instruments. Rosbaud had also conducted the premieres of the Accompanying Music on 28 April 1930 in Frankfurt and the Variations for Orchestra on 22 March 1931.
28 28. In his lecture ‘Wien’ [Vienna], Adorno likewise mentions Schoenberg’s statement about his Third String Quartet that it was ‘equipped with all the amenities of the modern age’ (see GS, vol. 16, pp. 440f.), but no documentation could be found.
29 29. ‘Traumleben’ and ‘Lockung’ are the first and penultimate songs from the Eight Songs, op. 6.
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