An Inquiry into the Original of Our Ideas of Beauty and Virtue. Francis Hutcheson

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An Inquiry into the Original of Our Ideas of Beauty and Virtue - Francis Hutcheson Natural Law and Enlightenment Classics

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its Ideas at pleasure, or in any certain Ratio, or Degree; and of considering separately [3] each of the simple Ideas, which might perhaps have been impress’d jointly in the Sensation. This last Operation we commonly call Abstraction.

      Substances.

      IV. The Ideas of ||9Substances|| are compounded of the various simple Ideas jointly impress’d, when they presented themselves to our Senses. We define Substances only by enumerating these sensible Ideas: And such Definitions may ||10raise an Idea clear enough|| of the Substance in the Mind of one who never immediately perceiv’d the Substance; provided he has separately receiv’d by his Senses all the simple Ideas ||11which|| are in the Composition of the complex one of the Substance defin’d: But if ||12there be any simple Ideas which he has not receiv’d, or if he wants any of the Senses necessary for the Perception of them, no Definition can raise any simple Idea which has not been before perceived by the Senses.||

      Education. Instruction.

      V.13 Hence it follows, “That when Instruction, Education, or Prejudice of any kind, raise any Desire or Aversion toward an Object, this Desire or Aversion must be founded upon an Opinion of some Perfection, or of some Deficiency in those Qualitys, for Perception of which we have the proper Senses.” Thus if Beauty be desir’d by one who has not the Sense of Sight, the Desire must be rais’d by some [4] apprehended Regularity of Figure, Sweetness of Voice, Smoothness, or Softness, or some other Quality perceivable by the other Senses, without relation to the Ideas of Colour.

      Pleasure. Pain.

      VI. Many of our sensitive Perceptions are pleasant, and many painful, immediately, and that without any knowledge of the Cause of this Pleasure or Pain, or how the Objects excite it, or are the Occasions of it; or without seeing to what further Advantage or Detriment the Use of such Objects might tend: Nor would the most accurate Knowledge of these things vary either the Pleasure or Pain of the Perception, however it might give a rational Pleasure distinct from the sensible; or might raise a distinct Joy, from ||14a|| prospect of further Advantage in the Object, or Aversion, from ||15an|| apprehension of Evil.

      Different Ideas.

      VII. The ||16simple|| Ideas rais’d in different Persons by the same Object, are probably ||17some way|| different, when they disagree in their Approbation or Dislike; and in the same Person, when his Fancy at one time differs from what it was at another. This will appear from reflecting on those Objects, to which we have now an Aversion, tho they were formerly agreeable: And we shall generally find that there is some accidental Conjunction of a disagreeable Idea, [5] which always recurs with the Object; as in those Wines ||18to|| which Men acquire an ||19Aversion||, after they have taken them in an Emetick Preparation: ||20In this case|| we are conscious that the Idea is alter’d from what it was when that Wine was agreeable, by the Conjunction of the Ideas of Loathing and Sickness of Stomach. The like Change of Idea may be insensibly made by the Change of our Bodys, as we advance in Years, ||21or when we are accustomed to any Object,|| which may occasion an Indifference ||22toward|| Meats we were fond of in our Childhood||23a; and may make some Objects cease to raise the disagreeable Ideas, which they excited upon our first use of them. ||24bMany of our simple Perceptions are disagreeable only thro the too great Intenseness of the Quality: thus moderate Light is agreeable, very strong Light may be painful; moderate Bitter may be pleasant, a higher Degree may be offensive. A Change in our Organs will necessarily occasion a Change in the Intenseness of the Perception at least; nay sometimes will occasion a quite contrary Perception: Thus a warm Hand shall feel that Water cold, which a cold hand ||25cshallc|| feel warmab||.

      We shall not find it perhaps so easy to account for the Diversity of Fancy ||26aabout more complex Ideas of Objects, ||27bin which we regardb|| many Ideas of different Senses at [6] once; as ||28cinc|| some Perceptions of those call’d primary Qualitys, and some secondary, as explain’d by Mr. Locke:i for instance, in the different Fancys about Architecture, Gardening, Dress. Of the two former we shall offer something in Sect. VI. As to Dress, we may generally account for the Diversity of Fancys from a like Conjunction of Ideas: Thusa||, if either from any thing in Nature, or from the Opinion of our Country or Acquaintance, the fancying of glaring Colours be look’d upon as an evidence of Levity, or of any other evil Quality of Mind; or if any Colour or Fashion be commonly us’d by Rusticks, or by Men of any disagreeable Profession, Employment, or Temper; these additional Ideas may recur constantly with that of the Colour or Fashion, and cause a constant Dislike to them in those who join the additional Ideas, altho the Colour or Form be no way disagreeable of themselves, and actually do please others who join no such Ideas to them. But there ||29does not seem to be any|| Ground to believe such a Diversity in human Minds, as that the same ||30simple|| Idea or Perception should give pleasure to one and pain to another, or to the same Person at different times; not to say that it seems a Contradiction, that the same ||31simple|| Idea should do so. [7]

      Complex Ideas.

      VIII. The only Pleasure of Sense, ||32which|| ||33our|| Philosophers seem to consider, is that which accompanys the simple Ideas of Sensation: But there are ||34vastly|| greater Pleasures in those complex Ideas of Objects, which obtain the Names of Beautiful, Regular, Harmonious. Thus every one acknowledges he is more delighted with a fine Face, a just Picture, than with the View of any one Colour, were it as strong and lively as possible; and more pleas’d with a Prospect of the Sun ||35arising|| among settled Clouds, and colouring their Edges, with a starry Hemisphere, a fine Landskip, a regular Building, than with a clear blue Sky, a smooth Sea, or a large open Plain, not diversify’d by Woods, Hills, Waters, Buildings: And yet even these latter Appearances are not quite simple. So in Musick, the Pleasure of fine Composition is incomparably greater than that of any one Note, how sweet, full, or swelling soever.

      

      Beauty.

      Harmony.

      IX. Let it be observ’d, that in the following Papers, the Word Beauty is taken for the Idea rais’d in us, and a Sense of Beauty for our Power of receiving this Idea. Harmony also denotes our pleasant Ideas arising from Composition of Sounds, and a good Ear (as it is generally taken) a Power of perceiving this Pleasure. In the following Sections, an Attempt is made [8] to discover “what is the immediate Occasion of these pleasant Ideas, or what real Quality in the Objects ordinarily excites them.”

      Internal Sense.

      X. It is of no consequence whether we call these Ideas of Beauty and Harmony, Perceptions of the External Senses of Seeing and Hearing, or not. I should rather chuse to call our Power of perceiving these Ideas, an Internal Sense, were it only for the Convenience of distinguishing them from other Sensations of Seeing and Hearing, which men may have without Perception of Beauty and Harmony. It is plain from Experience, that many Men have in the common meaning, the Senses of Seeing and Hearing perfect enough; they perceive all the simple Ideas separately, and have their Pleasures; they distinguish them from each other, such as one Colour from another, either quite different, or the stronger or fainter of the same Colour, ||36when they are plac’d beside each other, altho they may often confound their Names, when they occur a-part from each other; as some do the Names of Green and Blue:|| they can tell in separate Notes, the higher, lower, sharper or flatter, when separately sounded; in Figures they discern the Length, Breadth, Wideness of each Line, Surface, Angle; and may be as capable of hearing and seeing at great distances as any men [9] whatsoever: And yet perhaps they shall ||37find|| no Pleasure in Musical Compositions, in Painting, Architecture, natural Landskip; or but a very weak one in comparison of what others enjoy from the same Objects. This greater Capacity of receiving such pleasant

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