but never, before or since, have I beheld an odder than this of Grandfather Nat's. It was wooden and clap-boarded, and, like others of its sort, it was everywhere larger at top than at bottom. But the Hole in the Wall was not only top-heavy, but also most alarmingly lopsided. By its side, and half under it, lay a narrow passage, through which one saw a strip of the river and its many craft, and the passage ended in Hole-in-the-Wall Stairs. All of the house that was above the ground floor on this side rested on a row of posts, which stood near the middle of the passage; and the burden of these posts, twisted, wavy, bulging, and shapeless, hung still more toward the opposite building; while the farther side, bounded by a later brick house, was vertical, as though a great wedge, point downward, had been cut away to permit the rise of the newer wall. And the effect was as of a reeling and toppling of the whole construction away from its neighbour, and an imminent downfall into the passage. And when, later, I examined the side looking across the river, supported on piles, and bulging and toppling over them also, I decided that what kept the Hole in the Wall from crashing into the passage was nothing but its countervailing inclination to tumble into the river.
Painted large over the boards of the front, whose lapped edges gave the letters ragged outlines, were the words THE HOLE IN THE WALL; and below, a little smaller, NATHANIEL KEMP. I felt a certain pride, I think, in the importance thus given the family name, and my esteem of my grandfather increased proportionably with the size of the letters.
There was a great noise within, and Grandfather Nat, with a quick look toward the entrance, grunted angrily. But we passed up the passage and entered by a private door under the posts. This door opened directly into the bar parlour, the floor whereof was two steps below the level of the outer paving; and the size whereof was about thrice that of a sentry-box.
The din of a quarrel and a scuffle came from the bar, and my grandfather, thrusting me into a corner, and giving me his hat, ran out with a roar like that of a wild beast. At the sound the quarrel hushed in its height. "What's this?" my grandfather blared, with a thump on the counter that made the pots jump. "What sort of a row's this in my house? Damme, I'll break y' in halves, every mother's son of ye!"
I peeped through the glass partition, and saw, first, the back of the potman's head (for the bar-floor took another drop) and beyond that and the row of beer-pulls, a group of rough, hulking men, one with blood on his face, and all with an odd look of sulky guilt.
"Out you go!" pursued Grandfather Nat, "every swab o' ye! Can't leave the place not even to go to—not for nothin', without a row like this, givin' the house a bad name! Go on, Jim Crute! Unless I'm to chuck ye!"
The men had begun filing out awkwardly, with nothing but here and there: "Awright, guv'nor"—"Awright, cap'en." "Goin', ain't I?" and the like. But one big ruffian lagged behind, scowling and murmuring rebelliously.
In a flash Grandfather Nat was through the counter-wicket. With a dart of his long left arm he had gripped the fellow's ear and spun him round with a wrench that I thought had torn the ear from the head; and in the same moment had caught him by the opposite wrist, so as to stretch the man's extended arm, elbow backward, across his own great chest; a posture in which the backward pull against the elbow joint brought a yell of agony from the victim. Only a man with extraordinarily long arms could have done the thing exactly like that. The movement was so savagely sudden that my grandfather had kicked open the door and flung Jim Crute headlong into the street ere I quite understood it; when there came a check in my throat and tears in my eyes to see the man so cruelly handled.
Grandfather Nat stood a moment at the door, but it seemed that his customer was quelled effectually, for presently he turned inward again, with such a grim scowl as I had never seen before. And at that a queer head appeared just above the counter—I had supposed the bar to be wholly cleared—and a very weak and rather womanish voice said, in tones of over-inflected indignation: "Serve 'em right, Cap'en Kemp, I'm sure. Lot o' impudent vagabones! Ought to be ashamed o' theirselves, that they ought. Pity every 'ouse ain't kep' as strict as this one is, that's what I say!"
And the queer head looked round the vacant bar with an air of virtuous defiance, as though anxious to meet the eye of any so bold as to contradict.
It was anything but a clean face on the head, and it was overshadowed by a very greasy wideawake hat. Grubbiness and unhealthy redness contended for mastery in the features, of which the nose was the most surprising, wide and bulbous and knobbed all over; so that ever afterward, in any attempt to look Mr. Cripps in the face, I found myself wholly disregarding his eyes, and fixing a fascinated gaze on his nose; and I could never recall his face to memory as I recalled another, but always as a Nose, garnished with a fringe of inferior features. The face had been shaved—apparently about a week before; and by the sides hung long hair, dirtier to look at than the rest of the apparition.
My grandfather gave no more than a glance in the direction of this little man, passed the counter and re-joined me, pulling off his coat as he came. Something of my tingling eyes and screwed mouth was visible, I suppose, for he stooped as he rolled up his shirt-sleeves and said: "Why, Stevy boy, what's amiss?"
"You—you—hurt the man's ear," I said, with a choke and a sniff; for till then Grandfather Nat had seemed to me the kindest man in the world.
Grandfather Nat looked mightily astonished. He left his shirt-sleeve where it was, and thrust his fingers up in his hair behind, through the grey and out at the brown on top. "What?" he said. "Hurt 'im? Hurt 'im? Why, s'pose I did? He ain't a friend o' yours, is he, young 'un?"
I shook my head and blinked. There was a gleam of amusement in my grandfather's grim face as he sat in a chair and took me between his knees. "Hurt 'im?" he repeated. "Why, Lord love ye, I'd get hurt if I didn't hurt some of 'em, now an' then. They're a rough lot—a bitter bad lot round here, an' it's hurt or be hurt with them, Stevy. I got to frighten 'em, my boy—an' I do it, too."
I was passing my fingers to and fro in the matted hair on my grandfather's arm, and thinking. He seemed a very terrible man now, and perhaps something of a hero; for, young as I was, I was a boy. So presently I said, "Did you ever kill a man, Gran'fa' Nat?"
CHAPTER IV
STEPHEN'S TALE
Many small matters of my first few hours at the Hole in the Wall were impressed on me by later events. In particular I remember the innocent curiosity with which I asked: "Did you ever kill a man, Gran'fa' Nat?"
There was a twitch and a frown on my grandfather's face, and he sat back as one at a moment's disadvantage. I thought that perhaps he was trying to remember. But he only said, gruffly, and with a quick sound like a snort: "Very nigh killed myself once or twice, Stevy, in my time," and rose hastily from his chair to reach a picture of a ship that was standing on a shelf. "There," he said, "that's a new 'un, just done; pretty picter, ain't it? An' that there," pointing to another hanging on the wall, "that's the Juno, what your father's on now."
I had noticed that the walls, both of the bar and of the bar-parlour, were plentifully hung with paintings of ships; ships becalmed, ships in full sail, ships under bare spars; all with painful blue skies over them, and very even-waved seas beneath; and ships in storms, with torn sails, pursued by rumbustious piles of sooty cloud, and pelted with lengths of scarlet lightning. I fear I should not have recognised my father's ship without help, but that was probably because I had only seen it, months before, lying in dock, battered and dingy, with a
