Notes of a Son and Brother. Генри Джеймс

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from Bonn, but we saw Strasbourg, to my sorrow until a far later occasion soothed it, only as a mild monster behind bars, that is above chimneys, housetops and fortifications; a loss not made up to me by other impressions or particulars, vivid and significant as I found myself none the less supposing several of these. Those were the September days in which French society, so far as it was of the Empire at least, moved more or less in its mass upon Homburg and Baden-Baden; and we met it in expressive samples, and in advance and retreat, during our incessant stops, those long-time old stops, unknown to the modern age, when everyone appeared to alight and walk about with the animation of prisoners suddenly pardoned, and ask for conveniences, and clamour for food, and get mixed with the always apparently still dustier people of opposite trains drawn up for the same purposes. We appeared to be concerned with none but first-class carriages, as an effect of which our own was partly occupied, the livelong day, by the gens of a noble French house as to which we thus had frequent revelations—a pair of footmen and a lady's maid, types of servile impudence taking its ease, who chattered by the hour for our wonderstruck ears, treating them to their first echo of the strange underworld, the sustaining vulgarity, of existences classified as "great." They opened vistas, and I remember how when, much later, I came to consider the designed picture, first in Edmond About and then in Alphonse Daudet, of fifty features symptomatic of the social pace at which the glittering régime hurried to its end, there came back to me the breath of this sidewind of the frenzied dance that we had caught during those numerous and so far from edifying hours in our fine old deep-seated compartment. The impression, I now at any rate perfectly recover, was one that could feed full enough any optimism of the appointedly modest condition. It was true that Madame la Marquise, who was young and good-natured and pretty without beauty, and unmistakably "great," exhaling from afar, as I encouraged myself to imagine, the scented air of the Tuileries, came on occasion and looked in on us and smiled, and even pouted, through her elegant patience; so that she at least, I recollect, caused to swim before me somehow such a view of happy privilege at the highest pitch as made me sigh the more sharply, even if the less professedly, for our turning our backs on the complex order, the European, fresh to me still, in which contrasts flared and flourished and through which discrimination could unexhaustedly riot—pointing so many more morals, withal, if that was the benefit it was supposed to be, than we should find pretexts for "on the other side." We were to fall as soon as we were at home again to reading the Revue des Deux Mondes—though doubtless again I should speak here, with any emphasis, but for myself; my chin, in Europe, had scarce risen to the level of that publication; but at Newport in Rhode Island, our next following place of sojourn, I speedily shot up so as quite to bend down to it: it took its place therewith as the very headspring of culture, a mainstay in exile, and as opening wide in especial the doors of that fictive portrayal of a society which put a price, for the brooding young reader, on cases, on cadres, in the Revue parlance, already constituted and propitiously lighted. Then it was that the special tension of the dragged-out day from Cologne to Paris proved, on the absurdest scale, a preparation, justified itself as a vivid point of reference: I was to know what the high periodical meant when I encountered in its études de mœurs the blue-chinned corruptible, not to say corrupt, larbin and the smart soubrette; it was above all a blessing to feel myself, in the perusal of M. Octave Feuillet, an education, as I supposed, of the taste, not at a marked disadvantage; since who but the Petite Comtesse herself had swung her crinoline in and out of my prospect, or, to put it better, of my preserved past, on one of my occasions of acutest receptivity?

      The truth was that acute, that quite desperate receptivity set in for me, under a law of its own—may really be described as having quite raged for me—from the moment our general face, by the restless parental decree (born not a little of parental homesickness and reinforced by a theory of that complaint on our own part, we having somehow in Europe "no companions," none but mere parents themselves), had been turned again to the quarter in which there would assuredly be welcomes and freedoms and unchecked appropriations, not to say also cousins, of both sexes and of a more and more engaging time of life, cousins kept and tended and adorned for us in our absence, together with the solicitation for our favour of possible, though oh so just barely possible, habitats before which the range of Europe paled; but which, nevertheless, to my aching fancy, meant premature abdication, sacrifice and, in one dreadful word, failure. I had had cousins, naturally, in the countries we were quitting, but to a limited degree; yet I think I already knew I had had companions in as full a measure as any I was still to know—inasmuch as my imagination made out one, in the complex order and the coloured air, almost wherever I turned; and, inasmuch as, further, to live by the imagination was to live almost only in that way, so to foresee the comparative, not to say the absolute, absence of tonic accent in the appearances complacently awaiting me, as well as to forecast in these appearances, at the best, a greater paucity, was really to enjoy a sharp prevision of dearth. Certain it is that those supreme moments of Paris, those after-days at the Trois Empereurs, were to flush for me, as they ebbed, with images and visions; judged by any achieved act of possession I hadn't assuredly much to give up, but intensity of sentiment, resting on a good disposition, makes for its own sake the most of opportunity, and I buried my associations, which had been in a manner till lately my hopes as well, with all decent dignity and tenderness. These more or less secret obsequies lent to our further brief delay a quality of suppressed excitement; the "old-world" hours were numbered too dreadfully—had shrunk but to a handful: I had waked up to that, as with a passionate even if private need for gathering in and saving, on the morrow of our reaching our final sticking-place: I had slipped from my so cushioned sleep, my canopied couch, to hang, from the balcony of our quatrième, my brothers' and mine, over that Place du Palais Royal and up against that sculptured and storied façade of the new Louvre which seemed to me then to represent, in its strength, the capacity and chiselled rim of some such potent vivifying cup as it might have been given us, under a happier arrangement, to taste now in its fulness and with a braver sense for it. Over against us on the great palace wall, as I make out—if not for that occasion then for some other—were statues of heroes, Napoleon's young generals, Hoche, Marceau, Desaix or whoever, such a galaxy as never was or should ever be again for splendid monumental reference; and what it somehow came to was that here massed itself the shining second Empire, over which they stood straight aloft and on guard, like archangels of the sword, and that the whole thing was a high-pitched wonder and splendour, which we had already, in our small gaping way, got into a sort of relation with and which would have ever so much more ever so thrillingly to give us. What it would give us loomed but vaguely enough out of the great hum and the great toned perspective, and withal the great noble expense, of which we had constant reminder; but that we were present at something it would be always after accounted a privilege to have been concerned with, and that we were perversely and inconsiderately dropping out of it, and for a reason, so far as there might be a reason, that was scarcely less than strange—all this loomed large to me as our interval shrank, and I even ask myself before the memory of it whether I was ever again in the later and more encompassing and accommodating years to have in those places so rich a weight of consciousness to carry or so grand a presumption of joy. The presumption so boldly entertained was, if you please, of what the whole thing meant. It meant, immensely, the glittering régime, and that meant in turn, prodigiously, something that would probably never be meant quite to any such tune again: so much one positively and however absurdly said to one's self as one stood up on the high balcony to the great insolence of the Louvre and to all the history, all the glory again and all the imposed applause, not to say worship, and not to speak of the implied inferiority, on the part of everything else, that it represented. And the sense was of course not less while one haunted at odd hours the arcades and glass galleries of the Palais Royal close at hand—as if to store up, for all the world, treasures of impression that might be gnawed, in seasons or places of want, like winter pears or a squirrel's hoard of nuts, and so perhaps keep one alive, as to one's most vital faculty above-mentioned, till one should somehow or other be able to scramble back.

      The particular ground for our defection, which I obscurely pronounced mistaken, was that since William was to embrace the artistic career—and freedom for this experiment had been after all, as I repeat that it was always in like cases to be, not in the least grudgingly granted him—our return to America would place him in prompt and happy relation to William Hunt, then the most distinguished of our painters as well as one of the most original

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