The Principles of Moral and Christian Philosophy. George Turnbull
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Those relative to interest or private and public good.
Let us therefore enquire into the laws of our nature, relative to utility or interest, to private and publick good; the natural end and happiness of every man in particular, and of society or our kind in general.
The serveral enquiries about morals classed.
One of the best modern writers on morals has given us a very accurate division of the chief questions relative to morality.a “The first is, to know (says he) whether there are not some actions or affections which obtain the approbation of any spectator or<142> observer, and others which move his dislike and condemnation. Now this question, as every man can answer for himself, so universal experience and history shew that in all nations it is so; and consequently the moral sense is universal. 2. Whether there be any particular quality, which, whenever it is perceived, gains approbation, and the contrary raises disapprobation? Now we shall find this quality to be kind affection or study of the public good of others. And thus the moral senses of men are generally uniform. About these two questions there is little reasoning: we know how to answer them by reflecting on our own sentiments, or by consulting others. 3. But what actions do really evidence kind affections, or do really tend to the greatest public good? About this question is all the special reasoning of those who treat of particular laws of nature, or even civil laws. This is the largest field, and the most useful subject of reasoning, which remains upon every scheme of morals. 4. What are the motives, which even from self-love, would excite each individual to do those actions which are particularly useful. Now it is probable, indeed, no man would approve as virtuous, an action publickly useful, to which the agent was only excited by self-love, without any kind affection: it is also probable, that no view of interest can raise that kind affection which we approve as virtuous; nor can any reasoning do it, except that which shews some moral goodness, or kind affections in the objects; for this never fails, when it is observed or supposed in any person to raise the love of the observer; so that virtue cannot be taught. Yet since all men have naturally self-love, as well as kind affections, the former may often counteract the latter, or the latter the former: in each case, the agent is in some degree uneasy and unhappy. The first rash views of human affairs often represent private interest as opposite to the public: when it is apprehended self-love<143> may often engage men in public hurtful actions, which their moral sense will condemn, and this is the ordinary course of vice. To represent these motives of self-interest to engage men to publickly useful actions, is therefore the most necessary point in morals.” Now this is what I proceed to consider, in order to shew that by the laws of our nature, what the moral sense approves or virtue is private, as well as public good; and what the moral sense disapproves or vice is private as well as public ill.
Beauty is inseparably connected with utility throughout all nature.
I. And first of all I would observe, that there is no philosophical subject which affords more pleasure to the mind, than the consideration of the strict union and connexion between beauty and utility prevailing throughout nature,a as far as we are able to pry into it; and which therefore must be carefully attended to, and observed in all the arts which imitate nature. It is this union and connexion, (as I have observed in my treatis on ancient painting) between beauty and advantage, or utility in all subjects, natural and moral, throughout the whole of nature that renders nature one, or a beautiful coherent analogous system; and for the same reason renders all the sciences and arts one body, or makes them so intimately related and so inseparable one from another.
It is so in all the imitative arts, architecture, painting, &c.
Tho’ beauty be an agreeable perception excited in us, necessarily and immediately on the first sight or contemplation of certain objects qualified by nature<144> to affect our mind with that pleasing idea; yet when we come to examine these objects attentively, we find, that wherever we perceive beauty, there is truth, proportion, regularity and unity of design to bring about, by a proper variety of parts, one advantageous end: one useful end that could not be accomplished by simpler or fewer means. That is to say, wherever we find beauty we find utility. Whatever is beautiful is advantageous, consonant or well contrived for a good end.
Because it is so in nature the standard of truth.
It is so in our mundan system.
Every one who has any notion of architecture, painting or statuary, will immediately perceive that in all these arts, this connexion is so necessary, so unalterable, that it is not possible to deviate from utility without falling proportionably short of beauty to the sight: or alternately, the rules in architecture which produce beauty are all founded on utility, or necessarily produce it. And in the other arts of design, the truth and beauty of every figure is measured from the perfection of nature in her just adapting every limb and part to the activity, strength, dexterity, and vigour of the particular species designed. Now, what is the reason of this? But, because it is so in nature, where universally the proportionate and regular state is the truly prosperous and natural one in every subject. Health of the body is the just proportion, truth and regular course of things, or the sound ballance of parts in our constitution. The same features which produce deformity, create incommodiousness and disease. And as it is in the human body, so is it every where throughout nature. The sound state is the beautiful one. Whence it is justly laid down, by the ancients, as an universal canon with regard to arts and sciences, and with regard also to moral conduct, because it is everywhere true or an universal law of nature, “That just proportions and beauty are inseparably connected with utility.” Nunquam a vero dividitur utile.46 What is<145> beautiful is good and useful, and what is good and useful is beautiful.
And on the bodies of all animals.
Is not the order of our mundan system most transportingly beautiful and pleasant in idea or contemplation? But do not the same general laws which produce that delightful ravishing beauty, order and greatness, likewise tend to the greatest good and advantage of the whole system? What law can be altered without introducing inconveniencies proportionable to irregularity? And what is it that charms us when we survey with rapture the beauty of the mundan system? Is it not the simplicity and the consent of the few laws which hold such a vast complication of mighty orbs in due and advantageous order? And when we contemplate the human body, or any other animal structure; or in general, wherever we see beauty and order in nature, what is it we find to be the basis of all that beauty and order which so strongly attracts us?—Is it not the simplicity, the frugality, the analogy, and constancy of nature, in bringing about an useful end; or, in disposing, adjusting, and compounding various parts, so as may best serve a particular good end, without either too little or too much? All that we admire, as has been already observed, is fitly expressed in this general rule observed steadily by nature. Nil frustra natura facit.47,a Which frustra is likewise very well defined<146> by Frustra fit pluribus quod fieri potest paucioribus.48 And therefore with regard to all arts which imitate nature, poetry, painting, architecture and statuary; and even with regard to all reasonings, arrangements of truths, or demonstrations in the sciences, this is the only rule to attain to beauty, truth and utility.
Denique sit quodvis simplex duntaxat & unum. 49
It is, and must be so likewise with respect to the fabrick of the human mind, affections, actions, and characters.
Now, as it is with regard to the sensible world, and to all arts and sciences, so is it also with respect to our mental fabrick: its health, soundness, and beauty, consist in the due ballance of all its powers and affections, or in just subordination to a well improved moral sense. This produces moral beauty in affections, in actions, and in character or temper; and this temper is the most advantageous one: It is the sound, the healthful, the natural, the most pleasant state: Every exercise of the affections and powers, in such a constitution is beautiful, and it is pleasant: Agreeable