Victor made no reply.
"Ah; I see!" exclaimed Grimaudan, "you want me to pay for the information."
"No.... but....I am afraid I will starve to death."
"So! that is why you hesitate. Well, I'll not be hard on you. How much do you want?"
"Enough to buy a steerage pass to America."
"All right."
"And a hundred francs to keep me until I get work there."
"You shall have two hundred. Now, speak."
"Count the paving-stones to the right from the sewer-hole. The pearl is between the twelfth and thirteenth."
"In the gutter?"
"Yes, close to the sidewalk."
Grimaudan glanced around to see if anyone were looking. Some tram-cars and pedestrians were passing. But, bah, they will not suspect anything. He opened his pocketknife and thrust it between the twelfth and thirteenth stones.
"And if it is not there?" he said to Victor.
"It must be there, unless someone saw me stoop down and hide it."
Could it be possible that the back pearl had been cast into the mud and filth of the gutter to be picked up by the first comer? The black pearl—a fortune!
"How far down?" he asked.
"About ten centimetres."
He dug up the wet earth. The point of his knife struck something. He enlarged the hole with his finger. Then he abstracted the black pearl from its filthy hiding-place.
"Good! Here are your two hundred francs. I will send you the ticket for America."
On the following day, this article was published in the `Echo de France,' and was copied by the leading newspapers throughout the world:
"Yesterday, the famous black pearl came into the possession of
Arsène Lupin, who recovered it from the murderer of the Countess
d'Andillot. In a short time, fac-similes of that precious jewel
will be exhibited in London, St. Petersburg, Calcutta, Buenos Ayres
and New York.
"Arsène Lupin will be pleased to consider all propositions
submitted to him through his agents."
"And that is how crime is always punished and virtue rewarded," said Arsène Lupin, after he had told me the foregoing history of the black pearl.
"And that is how you, under the assumed name of Grimaudan, ex-inspector of detectives, were chosen by fate to deprive the criminal of the benefit of his crime."
"Exactly. And I confess that the affair gives me infinite satisfaction and pride. The forty minutes that I passed in the apartment of the Countess d'Andillot, after learning of her death, were the most thrilling and absorbing moments of my life. In those forty minutes, involved as I was in a most dangerous plight, I calmly studied the scene of the murder and reached the conclusion that the crime must have been committed by one of the house servants. I also decided that, in order to get the pearl, that servant must be arrested, and so I left the wainscoat button; it was necessary, also, for me to hold some convincing evidence of his guilt, so I carried away the knife which I found upon the floor, and the key which I found in the lock. I closed and locked the door, and erased the finger-marks from the plaster in the wardrobe-closet. In my opinion, that was one of those flashes—"
"Of genius," I said, interrupting.
"Of genius, if you wish. But, I flatter myself, it would not have occurred to the average mortal. To frame, instantly, the two elements of the problem—an arrest and an acquittal; to make use of the formidable machinery of the law to crush and humble my victim, and reduce him to a condition in which, when free, he would be certain to fall into the trap I was laying for him!"
"Poor devil—"
"Poor devil, do you say? Victor Danègre, the assassin! He might have descended to the lowest depths of vice and crime, if he had retained the black pearl. Now, he lives! Think of that: Victor Danègre is alive!"
"And you have the black pearl."
He took it out of one of the secret pockets of his wallet, examined it, gazed at it tenderly, and caressed it with loving fingers, and sighed, as he said:
"What cold Russian prince, what vain and foolish rajah may some day possess this priceless treasure! Or, perhaps, some American millionaire is destined to become the owner of this morsel of exquisite beauty that once adorned the fair bosom of Leontine Zalti, the Countess d'Andillot."
IX. Herlock Sholmes Arrives Too Late
"It is really remarkable, Velmont, what a close resemblance you bear to Arsène Lupin!"
"How do you know?"
"Oh! like everyone else, from photographs, no two of which are alike, but each of them leaves the impression of a face.... something like yours."
Horace Velmont displayed some vexation.
"Quite so, my dear Devanne. And, believe me, you are not the first one who has noticed it."
"It is so striking," persisted Devanne, "that if you had not been recommended to me by my cousin d'Estevan, and if you were not the celebrated artist whose beautiful marine views I so admire, I have no doubt I should have warned the police of your presence in Dieppe."
This sally was greeted with an outburst of laughter. The large dining-hall of the Château de Thibermesnil contained on this occasion, besides Velmont, the following guests: Father Gélis, the parish priest, and a dozen officers whose regiments were quartered in the vicinity and who had accepted the invitation of the banker Georges Devanne and his mother. One of the officers then remarked:
"I understand that an exact description of Arsène Lupin has been furnished to all the police along this coast since his daring exploit on the Paris-Havre express."
"I suppose so," said Devanne. "That was three months ago; and a week later, I made the acquaintance of our friend Velmont at the casino, and, since then, he has honored me with several visits—an agreeable preamble to a more serious visit that he will pay me one of these days—or, rather, one of these nights."
This speech evoked another round of laughter, and the guests then passed into the ancient "Hall of the Guards," a vast room with a high ceiling, which occupied the entire lower part of the Tour Guillaume—William's Tower—and wherein Georges Devanne had collected the incomparable treasures which the lords of Thibermesnil had accumulated through many centuries. It contained ancient chests, credences, andirons and chandeliers. The stone walls were overhung with magnificent tapestries. The deep embrasures of the four windows were furnished with benches, and the Gothic windows were composed of small panes of colored
