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The sounds

      you’ll tease out of these instruments will be rough, and

      strange, and beautiful

      —

      but one thing’s for certain

      —

      they

      will be sounds YOU made.

      Papier Mache Guitar

      BY DUSTIN BROWN OF CHICAGO, ILLINOIS

      This is a 15" (380mm) concert-scale paper ukulele. The back and sides were

      cut from black mat board left over from a photo framing project, and covered

      with veneers made from an old Taylor guitar catalog to give the illusion of

      Macassar ebony on the sides and maple on the back. The top was cut from

      spruce left over from a mandolin rebuild, and was finished with expired shellac

      and stain. The neck was made from black and white mat board laminated

      together and stiffened with a jatoba floorboard scrap. The fretboard was

      also cut from jatoba floorboard scrap and fretted with vintage brass frets

      pulled from an old Kraftsman archtop. A piece of Koa scrap was added

      to the headplate for a touch of island mojo. The tuners and bushings were

      reclaimed from an old Yamaha acoustic.

      12

      Handmade Music FactorY

      The body is a vintage galvanized chick feeder that was found in an abandoned hardware store.

      The neck is crafted from scrap plywood and heart pine, with a fingerboard of rejected jatoba

      flooring

      —

      as is the bridge. A spoon serves as the tail piece; stock thumbscrews for tuners; and

      cork flooring for the chin rest. Miscellaneous scrap wood was used for fine tuners and support.

      The bow was $5 from a used-instrument store. The decorations include craft store paints, glitter

      glues, and Mardi Gras beads and mirror shards inside the body.

      Chick Feeder Fiddle

      BY LEE CONNAH OF BALTIMORE, MARYLAND

      13

      Ask your local

      auto garage for extra

      HUBCAPS

      they make great banjo

      resonators.

      Most parts for this six-string guitar could be found out in the garage. An antique license plate serves

      as a resonator, with a wrench and bolt for the bridge and nut. A shotgun shell is used to adjust the

      volume from the piezo contact pickup, which itself was taken from a broken videogame drum set.

      The neck is fashioned from two broken dowels, saved from being thrown out on garbage night.

      A hinge and bent nail hold the strings down on one end, while zither tuners from someone else’s

      craft project serve as the tuning mechanism.

      Junkyard Dog

      BY WADE COSTENBADER OF CATASAUQUA, PENNSYLVANIA

      14

      Handmade Music FactorY

      Introduction

      One Man’s Trash:

      A History of the Cigar

      Box Guitar

      is the

      FIRST WRITTEN

      HISTORY

      of the instrument.

      The resonator is a handmade box,

      built from an early 1900s barn board.

      The frets, nuts, and tuning pegs were

      all old nails purchased at yard sales.

      Each fret nail was placed in a unique

      hand-carved groove, since each nail

      was a different size and shape. Brian

      noted that the only downside is that

      the strings tend to break since the

      tuning peg nails have rather sharp

      edges

      —

      but this would be the guitar

      for you if you frequently play in bars

      and get into bar fights!

      Canjo

      BY NINE-YEAR OLD ETHAN WALAK AND HIS

      FATHER, BRIAN, OF PITTSFIELD, MASSACHUSETTS

      Ethan made his instrument from items his father was

      throwing away. He cleaned out a quart-size paint can

      and used it for the body. He found a board for the

      neck in the scrap bin and some old rope in the garage,

      which he split for the strings. Nuts and bolts were used

      to string the canjo.

      Barn Wood

      “

      Cigar Box

      ”

      Guitar

      BY BRIAN WALAK OF PITTSFIELD, MASSACHUSETTS

      15

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