Elements of Criticism. Henry Home, Lord Kames

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Elements of Criticism - Henry Home, Lord Kames Natural Law and Enlightenment Classics

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man while awake is conscious of a continued train of perceptions and ideas passing in his mind. It requires no activity on his part to carry on the train: nor can he at will add any idea to the train.* At the same time we learn from daily<18> experience, that the train of our thoughts is not regulated by chance: and if it depend not upon will, nor upon chance, by what law is it governed? The question is of importance in the science of human nature; and I promise beforehand, that it will be found of great importance in the fine arts.

      It appears, that the relations by which things are linked together, have a great influence in directing the train of thought. Taking a view of external objects, their inherent properties are not more remarkable, than the various relations that connect them together: Cause and effect, contiguity in time or in place, high and low, prior and posterior, resemblance, contrast, and a thousand other relations, connect things together without end. Not a single thing appears solitary and altogether devoid of connection; the only difference is, that some are intimately connected, some more slightly; some near, some at a distance.

      Experience will satisfy us of what reason makes probable, that the train of our thoughts is in a great measure regulated by the foregoing relations: an external object is no sooner presented to us in idea, than it suggests to the mind other objects to which it is related; and in that manner is a train of thoughts composed. Such is the law of succession; which must be natural, because it governs all human beings. The law however seems not to be inviolable: it sometimes happens that an idea<19> arises in the mind without any perceived connection; as for example, after a profound sleep.

      But though we cannot add to the train an unconnected idea, yet in a measure we can attend to some ideas, and dismiss others. There are few things but what are connected with many others; and when a thing thus connected becomes a subject of thought, it commonly suggests many of its connections: among these a choice is afforded; we can insist upon one, rejecting others; and sometimes we insist on what is commonly held the slighter connection. Where ideas are left to their natural course, they are continued through the strictest connections: the mind extends its view to a son more readily than to a servant; and more readily to a neighbour than to one living at a distance. This order, as observed, may be varied by will, but still within the limits of related objects; for tho’ we can vary the order of a natural train, we cannot dissolve the train altogether, by carrying on our thoughts in a loose manner without any connection. So far doth our power extend; and that power is sufficient for all useful purposes: to have more power, would probably be hurtful instead of being salutary.

      Will is not the only cause that prevents a train of thought from being continued through the strictest connections: much depends on the present tone of mind; for a subject that accords with that tone is always welcome. Thus, in good spi-<20>rits, a chearful subject will be introduced by the slightest connection; and one that is melancholy, no less readily in low spirits: an interesting subject is recalled, from time to time, by any connection indifferently, strong or weak; which is finely touched by Shakespear, with relation to a rich cargo at sea:

      My wind, cooling my broth,

      Would blow me to an ague, when I thought

      What harm a wind too great might do at sea.

      I should not see the sandy hour-glass run,

      But I should think of shallows and of flats;

      And see my wealthy Andrew dock’d in sand,

      Vailing her high top lower than her ribs,

      To kiss her burial. Should I go to church,

      And see the holy edifice of stone,

      And not bethink me strait of dangerous rocks?

      Which touching but my gentle vessel’s side,

      Would scatter all the spices on the stream,

      Enrobe the roaring waters with my silks;

      And, in a word, but now worth this,

      And now worth nothing.

      Merchant of Venice, act 1. sc. 1.

      Another cause clearly distinguishable from that now mentioned, hath also a considerable influence to vary the natural train of ideas; which is, that in the minds of some persons, thoughts and circumstances crowd upon each other by the slightest connections. I ascribe this to a bluntness in the discerning faculty; for a person who cannot accu-<21>rately distinguish between a slight connection and one that is more intimate, is equally affected by each: such a person must necessarily have a great flow of ideas, because they are introduced by any relation indifferently; and the slighter relations, being without number, furnish ideas without end. This doctrine is, in a lively manner, illustrated by Shakespear:

      Falstaff. What is the gross sum that I owe thee?

      Hostess. Marry, if thou wert an honest man, thyself and thy money too. Thou didst swear to me on a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal fire, on Wednesday in Whit-sun-week, when the Prince broke thy head for likening him to a singing man of Windsor, thou didst swear to me then, as I was washing thy wound, to marry me, and make me my Lady thy wife. Canst thou deny it? Did not Goodwife Keech, the butcher’s wife, come in then, and call me Gossip Quickly? coming in to borrow a mess of vinegar; telling us she had a good dish of prawns; whereby thou didst desire to eat some; whereby I told thee they were ill for a green wound. And didst not thou, when she was gone down stairs, desire me to be no more so familiarity with such poor people, saying, that ere long they should call me Madam? And didst thou not kiss me, and bid me fetch thee thirty shillings? I put thee now to thy bookoath, deny it if thou canst?

      Second part, Henry IV. act 2. sc. 2.1

      On the other hand, a man of accurate judgement cannot have a great flow of ideas; because<22> the slighter relations, making no figure in his mind, have no power to introduce ideas. And hence it is, that accurate judgement is not friendly to declamation or copious eloquence. This reasoning is confirmed by experience; for it is a noted observation, That a great or comprehensive memory is seldom connected with a good judgement.

      As an additional confirmation, I appeal to another noted observation, That wit and judgement are seldom united. Wit consists chiefly in joining things by distant and fanciful relations, which surprise because they are unexpected: such relations, being of the slightest kind, readily occur to those only who make every relation equally welcome. Wit, upon that account, is in a good measure incompatible with solid judgement; which, neglecting trivial relations, adheres to what are substantial and permanent. Thus memory and wit are often conjoined: solid judgement seldom with either.

      Every man who attends to his own ideas, will discover order as well as connection in their succession. There is implanted in the breast of every man a principle of order, which governs the arrangement of his perceptions, of his ideas, and of his actions. With regard to perceptions I observe, that in things of equal rank, such as sheep in a fold, or trees in a wood, it must be indifferent in what order they be surveyed. But in things of<23> unequal rank, our tendency is, to view the principal subject before we descend to its accessories or ornaments, and the superior before the inferior or dependent: we are equally averse to enter into a minute consideration of constituent parts, till the thing be first surveyed as a whole. It need scarce be added, that our ideas are governed by the same principle; and that in thinking or reflecting upon a number of objects, we naturally follow the same order as when we actually survey them.

      The principle of order is conspicuous with respect to natural operations; for it always directs our ideas in the

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