an abbot sit down rather suddenly," he added, turning away. "Well, au revoir; I'll let you know about it later."
The archaeologist and the architect were left on the great stone steps smiling at each other; but whatever their common interests, they presented a considerable personal contrast, and the fanciful might even have found some contradiction in each considered individually. The former, a Mr. James Haddow, came from a drowsy den in the Inns of Court, full of leather and parchment, for the law was his profession and history only his hobby; he was indeed, among other things, the solicitor and agent of the Prior's Park estate. But he himself was far from drowsy and seemed remarkably wide awake, with shrewd and prominent blue eyes, and red hair brushed as neatly as his very neat costume. The latter, whose name was Leonard Crane, came straight from a crude and almost cockney office of builders and house agents in the neighboring suburb, sunning itself at the end of a new row of jerry-built houses with plans in very bright colors and notices in very large letters. But a serious observer, at a second glance, might have seen in his eyes something of that shining sleep that is called vision; and his yellow hair, while not affectedly long, was unaffectedly untidy. It was a manifest if melancholy truth that the architect was an artist. But the artistic temperament was far from explaining him; there was something else about him that was not definable, but which some even felt to be dangerous. Despite his dreaminess, he would sometimes surprise his friends with arts and even sports apart from his ordinary life, like memories of some previous existence. On this occasion, nevertheless, he hastened to disclaim any authority on the other man's hobby.
"I mustn't appear on false pretences," he said, with a smile. "I hardly even know what an archaeologist is, except that a rather rusty remnant of Greek suggests that he is a man who studies old things."
"Yes," replied Haddow, grimly. "An archaeologist is a man who studies old things and finds they are new."
Crane looked at him steadily for a moment and then smiled again.
"Dare one suggest," he said, "that some of the things we have been talking about are among the old things that turn out not to be old?"
His companion also was silent for a moment, and the smile on his rugged face was fainter as he replied, quietly:
"The wall round the park is really old. The one gate in it is Gothic, and I cannot find any trace of destruction or restoration. But the house and the estate generally—well the romantic ideas read into these things are often rather recent romances, things almost like fashionable novels. For instance, the very name of this place, Prior's Park, makes everybody think of it as a moonlit mediaeval abbey; I dare say the spiritualists by this time have discovered the ghost of a monk there. But, according to the only authoritative study of the matter I can find, the place was simply called Prior's as any rural place is called Podger's. It was the house of a Mr. Prior, a farmhouse, probably, that stood here at some time or other and was a local landmark. Oh, there are a great many examples of the same thing, here and everywhere else. This suburb of ours used to be a village, and because some of the people slurred the name and pronounced it Holliwell, many a minor poet indulged in fancies about a Holy Well, with spells and fairies and all the rest of it, filling the suburban drawing-rooms with the Celtic twilight. Whereas anyone acquainted with the facts knows that 'Hollinwall' simply means 'the hole in the wall,' and probably referred to some quite trivial accident. That's what I mean when I say that we don't so much find old things as we find new ones."
Crane seemed to have grown somewhat inattentive to the little lecture on antiquities and novelties, and the cause of his restlessness was soon apparent, and indeed approaching. Lord Bulmer's sister, Juliet Bray, was coming slowly across the lawn, accompanied by one gentleman and followed by two others. The young architect was in the illogical condition of mind in which he preferred three to one.
The man walking with the lady was no other than the eminent Prince Borodino, who was at least as famous as a distinguished diplomatist ought to be, in the interests of what is called secret diplomacy. He had been paying a round of visits at various English country houses, and exactly what he was doing for diplomacy at Prior's Park was as much a secret as any diplomatist could desire. The obvious thing to say of his appearance was that he would have been extremely handsome if he had not been entirely bald. But, indeed, that would itself be a rather bald way of putting it. Fantastic as it sounds, it would fit the case better to say that people would have been surprised to see hair growing on him; as surprised as if they had found hair growing on the bust of a Roman emperor. His tall figure was buttoned up in a tight-waisted fashion that rather accentuated his potential bulk, and he wore a red flower in his buttonhole. Of the two men walking behind one was also bald, but in a more partial and also a more premature fashion, for his drooping mustache was still yellow, and if his eyes were somewhat heavy it was with languor and not with age. It was Horne Fisher, and he was talking as easily and idly about everything as he always did. His companion was a more striking, and even more sinister, figure, and he had the added importance of being Lord Bulmer's oldest and most intimate friend. He was generally known with a severe simplicity as Mr. Brain; but it was understood that he had been a judge and police official in India, and that he had enemies, who had represented his measures against crime as themselves almost criminal. He was a brown skeleton of a man with dark, deep, sunken eyes and a black mustache that hid the meaning of his mouth. Though he had the look of one wasted by some tropical disease, his movements were much more alert than those of his lounging companion.
"It's all settled," announced the lady, with great animation, when they came within hailing distance. "You've all got to put on masquerade things and very likely skates as well, though the prince says they don't go with it; but we don't care about that. It's freezing already, and we don't often get such a chance in England."
"Even in India we don't exactly skate all the year round," observed Mr. Brain.
"And even Italy is not primarily associated with ice," said the Italian.
"Italy is primarily associated with ices," remarked Mr. Horne Fisher. "I mean with ice cream men. Most people in this country imagine that Italy is entirely populated with ice cream men and organ grinders. There certainly are a lot of them; perhaps they're an invading army in disguise."
"How do you know they are not the secret emissaries of our diplomacy?" asked the prince, with a slightly scornful smile. "An army of organ grinders might pick up hints, and their monkeys might pick up all sort of things."
"The organs are organized in fact," said the flippant Mr. Fisher. "Well, I've known it pretty cold before now in Italy and even in India, up on the Himalayan slopes. The ice on our own little round pond will be quite cozy by comparison."
Juliet Bray was an attractive lady with dark hair and eyebrows and dancing eyes, and there was a geniality and even generosity in her rather imperious ways. In most matters she could command her brother, though that nobleman, like many other men of vague ideas, was not without a touch of the bully when he was at bay. She could certainly command her guests, even to the extent of decking out the most respectable and reluctant of them with her mediaeval masquerade. And it really seemed as if she could command the elements also, like a witch. For the weather steadily hardened and sharpened; that night the ice of the lake, glimmering in the moonlight, was like a marble floor, and they had begun to dance and skate on it before it was dark.
Prior's Park, or, more properly, the surrounding district of Holinwall, was a country seat that had become a suburb; having once had only a dependent village at its doors, it now found outside all its doors the signals of the expansion of London. Mr. Haddow, who was engaged in historical researches both in the library and the locality, could find little assistance in the latter. He had already realized, from the documents, that Prior's Park had originally been something like Prior's Farm, named after some local figure, but the new social conditions were all against his tracing the story by its traditions. Had any of the real rustics remained, he would probably have found some lingering legend of Mr. Prior, however remote he might be. But the new nomadic
