Mind Amongst the Spindles. A Miscellany, Wholly Composed by the Factory Girls. Various
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Dinner being ended, while the matrons were putting all things to rights, the young people made preparation for dancing; and a joyous time they had. The music and amusement continued until the "blushing morn" reminded the good people that it was time to separate. The rising sun had gilded the sides of the opposite mountains, which were sending up their exhalations, before the company were all on their way to their respective homes. Long did they remember the first wedding in our town. Even after the frost of seventy winters had whitened the heads of those who were then boys, they delighted to dwell on the merry scenes of that joyful night; and from that time to the present, weddings have been fashionable in Salmagundi, although they are not always celebrated in quite so romantic a manner.
Tabitha.
"BLESS, AND CURSE NOT."
The Athenians were proud of their glory. Their boasted city claimed pre-eminence in the arts and sciences; even the savage bowed before the eloquence of their soul-stirring orators; and the bards of every nation sang of the glory of Athens.
But pre-eminent as they were, they had not learned to be merciful. The pure precepts of kindness and love were not taught by their sages; and their noble orators forgot to inculcate the humble precepts of forgiveness, and the "charity which hopeth all things." They told of patriotism, of freedom, and of that courage which chastises wrong or injury with physical suffering; but they told not of that nobler spirit which "renders good for evil," and "blesses, but curses not."
Alcibiades, one of their own countrymen, offended against their laws, and was condemned to expiate the offence with his life. The civil authorities ordered his goods to be confiscated, that their value might swell the riches of the public treasury; and everything that pertained to him, in the way of citizenship, was obliterated from the public records. To render his doom more dreary and miserable,—to add weight to the fearful fulness of his sentence,—the priests and priestesses were commanded to pronounce upon him their curse. One of them, however, a being gentle and good as the principles of mercy which dwelt within her heart—timid as the sweet songsters of her own myrrh and orange groves, and as fair as the acacia-blossom of her own bower—rendered courageous by the all-stimulating and powerful influence of kindness, dared alone to assert the divinity of her office, by refusing to curse her unfortunate fellow-being—asserting that she was "Priestess to bless, and not to curse."
Lisetta.
ANCIENT POETRY.
I love old poetry, with its obscure expressions, its obsolete words, its quaint measure, and rough rhyme. I love it with all these, perhaps for these. It is because it is different from modern poetry, and not that I think it better, that it at times affords me pleasure. But when one has been indulging in the perusal of the smooth and elegant productions of later poets, there is at least the charm of variety in turning to those of ancient bards. This is pleasant to those who love to exercise the imagination—for if we would understand our author, we must go back into olden times; we must look upon the countenances and enter into the feelings of a long-buried generation; we must remember that much of what we know was then unknown, and that thoughts and sentiments which may have become common to us, glowed upon these pages in all their primal beauty. Much of which our writer may speak has now been wholly lost; and difficult, if not impossible, to be understood are many of his expressions and allusions.
But these difficulties present a "delightful task" to those who would rather push on through a tangled labyrinth, than to walk with ease in a smooth-rolled path. Their self-esteem is gratified by being able to discover beauty where other eyes behold but deformity: and a brilliant thought or glowing image is rendered to them still more beautiful, because it shines through a veil impenetrable to other eyes. They are proud of their ability to perceive this beauty, or understand that oddity, and they care not for the mental labor which they have been obliged to perform.
When I turn from modern poetry to that of other days, it is like leaving bright flowery fields to enter a dark tangled forest. The air is cooler, but damp and heavy. A sombre gloom reigns throughout, occasionally broken by flitting sunbeams, which force their way through the thick branches which meet above me, and dance and glitter upon the dark underwood below. They are strongly contrasted with the deep shade around, and my eye rests upon them with more pleasure than it did upon the broad flood of sunshine which bathes the fields without. My searching eye at times discovers some lonely flower, half hidden by decayed leaves and withered moss, yet blooming there in undecaying beauty. There are briers and thistles and creeping vines around, but I heedlessly press on, for I must enjoy the fragrance and examine the structure of these unobtrusive plants. I enjoy all this for a while, but at length I grow chilled and weary, and am glad to leave the forest for a less fatiguing resort.
But there is one kind of old poetry to which these remarks may not apply—I mean the Poetry of the Bible.—And how much is there of this! There are songs of joy and praise, and those of woe and lamentation; there are odes and elegies; there are prophecies and histories; there are descriptions of nature and narratives of persons, and all written with a fervency of feeling which embodies itself in lofty and glowing imagery. And what is this but poetry? yet not that which can be compared to some dark, mazy forest, but rather like a sacred grove, such as "were God's first temples." There is no gloom around, neither is there bright sunshine; but a calm and holy light pervades the place. The tall trees meet not above me, but through their lofty boughs I can look up and see the blue heavens bending their perfect dome above the hallowed spot, while now and then some fleecy cloud sails slowly on, as though it loved to shadow the still loneliness beneath. There are soft winds murmuring through the high tree-tops, and their gentle sound is like a voice from the spirit-land. There are delicate white flowers waving upon their slight stems, and their sweet fragrance is like the breath of heaven. I feel that I am in God's temple. The Spirit above waits for the sacrifice. I can now erect an altar, and every selfish worldly thought should be laid thereon, a free-will offering. But when the rite is over, and I leave this consecrated spot for the busy path of life, I should strive to bear into the world a heart baptized in the love of beauty, holiness, and truth.
I have spoken figuratively—perhaps too much so to please the pure and simple tastes of some—but He who made my soul and placed it in the body which it animates, implanted within it a love of the beautiful in literature, and this love was first awakened and then cherished by the words of Holy Writ.
I have, when a child, read my Bible, from its earliest book to its latest. I have gone in imagination to the plains of Uz, and have there beheld the pastoral prince in all his pride and glory. I have marked him; too, when in the depth of his sorrow he sat speechless upon the ground for seven days and seven nights; but when he opened his mouth and spake, I listened with eagerness to the heart-stirring words and startling imagery which poured forth from his burning lips! But my heart has thrilled with a delightful awe when "the Lord answered Job out of the whirlwind," and I listened to words of more simplicity than uninspired man may ever conceive.
I have gone, too, with the beloved disciple into that lonely isle where he beheld those things of which he was commanded to write. My imagination dared not conceive of the glorious throne, and of Him who sat upon it; but I have looked