Notes of a Son and Brother. Генри Джеймс
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The truth was that acute, that quite desperate receptivity set in for me, under a law of its own—may really be described as having quite raged for me—from the moment our general face, by the restless parental decree (born not a little of parental homesickness and reinforced by a theory of that complaint on our own part, we having somehow in Europe "no companions," none but mere parents themselves), had been turned again to the quarter in which there would assuredly be welcomes and freedoms and unchecked appropriations, not to say also cousins, of both sexes and of a more and more engaging time of life, cousins kept and tended and adorned for us in our absence, together with the solicitation for our favour of possible, though oh so just barely possible, habitats before which the range of Europe paled; but which, nevertheless, to my aching fancy, meant premature abdication, sacrifice and, in one dreadful word, failure. I had had cousins, naturally, in the countries we were quitting, but to a limited degree; yet I think I already knew I had had companions in as full a measure as any I was still to know—inasmuch as my imagination made out one, in the complex order and the coloured air, almost wherever I turned; and, inasmuch as, further, to live by the imagination was to live almost only in that way, so to foresee the comparative, not to say the absolute, absence of tonic accent in the appearances complacently awaiting me, as well as to forecast in these appearances, at the best, a greater paucity, was really to enjoy a sharp prevision of dearth. Certain it is that those supreme moments of Paris, those after-days at the Trois Empereurs, were to flush for me, as they ebbed, with images and visions; judged by any achieved act of possession I hadn't assuredly much to give up, but intensity of sentiment, resting on a good disposition, makes for its own sake the most of opportunity, and I buried my associations, which had been in a manner till lately my hopes as well, with all decent dignity and tenderness. These more or less secret obsequies lent to our further brief delay a quality of suppressed excitement; the "old-world" hours were numbered too dreadfully—had shrunk but to a handful: I had waked up to that, as with a passionate even if private need for gathering in and saving, on the morrow of our reaching our final sticking-place: I had slipped from my so cushioned sleep, my canopied couch, to hang, from the balcony of our quatrième, my brothers' and mine, over that Place du Palais Royal and up against that sculptured and storied façade of the new Louvre which seemed to me then to represent, in its strength, the capacity and chiselled rim of some such potent vivifying cup as it might have been given us, under a happier arrangement, to taste now in its fulness and with a braver sense for it. Over against us on the great palace wall, as I make out—if not for that occasion then for some other—were statues of heroes, Napoleon's young generals, Hoche, Marceau, Desaix or whoever, such a galaxy as never was or should ever be again for splendid monumental reference; and what it somehow came to was that here massed itself the shining second Empire, over which they stood straight aloft and on guard, like archangels of the sword, and that the whole thing was a high-pitched wonder and splendour, which we had already, in our small gaping way, got into a sort of relation with and which would have ever so much more ever so thrillingly to give us. What it would give us loomed but vaguely enough out of the great hum and the great toned perspective, and withal the great noble expense, of which we had constant reminder; but that we were present at something it would be always after accounted a privilege to have been concerned with, and that we were perversely and inconsiderately dropping out of it, and for a reason, so far as there might be a reason, that was scarcely less than strange—all this loomed large to me as our interval shrank, and I even ask myself before the memory of it whether I was ever again in the later and more encompassing and accommodating years to have in those places so rich a weight of consciousness to carry or so grand a presumption of joy. The presumption so boldly entertained was, if you please, of what the whole thing meant. It meant, immensely, the glittering régime, and that meant in turn, prodigiously, something that would probably never be meant quite to any such tune again: so much one positively and however absurdly said to one's self as one stood up on the high balcony to the great insolence of the Louvre and to all the history, all the glory again and all the imposed applause, not to say worship, and not to speak of the implied inferiority, on the part of everything else, that it represented. And the sense was of course not less while one haunted at odd hours the arcades and glass galleries of the Palais Royal close at hand—as if to store up, for all the world, treasures of impression that might be gnawed, in seasons or places of want, like winter pears or a squirrel's hoard of nuts, and so perhaps keep one alive, as to one's most vital faculty above-mentioned, till one should somehow or other be able to scramble back.
The particular ground for our defection, which I obscurely pronounced mistaken, was that since William was to embrace the artistic career—and freedom for this experiment had been after all, as I repeat that it was always in like cases to be, not in the least grudgingly granted him—our return to America would place him in prompt and happy relation to William Hunt, then the most distinguished of our painters as well as one of the most original