The Biggest Curiosities of Literature. Disraeli Isaac
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In this state of affairs, being sent to school in the neighbourhood, was a rather agreeable incident. The school was kept by a Scotchman, one Morison, a good man, and not untinctured with scholarship, and it is possible that my father might have reaped some advantage from this change; but the school was too near home, and his mother, though she tormented his existence, was never content if he were out of her sight. His delicate health was an excuse for converting him, after a short interval, into a day scholar; then many days of attendance were omitted; finally, the solitary walk home through Mr. Mellish's park was dangerous to the sensibilities that too often exploded when they encountered on the arrival at the domestic hearth a scene which did not harmonise with the fairy-land of reverie.
The crisis arrived, when, after months of unusual abstraction and irritability, my father produced a poem. For the first time, my grandfather was seriously alarmed. The loss of one of his argosies, uninsured, could not have filled him with more blank dismay. His idea of a poet was formed from one of the prints of Hogarth hanging in his room, where an unfortunate wight in a garret was inditing an ode to riches, while dunned for his milk-score. Decisive measures were required to eradicate this evil, and to prevent future disgrace—so, as seems the custom when a person is in a scrape, it was resolved that my father should be sent abroad, where a new scene and a new language might divert his mind from the ignominious pursuit which so fatally attracted him. The unhappy poet was consigned like a bale of goods to my grandfather's correspondent at Amsterdam, who had instructions to place him at some collegium of repute in that city. Here were passed some years not without profit, though his tutor was a great impostor, very neglectful of his pupils, and both unable and disinclined to guide them in severe studies. This preceptor was a man of letters, though a wretched writer, with a good library, and a spirit inflamed with all the philosophy of the eighteenth century, then (1780–1) about to bring forth and bear its long-matured fruits. The intelligence and disposition of my father attracted his attention, and rather interested him. He taught his charge little, for he was himself generally occupied in writing bad odes, but he gave him free warren in his library, and before his pupil was fifteen, he had read the works of Voltaire and had dipped into Bayle. Strange that the characteristics of a writer so born and brought up should have been so essentially English; not merely from his mastery over our language, but from his keen and profound sympathy with all that concerned the literary and political history of our country at its most important epoch.
When he was eighteen, he returned to England a disciple of Rousseau. He had exercised his imagination during the voyage in idealizing the interview with his mother, which was to be conducted on both sides with sublime pathos. His other parent had frequently visited him during his absence. He was prepared to throw himself on his mother's bosom, to bedew her hands with his tears, and to stop her own with his lips; but, when he entered, his strange appearance, his gaunt figure, his excited manners, his long hair, and his unfashionable costume, only filled her with a sentiment of tender aversion; she broke into derisive laughter, and noticing his intolerable garments, she reluctantly lent him her cheek. Whereupon Emile, of course, went into heroics, wept, sobbed, and finally, shut up in his chamber, composed an impassioned epistle. My grandfather, to soothe him, dwelt on the united solicitude of his parents for his welfare, and broke to him their intention, if it were agreeable to him, to place him in the establishment of a great merchant at Bordeaux. My father replied that he had written a poem of considerable length, which he wished to publish, against Commerce, which was the corrupter of man. In eight-and-forty hours confusion again reigned in this household, and all from a want of psychological perception in its master and mistress.
My father, who had lost the timidity of his childhood, who, by nature, was very impulsive, and indeed endowed with a degree of volatility which is only witnessed in the south of France, and which never deserted him to his last hour, was no longer to be controlled. His conduct was decisive. He enclosed his poem to Dr. Johnson, with an impassioned statement of his case, complaining, which he ever did, that he had never found a counsellor or literary friend. He left his packet himself at Bolt Court, where he was received by Mr. Francis Barber, the doctor's well-known black servant, and told to call again in a week. Be sure that he was very punctual; but the packet was returned to him unopened, with a message that the illustrious doctor was too ill to read anything. The unhappy and obscure aspirant, who received this disheartening message, accepted it, in his utter despondency, as a mechanical excuse. But, alas! the cause was too true; and, a few weeks after, on that bed, beside which the voice of Mr. Burke faltered, and the tender spirit of Benett Langton was ever vigilant, the great soul of Johnson quitted earth.
But the spirit of self-confidence, the resolution to struggle against his fate, the paramount desire to find some sympathising sage—some guide, philosopher, and friend—was so strong and rooted in my father, that I observed, a few weeks ago, in a magazine, an original letter, written by him about this time to Dr. Vicesimus Knox, full of high-flown sentiments, reading indeed like a romance of Scudery, and entreating the learned critic to receive him in his family, and give him the advantage of his wisdom, his taste, and his erudition.
With a home that ought to have been happy, surrounded with more than comfort, with the most good-natured father in the world, and an agreeable man; and with a mother whose strong intellect, under ordinary circumstances, might have been of great importance to him; my father, though himself of a very sweet disposition, was most unhappy. His parents looked upon him as moonstruck, while he himself, whatever his aspirations, was conscious that he had done nothing to justify the eccentricity of his course, or the violation of all prudential considerations in which he daily indulged. In these perplexities, the usual alternative was again had recourse to—absence; he was sent abroad, to travel in France, which the peace then permitted, visit some friends, see Paris, and then proceed to Bordeaux if he felt inclined. My father travelled in France, and then proceeded to Paris, where he remained till the eve of great events in that capital. This was a visit recollected with satisfaction. He lived with learned men and moved in vast libraries, and returned in the earlier part of 1788, with some little knowledge of life, and with a considerable quantity of books.
At this time Peter Pindar flourished in all the wantonness of literary riot. He was at the height of his flagrant notoriety. The novelty and the boldness of his style carried the million with him. The most exalted station was not exempt from his audacious criticism, and learned institutions trembled at the sallies whose ribaldry often cloaked taste, intelligence, and good sense. His "Odes to the Academicians," which first secured him the ear of the town, were written by one who could himself guide the pencil with skill and feeling, and who, in the form of a mechanic's son, had even the felicity to discover the vigorous genius of Opie. The mock-heroic which invaded with success the sacred recesses of the palace, and which was fruitlessly menaced by Secretaries of State, proved a reckless intrepidity, which is apt to be popular with "the general." The powerful and the learned quailed beneath the lash with an affected contempt which scarcely veiled their tremor. In the meantime, as in the latter days of the Empire, the barbarian ravaged the country, while the pale-faced patricians were inactive within the walls. No one offered resistance.
There appeared about this time a satire "On the Abuse of Satire." The verses were polished and pointed; a happy echo of that style of Mr. Pope which still lingered in the spell-bound ear of the public. Peculiarly they offered a contrast to the irregular effusions of the popular assailant whom they in turn assailed, for the object of their indignant invective was the bard of the "Lousiad." The poem was anonymous, and was addressed to Dr. Warton in lines of even classic grace. Its publication was appropriate. There are moments when every one is inclined to praise, especially when the praise of a new pen may at the same time revenge the insults of an old one.
But if there could be any doubt of the success of this new hand, it was quickly