nice," Ansaldo said, and from his tone Hall knew that he meant nothing of the sort.
"But now we must hurry," Ansaldo said. "The plane is about to depart." He took Jerry's arm and they walked on ahead of Marina and Hall.
"Señor Hall, if you are going to write about the doctor's forthcoming operation," Marina said, "I would gladly help you. The doctor is the greatest surgeon of our times, perhaps, who knows, of all times. He is magnificent. In his hands, the scalpel is an instrument of divinity. It is more, it is divinity itself. I must tell you the story of the doctor's greatest operations, although all of them are great. I will help you. You will write a great article about the great operation."
"I am very grateful to you, doctor. I hope that in San Hermano you will have enough time to give me your counsel. After you, doctor." Hall took a last drag at his cigar as Marina climbed the plane ladder.
There was a mountain—the Monte Azul which produced the beans of Androtten's rhapsodies—and a plateau in the clouds and below the plateau lay the ocean and the city of San Hermano. The lights were going on in the city when Flight Eighteen ended on the airport in the plateau, for the city was five miles farther from the sinking sun of the moment. On the plateau, the airport lights blended with the brown-orange shades of dusk; in the city the lights cut through the classic blackness of night.
A smartly dressed colonel and a top-hatted functionary of the Foreign Office were waiting with two black limousines for the Ansaldo party. The man from the Foreign Office had cleared all the passport and customs formalities. Jerry had just enough time to tell Hall that she and the doctors were to stay at the Bolivar before the cars started down the winding hill to San Hermano.
Hall rode to town with the rest of the passengers in the sleek Panair bus. He and Androtten were also bound for the Bolivar.
Riding into the valley, the bus descended into the night. It was a night made blacker by the war, as were the nights in San Juan and Havana and New York. San Hermano was the capital of a nation still at peace, but the maws of the war across the seas reached for the oil and coal of the world, and San Hermano could not escape this world. Three lights in every four on the Plaza de la Republica were out, for coal and oil furnished the power for the city's electricity. Two years earlier, Hall had asked Anibal Tabio why coal and oil had to turn the city's dynamos when the nation abounded in thousands of mountain streams which could be harnessed by men with slide rules and logarithm tables, and the gentle President had answered him in a sentence. "Because, my dear Hall, San Hermano has been in the twentieth century for barely a decade, while your own nation has been in our century for forty years." And tonight, looking at the ancient Plaza from the window of his room on the third floor of the Bolivar, Hall remembered Tabio's words with disturbing clarity.
From the balcony of his hotel room, Hall could see both San Hermanos, the Old City and the New. Everyone spoke of the two cities in these terms—the geographers, the tourist guides, the inveterate Hermanitos themselves.
The Old San Hermano had been founded by the Conquistadores in the sixteenth century, a walled speck on the shores of an ocean, a fortress and a thatched church, a handful of flimsy huts. In a century, the thatched church became a proud, gloomy Cathedral; one of the walls was knocked down, and in its place was the cobbled Plaza de Fernando e Isabel. The Plaza was Spain in the New World; opening on to its cobbles stood the huge Moorish stone palaces designed by architects brought over from Seville, the palace of the Captains-General who served as colonial governors, the fortified mint, the Cathedral, the home of the Governor's elder brother, the Duke of La Runa. Enslaved Indians and later chained Negroes from the African coasts had carried on their backs the square stones Spanish masons cut and formed for the edifices of the Plaza, first the Cathedral, next the Governor's Palace and the Mint.
Then, in the days of Hidalgo, Bolivar, and San Martin, the ancient Plaza of the Conquistadores became the Plaza de la Republica, and for a few glorious hours the new nation was in tune with its century. But the great Liberators of the times were to die in embittered exile, far from the scenes of their brightest victories. For one swing of the pendulum the liberated lands teetered on the dizzy heights of freedom, and then the pendulum swung back and stopped swinging for a century. The land remained in the hands of the Spanish nobles, and they won their war against the Industrial Revolution, and all that remained of the hour of triumph was the name the Liberators had given the old Plaza and a hollow Republic controlled by the landowners.
In ways more subtle, but no less real than the old ways, the Republic became a colony again, except that the nation was no longer ruled by a crown but by new and even more potent symbols: the sign of the pound, the sign of the dollar, the sign of the franc. The new order brought a new San Hermano, a new Western city built around the rims of the old fortress seaport. It was a strange and often beautiful mélange of French villas and British banks and American skyscrapers and German town houses.
The old Constitution of the Liberators gave way to a series of native dictators who waxed rich as the servants of the foreign owners of the metals and minerals discovered under the nation's soil, of the foreign business men who never saw San Hermano but built vast abattoirs near the wharves where skinny Hermanitos earned a few pennies a day for slaughtering and then loading endless herds of native cattle in the dark holds of foreign ships.
They were ruthless men, the dictators who sat in San Hermano as pro-Consuls of the foreigners and the landowners, ruthless men who, for their share of the profits of the foreigners, of the endless rivers of pesetas the landowners sent to Spain, maintained armies of cutthroats to put down any attempt at rebellion against the new existing order.
The last of these dictators to sit in San Hermano was General Agusto Segura. More than a decade had passed since Segura had died in bed and a junta of professors and miners wrested the control of the nation from Segura's henchmen. There had been little bloodshed when the Junta took over; after thirty years, the Segura regime, or what was left of it, had just collapsed of its own rottenness.
Hall thought of Segura, and the state he had ruled, and then, again thinking about Tabio while he stared into the shadows of the darkened Plaza de la Republica, Hall remembered Tabio's quiet remark about his country's having been in the twentieth century for barely a decade. A slim decade, which began with a world in confusion and was now ending with a world in flames. But if the country weathered these flames, it would be because Tabio, instead of running for the Presidency after the revolution which swept out the remnants of Segurista power, had chosen to serve as Minister of Education for nearly ten years. Hall was willing to stake his life on this, ready to bet that the phenomenal free educational system Tabio had set up for children and adults would, in the final analysis, be one of the nation's chief bulwarks against fascism.
He changed his clothes and went out for a walk through the crooked streets of Old San Hermano before turning in. Many lights were burning in the fourth floor of the Presidencia, the floor on which the President had his apartment. Military guards were standing listlessly at the entrances to the gilded building.
Hall walked along the Plaza until he came to the Calle de Virtudes, which led to a little café on the street opposite the rear entrance of the Presidencia. It had no windows but giant shutters which were folded against the wall when the café was open for business. The café itself stood on a corner, the sidewalks on both sides of the place covered with tables and chairs. Wooden lattice fences, painted a bright orange, screened the tables from the pedestrian's section of the sidewalk. Inside, near the bar itself, two boys with guitars were playing and singing the tragi-comic peasant songs of the south.
He took a sidewalk table, ordered a meat pie and a bottle of beer, and then went to the small hotel next to the café to buy a sheet of paper, an envelope, and an air-mail stamp. He asked for a telephone book, looked up the names under Gomez, copied the address of one Juan Gomez, and returned to
