This is the hour of reckoning, or at least this is what they shout as they flock toward the retention pond behind Kiera’s house, kicking up grass and startling the neighborhood dogs into song. They drop small stones into the water. Watch the tadpoles scatter and count the ripples.
“Run, little guys,” Kiera says, her voice small and high like an actress in a bad horror film. Ava stomps and snarls in the shallows; she’s still wearing her low-tops, her socks full of pond, water squishing between her toes. She is Frankenstein’s monster. She is a vampire queen. She is newly thirteen, hollowed out and filled back up with venom and dust-cloud dreams. She throws her head back and howls and howls at the sun, pretending it’s a strange, burning moon, and that there is no other world than this one where she and Kiera are.
Kiera thunks down onto the bank, sitting with her legs pulled up and her arms draped across the tops of her knees, watching Ava. Her hands dangle from her small wrists like claws. She laughs as Ava poses for her, thrusts her hips out at impossible angles and squinches her eyes tight. Kiera pretends to snap photos with her hands, diving onto her stomach to make sure she gets the shot.
“You’re a sexy monster!” she screams, swooping to the edge of the pond for a close-up, splashing water so that the droplets hang in the air for barely a moment, rainbow-colored. “Say it! Be it!”
“I’m a sexy monster!” Ava repeats, and bares her teeth. Kiera yanks her arms and they fall onto the grass, a giggling heap of girl. They catch their breath and wait. For their hearts to stop thudding, for the warmth to drain from their cheeks. They wait for the howling they don’t voice to quiet. It never does. Instead it evens out, a thin purr that lives inside their ribcages and the webbing of their fingers.
Ava knows she really is a monster, or at least she feels like one: unnatural and unfamiliar in her body. Before thirteen, she hadn’t realized empty was a thing you could carry. But who put it there? Sometimes she wonders if she will ever be rid of it, and other times she never wants to give it back. It is a thing she owns.
Kiera sits up and brushes the wet tops of Ava’s sneakers.
“Your mom’s gonna kill you.”
The girls continue on without their shoes, fleeing into the shade of the small wood behind the pond, bare feet pressing down into cool, loose dirt. They don’t cry out when the sharp points of broken twigs or acorn tops drive into the soft flesh of their insteps. They grit their teeth and keep moving. They swallow pain.
In a clearing where the sun breaks through, they find a dead cardinal, red and perfect, lying on its back with its legs curled in the air like small, delicate rooks. “Don’t touch it,” Kiera says, leaning in so close the tip of a bent feather almost brushes her nose. “Bird flu.” But they both get close like that, hunkering down, drinking death in.
Ava wants to trace her finger along the soft black feathers surrounding the beak. She is jealous of its open, hollow eye, the utter stillness of its body. Even its rank, sweet smell. She lies down beside it, her head at its head, and stares up into the jagged patch of sky. She imagines she’s at peace. Kiera lies down too, and they stay like that until the sun sinks behind the pines, casting the world in cool gold and nightshade green.
When Ava’s mother picks her up that night, her eyes immediately scan her daughter—looking for unplaited hair, for marks, for evidence of her wild ways. She pauses at Ava’s shoes. When she speaks, her voice is saccharine, all her words crisp, enunciated carefully as if speaking a language she knows but wishes she didn’t have to. It’s the voice she uses for her answering machine, for meeting strangers in professional situations. The one she switches on for talking to her daughter’s friend’s white mother. “Thanks for watching her,” she says, smiling, but her eyes are unlit coals. Kiera’s mother is a fluttering, airy sensation at the doorway, something fleeting and cool against Ava’s cheek. “Oh, we love having Ava,” she says, and her cotton-candy voice seems like the real thing, so earnest it could melt.
“Why are your sneakers so dirty?” Ava’s mother demands as soon as the door is shut and they are walking to the car. “Why every time I come get you from this girl’s house, you’re always a mess? Both her parents live here and they can’t watch y’all?” And Ava says nothing because words never mean what she wants them to.
II. Games
There are other differences between them: that Ava is the prettier friend but much browner, so she is often overlooked; that Kiera bleeds first, getting her period in the midnight hours, waking up to sharp pains in her stomach and dark, clotted blood smeared on her thighs—that this makes Kiera a woman now, and Ava still merely a girl; that when Kiera tells her mother she is sad, her mother tells her to explore her feelings, and when Ava does this, her mother just looks tired and tells her, Child, go play.
So she plays. She plays at being drowned in the bathtub, holding her breath with her eyes open underwater. She plays at being hanged from a limb of the white-spotted sycamore beside her house, holding tight to the branches, her body limp and swinging, until she tires and drops. She plays the game of What If: What If I step out in front of this car, right now? What If I don’t wake up tomorrow? She doesn’t mean any of it, she doesn’t think.
Kiera likes these games, too, but she talks about death like she has nine lives. As if when it happens, she’ll be asked, Continue? while flickering numbers on a screen count down, prompting her to restart. The girls like to bounce questions between them as they label different kinds of rocks for Earth Science and play house with Kiera’s dolls.
“How would it be to drown in a pool?”
“How would it be for a man to slice you up and hide you under his mattress?”
“How would it be to be buried?”
“Alive?”
“No, once you’re dead already.”
Ava imagines this last scenario most often, poring over it with the reverence other girls would their first Prom. Her final resting place: the white-lined casket, roses in baby pink. The velvet Sunday dress her mother would slide her body into, and the socks she hates with the wide lace ruffles like a clown’s flamboyant collar. In truth, it isn’t so much death that calls to Ava, but the curiosity of how her absence would affect the world. (What If my mother doesn’t weep?) Would Ava’s mother imagine her beneath the earth, grave worms crawling across her scalp, her still-soft skin and small new breasts, over time, turning to rot?
Ava and Kiera string the Barbies up with rough twine by the neck, dangle them from the DreamHouse roof. They watch the pointed toes twirl.
III. Poolside
Neither of the girls want to be at Chelsea Zucker’s thirteenth birthday party, near the end of the school year, but Ava’s mother got the invitation from Chelsea’s mother and told her she was going.
“You need other friends,” she’d said, standing in front of her daughter with one hip cocked, seeming to suck up all the air and light in Ava’s room. Ava felt cowed around her mother’s bigness, and also bigger because of it. She wanted to kiss her mother’s warm, brown face. To slap it until her hands ached.
“I don’t need new friends,” Ava grumbled, knowing there was no fight; she’d lost already.
“Baby,” her mother said, laughing a little, cupping her chin. “You don’t know what you need.”
Ava told Kiera about having to go to the party, a pool-thing at the Embassy
