Rock 'n' Roll. Tom Stoppard

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Rock 'n' Roll - Tom  Stoppard

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Anthony Calf

      FERDINAND Peter Sullivan

      MILAN/POLICEMAN 2/WAITER Martin Chamberlain

      LENKA Nicole Ansari

      CANDIDA Louise Bangay

      Director Trevor Nunn

      Designer Robert Jones

      Costume Designer Emma Ryott

      Lighting Designer Howard Harrison

      Sound Designer Ian Dickinson

      Associate Director Paul Robinson

      Company Voice Work Patsy Rodenburg

       CHARACTERS

       in order of appearance

       THE PIPER

      ESME (younger)

       JAN

       MAX

       ELEANOR

       GILLIAN

       INTERROGATOR

       FERDINAND

       MILAN

       MAGDA

       POLICEMAN 1

       POLICEMAN 2

       LENKA

       NIGEL

      ESME (older)

       ALICE

       STEPHEN

       CANDIDA

       DEIRDRE

       WAITER

      Esme in Act One and Alice are to be played by the same actress; similarly Eleanor and Esme in Act Two.

      Further doubling (or tripling) is optional. The intention is that the twenty characters may be played by a company of twelve. The Royal Court used a company of eleven, with the result that Milan became Policeman 2; however, this is not the preferred option.

      Rock ‘n’ Roll

      ACT ONE

       Blackout.

      THE PIPER is heard.

       Then, night in the garden. The Piper is squatting on his heels high up on the garden wall, his wild dark hair catching some light, as though giving off light. His pipe is a single reed like a penny whistle. He plays for ESME, who is sixteen, a flower child of the period: 1968.

       Light from the interior catches Esme dimly, her flowing garment, her long golden hair.

       The interior shows part of a dining room, lowly lit by a lamp. There is a walk-through frontier between the room and the ‘unlit’ garden, which is leafy with a stone-flagged part large enough for a garden table and two or three chairs.

       The Piper pipes the tune and then sings.

       THE PIPER

      ‘Lean out of your window,

      Golden Hair,

      I heard you singing

      In the midnight air.

      My book is closed,

      I read no more …’

      JAN enters the interior from within, going to the garden, into the spill of light. He is twenty-nine. His Czech accent is not strong.

       The Piper laughs quietly to himself and vanishes, a spring-heeled jump into dark.

      ESME Who’s that? Jan?

      JAN (a greeting) Ahoj. What are you doing?

      ESME Did you see him?

      JAN Who?

      ESME Pan!

      JAN Pan. Where?

      ESME There.

      JAN No. Did he have goat’s feet?

      ESME I couldn’t see. He played on his pipe and sang to me.

      JAN Very nice. Have you got any left?

      ESME Don’t believe me, then.

      JAN Who said I don’t believe you? I came to say goodbye to Max.

      ESME Where are you going?

      JAN Prague.

      ESME Why? Oh, yeah. What about the summer teach-in? Will you come back to Cambridge?

      JAN (shrugs: don’t know) I’m leaving everything here.

      ESME Your records?

      JAN No. Everything else. But now I must go home.

      ESME What, to help the Russians?

      JAN No.

      ESME Max thinks it’s great about the Russians.

      JAN

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