Modern Coin Magic. J. B. Bobo
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To show the back of the hand, reverse the moves as follows: With the palm toward the front, bend the hand downward at the wrist as far as it will go, Fig. 5, and close the hand as it continues to turn until it becomes a loose fist, as illustrated in Fig. 6. At this point the two middle fingers bend inward and outward, revolving the coin between the first and fourth fingers as the hand completes its turning and the fingers are straightened out. The back of the hand is seen as in Fig. 7. All these moves must blend together in the one action of turning over the hand to show its back.
An alternate and preferred method of showing the back of the hand is as follows: After the palm is shown, begin turning the hand to show its back just as described above until the position depicted in Fig. 6 is reached. Bend the thumb upward over the lower edge of the coin and release it from the fingers so it can be thumb palmed as the fingers are extended to show the back of the hand. In other words, the coin is transferred from the back palm to the thumb palm as the hand turns over. This method is not only easier but has several advantages as a trial will show.
To show the front of the hand again, do this: Bend the fingers inward, grip the coin by its edge between the tips of the first two digits and turn it parallel with the floor as the thumb releases its grip and moves out of the way. Now bring the thumb back and press it against the edge of the coin, holding it in the Downs palm position. Still keeping the first finger below and the second finger above the coin, close the hand into a tighter fist and turn it palm toward the audience before straightening the fingers. The position of these two fingers prevents the spectators from getting a flash of silver as the hand is turned palm outward. At the completion of these moves the spectators see the hand as depicted in The Downs Palm, Fig. 3.
To produce the coin simply pluck it from the air as described in The Downs Palm.
All hands are not the same size, consequently all hands cannot handle the same size coin. For most, a half dollar will be just about right, while others will require a larger coin like the silver dollar. The Mexican Peso is slightly larger than the half dollar and the Canadian silver dollar is a trifle smaller than the American coin of the same value. It is advisable to use as large a coin as can be safely handled.
Many interesting foreign coins can be purchased for small sums at coin shops, some almost as cheaply as palming coins. Most coin manipulators prefer real money over the magic shop variety. Palming coins are usually suspected by the layman as being manufactured for magical purposes and for that reason are not recommended for close-up work.
Foreign coins also offer wonderful patter possibilities. Some of the coins available are quite beautiful and interesting in themselves. Use a few foreign coins and weave a story around them—you will find that the spectators will be much more enthusiastic about the trick.
THE BACK FINGER CLIP
The coin is clipped behind the hand by its edge, between the first and second fingers, Fig. 1.
To get it in this position hold it by its edge between the thumb and the fleshy second phalanx of the middle finger. The forefinger rests on the top edge, Fig. 2.
Bring the forefinger down and place it against the lower edge of the coin as the thumb moves away. Clip the coin between the first two fingers and straighten out the hand, which appears empty, as in Fig. 3.
To use this as a vanish, stand with your left side toward the audience and hold the coin as described above. As you pretend to toss it into the air quickly transfer it to the back finger clip. The coin appears to vanish as you apparently toss it into the air. The coin is behind the hand and the hand appears empty.
To show the back of the hand you will have to transfer the coin from one side of the hand to the other. Proceed as follows: Turn the wrist as far as it will go and point the fingers toward the floor. The hand appears the same as shown in The Back Palm, Fig. 5. Now close the hand into a loose fist as you continue turning the hand. The back of the hand is now toward the spectators and it should appear the same as shown in The Back Palm, Fig. 6. With the hand in this position move the thumb around the forefinger and press its tip against the underside of the coin. This is done as the forefinger moves away, and the thumb presses the coin tight against the second finger. Thumb slides the coin inward toward the palm where it is clipped by its opposite edge between the first and second fingers. Open the hand and show its back as in Fig. 4.
To bring the coin from front to back of the hand again place the tip of the thumb against the edge of the coin. Push the coin between the fingers to bring it to the back of the hand as the hand turns over. The thumb screens the coin in this action. Finally the palm is shown empty as in Fig. 3.
THE BACK THUMB PALM
The coin is clipped by its edge with the thumb and is concealed behind the hand, Fig. 1.
The moves necessary to get the coin into this position are harder to acquire than the Downs palm but this palm has the advantage of being considerably more angle proof. For this reason it is excellent for close work.
There are three ways to get a coin into this position. The first is a method used by T. Nelson Downs, while the other two are my own.
For the Downs method the starting position is the same as The Back Finger Clip, Fig. 1, (page 31). Bend the thumb down and clinch the fingers, Fig. 2. As you raise the thumb and return it to its normal position, move the coin along with it, Fig. 3, and clip it at the back of the fork of the thumb, Fig. 1. Straighten the fingers, keeping them slightly separated and show your hand empty, Fig. 4. Because the coin has a tendency to slant upward the hand must be tilted backward slightly to prevent the spectators