References
18 The Marginal Spectator
Introduction
Template: The UK to 1939
Case: The USA to 1941
Case: France to 1939
Case: Germany to 1933
The Return of the Suppressed?
References
19 “Every Spectator Is Either a Coward or a Traitor”
Introduction
Militant Cinema and the “Film‐Act” in the Writings of the Cine Liberación Group
The Rosario Mobile Film Unit
Militant Screening Audiences
Factory Occupations
Debates
References
20 From Media Effects to the Empathy Machine
Introduction
The Pliable Audience: Mass and Media Effects
The Active and Engaged Audience
The Productive Audience
Looking Ahead
References
11 Index
List of Illustrations
1 Chapter 3Figure 3.1 Imamura Taihei.Figure 3.2 Dialectical diagram of Hanada's documentary theory (as interprete...
2 Chapter 4Figure 4.1 Soviet Latvia (Riga Film Studio, dir. F. Kiselev, 1950). Still co...Figure 4.2 Soviet Georgia (Tbilisi Film Studio, dir. S. Dolidze and R. Karme...
3 Chapter 6Figure 6.1 This photograph of Muammar Gaddafi's capture and death, credited ...Figure 6.2 Security footage captures two‐year Wang Yue moments before she is...Figure 6.3 A widely circulated video, “HP computers are racist,” demonstrate...Figure 6.4 The New York Times “3‐D Reconstruction” of the Keith Scott shooti...
4 Chapter 8Figure 8.1 Six still frames representing three pairs of adjacent shots in Th...Figure 8.2 Esfir Shub (back right) reviewing film behind montagess Tatiana K...Figure 8.3 Esfir Shub as captured in Human with a Movie Camera.
5 Chapter 9Figure 9.1 From Kino‐Nedalia no. 1 (1918).
6 Chapter 10Figure 10.1 Strike against High Rent. Leo Seltzer. Workers Film and Photo Le...Figure 10.2 The Uprising (Peter Snowdon, UK, 2013).
7 Chapter 12Figure 12.1 Poster for Lied der Ströme, 1954.Figure 12.2 The First Years. Ivens directing the foundry lab sequence of the...Figure 12.3 Das Lied der Ströme: incorporating unique footage by Africa...Figure 12.4 Compilation panache in Das Lied der Ströme: An eloquent edi...Figure 12.5 A Bombay demonstration in Lied: Commentary writer Pozner drew in...
8 Chapter 15Figure 15.1 Pohlman’s Zeichentafel (Peter 1906).Figure 15.2 (a) A volumetric image (of an embryonic lizard brain) created by...Figure 15.3 Registration systems: (a) the peg‐and‐perf system in cel animati...Figure 15.4 (a) 16mm film frames of the melanophores of the Apennine yellow‐...Figure 15.5 Video stills from Entwicklung der Blüte, Tollkirsche (Atrop...Figure 15.6 Video stills from Evolutio ovi Amphibiorum (Hans Elias, 1939) [...Figure 15.7 Obvious interventions into the image from Evolutio (Lichtspiel K...Figure 15.8 White smudges on the background paper as evidence of the animati...Figure 15.9 Vannevar Bush’s automatic microtome (Bush 1952).
Guide
5 Introduction: Expanding Documentary Histories
8 Index
9 Wiley End User License Agreement
Pages
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