won't even rise from my knees, till you have said yes!"
"If I say yes you will repent, and I shall repent, when it is too late!"
"We shall both bless the day, darling, when I pressed, and when you yielded."
"Do you feel as confidently as you speak?"
"You shall judge for yourself. I speak from what I have seen in my own family. Tell me what you think of our household at Frizinghall. Do my father and mother live unhappily together?"
"Far from it—so far as I can see."
"When my mother was a girl, Rachel (it is no secret in the family), she had loved as you love—she had given her heart to a man who was unworthy of her. She married my father, respecting him, admiring him, but nothing more. Your own eyes have seen the result. Is there no encouragement in it for you and for me?"[2]
"You won't hurry me, Godfrey?"
"My time shall be yours."
"You won't ask me for more than I can give?"
"My angel! I only ask you to give me yourself."
"Take me!"
In those two words she accepted him!
He had another burst—a burst of unholy rapture this time. He drew her nearer and nearer to him till her face touched his; and then—No! I really cannot prevail upon myself to carry this shocking disclosure any farther. Let me only say, that I tried to close my eyes before it happened, and that I was just one moment too late. I had calculated, you see, on her resisting. She submitted. To every right-feeling person of my own sex, volumes could say no more.
Even my innocence in such matters began to see its way to the end of the interview now. They understood each other so thoroughly by this time, that I fully expected to see them walk off together, arm in arm, to be married. There appeared, however, judging by Mr. Godfrey's next words, to be one more trifling formality which it was necessary to observe. He seated himself—unforbidden this time—on the ottoman by her side. "Shall I speak to your dear mother?" he asked. "Or will you?"
She declined both alternatives.
"Let my mother hear nothing from either of us, until she is better. I wish it to be kept a secret for the present, Godfrey. Go now, and come back this evening. We have been here alone together quite long enough."
She rose, and in rising, looked for the first time towards the little room in which my martyrdom was going on.
"Who has drawn those curtains?" she exclaimed.
"The room is close enough, as it is, without keeping the air out of it in that way."
She advanced to the curtains. At the moment when she laid her hand on them—at the moment when the discovery of me appeared to be quite inevitable—the voice of the fresh-coloured young footman, on the stairs, suddenly suspended any further proceedings on her side or on mine. It was unmistakably the voice of a man in great alarm.
"Miss Rachel!" he called out, "where are you, Miss Rachel?"
She sprang back from the curtains, and ran to the door.
The footman came just inside the room. His ruddy colour was all gone. He said, "Please to come down-stairs, Miss! My lady has fainted, and we can't bring her to again."
In a moment more I was alone, and free to go down-stairs in my turn, quite unobserved.
Mr. Godfrey passed me in the hall, hurrying out, to fetch the doctor. "Go in, and help them!" he said, pointing to the room. I found Rachel on her knees by the sofa, with her mother's head on her bosom. One look at my aunt's face (knowing what I knew) was enough to warn me of the dreadful truth. I kept my thoughts to myself till the doctor came in. It was not long before he arrived. He began by sending Rachel out of the room—and then he told the rest of us that Lady Verinder was no more. Serious persons, in search of proofs of hardened scepticism, may be interested in hearing that he showed no signs of remorse when he looked at Me.
At a later hour I peeped into the breakfast-room, and the library. My aunt had died without opening one of the letters which I had addressed to her. I was so shocked at this, that it never occurred to me, until some days afterwards, that she had also died without giving me my little legacy.
Chapter 6
(1.) "Miss Clack presents her compliments to Mr. Franklin Blake; and, in sending him the fifth chapter of her humble narrative, begs to say that she feels quite unequal to enlarge as she could wish on an event so awful, under the circumstances, as Lady Verinder's death. She has, therefore, attached to her own manuscripts, copious Extracts from precious publications in her possession, all bearing on this terrible subject. And may those Extracts (Miss Clack fervently hopes) sound as the blast of a trumpet in the ears of her respected kinsman, Mr. Franklin Blake."
(2.) "Mr. Franklin Blake presents his compliments to Miss Clack, and begs to thank her for the fifth chapter of her narrative. In returning the extracts sent with it, he will refrain from mentioning any personal objection which he may entertain to this species of literature, and will merely say that the proposed additions to the manuscript are not necessary to the fulfilment of the purpose that he has in view."
(3.) "Miss Clack begs to acknowledge the return of her Extracts. She affectionately reminds Mr. Franklin Blake that she is a Christian, and that it is, therefore, quite impossible for him to offend her. Miss C. persists in feeling the deepest interest in Mr. Blake, and pledges herself, on the first occasion when sickness may lay him low, to offer him the use of her Extracts for the second time. In the meanwhile she would be glad to know, before beginning the final chapters of her narrative, whether she may be permitted to make her humble contribution complete, by availing herself of the light which later discoveries have thrown on the mystery of the Moonstone."
(4.) "Mr. Franklin Blake is sorry to disappoint Miss Clack. He can only repeat the instructions which he had the honour of giving her when she began her narrative. She is requested to limit herself to her own individual experience of persons and events, as recorded in her diary. Later discoveries she will be good enough to leave to the pens of those persons who can write in the capacity of actual witnesses."
(5.) "Miss Clack is extremely sorry to trouble Mr. Franklin Blake with another letter. Her Extracts have been returned, and the expression of her matured views on the subject of the Moonstone has been forbidden. Miss Clack is painfully conscious that she ought (in the worldly phrase) to feel herself put down. But, no—Miss C. has learnt Perseverance in the School of Adversity. Her object in writing is to know whether Mr. Blake (who prohibits everything else) prohibits the appearance of the present correspondence in Miss Clack's narrative? Some explanation of the position in which Mr. Blake's interference has placed her as an authoress, seems due on the ground of common justice. And Miss Clack, on her side, is most anxious that her letters should be produced to speak for themselves."
(6.) "Mr. Franklin Blake agrees to Miss Clack's proposal, on the understanding that she will kindly consider this intimation of his consent as closing the correspondence between them."
(7.) "Miss Clack feels it an act of Christian duty (before the correspondence closes) to inform Mr. Franklin Blake that his last letter—evidently intended to offend her—has not succeeded in accomplishing the object of the writer. She affectionately requests Mr. Blake to retire to the privacy of his own room, and to consider with himself whether
