Terrestrial & Celestial Globes. Edward Luther Stevenson
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Fig. 36. Jagellonicus Globe, 1510.
Fig. 37. Jagellonicus Globe in Hemispheres.
In the rich cartographical collection of Prince Liechtenstein there may be found, in addition to the globe gores referred to above, an interesting globe, usually referred to as the mounted Hauslab globe. 166 It is of wood, having a diameter of about 37 cm. and is covered with a preparation on which a world map has been drawn or painted. It is furnished with a wooden base, a meridian and a horizon circle of brass, and an axis of iron on which it turns, all of which furnishings, however, appear to be of later date than the sphere itself. Though neither signed nor dated, it exhibits many features which suggest a close relationship with the globes of Johann Schöner; indeed, it is not improbable that it is an early example of his workmanship. “I am of the opinion,” says Luksch, “that the globe of Schöner of 1515 and the Hauslab globe were drawn from one common original sketch,” a conclusion based largely upon the fact that on the two globes the outlines of the New World are almost identical. As to the date when constructed, a comparison with other globes of the second decade of the century has led to the conclusion that it must have been prior to the year 1515, and perhaps as early as 1513. In its representation of the Old World, the land is made to extend through 240 degrees, counting from the island of Porto Santo, whose meridian has been taken as the prime meridian. The northern section of the New World is given the name “Par(ias),” the last letters of the word having been obliterated by age, while the southern section is called “America.” The great austral land south of the apex of the southern continent, appearing on the Schöner globe of 1515 as “Brasilie regio,” is omitted on the Hauslab globe. The continents, rivers, and mountains represented are very dark in color, and were probably originally blue, black, or red, and the seas are a dark blue. The equator, as drawn on the surface of the sphere, is divided into degrees, represented alternately in white and black, and every tenth degree is indicated by an appropriate number, beginning, as stated above, at the island of Porto Santo. By way of decoration a border of gold is given to the lines representing the equator, the tropics, and the polar circles.
In the geographical department of the Bibliothèque Nationale of Paris is a globe referred to in cartographical literature as the Green globe, or the Quirini globe, the first name being given to it by Gabriel Marcel,167 by reason of the prominence of the color green employed in painting the seas (Fig. 38). It is an unsigned and undated wooden sphere, 24 cm. in diameter. Its surface appears to have been covered with a coating of paint, originally white, and on this the world map was drawn. There is much artistic skill displayed in the coast configurations, with the deeply shaded seaboards making the land appear to rise above the ocean surface, and in the representation of the islands, most of which are made conspicuous in red or gold. The inscriptions in dark brown, perhaps originally black, are neatly written, clearly suggesting that the globe was constructed in the first quarter of the sixteenth century, perhaps as early as 1513 or 1515. The equator, the tropics, and the polar circles are traced in gold; the degrees of latitude and longitude are marked in red, and at intervals of ten degrees. The prime meridian is made to pass through the Cape Verde Islands, islands referred to as “Insule Portugalensium invente anno Domini 1472.” This globe shows a striking resemblance to those of Schöner of 1515, a fact which has led Marcel to refer it to the Schönerian school, though not to attribute it directly to Schöner himself. A very important and interesting feature of the globe is the appearance of the name “America” no less than four times in the New World; twice in what we now call North America and twice in South America. It is, indeed, the oldest known cartographical monument on which the name America is given both to the north and the south continental areas. In the southern continent we read “America ab inuentore nuncupata,” and near the Antilles “Iste insule per Columbus genuensem almirantem et mandato regis castelle invente sunt.” “These islands were discovered by Columbus, a Genoese admiral, by command of the king of Castile.” Harrisse observes that it appears the cartographer thought of Columbus as the discoverer of the West India Islands only, and that he thought the honor of the discovery of the American continents, north and south, belongs to Vespucius.168 An austral land appears, though nameless, which Schöner called “Brasilie regio” on his globe of 1515, and “Brasilia inferior” on his globe of 1520.
Fig. 38. The Green Globe, 1515.
Nordenskiöld has described a set of twelve globe gores, engraved on wood, belonging to his own collection, which he assigns to the year 1518.169 Of these particular gores three sets are known; one being in the collection of Prince Liechtenstein (Fig. 39), one in the Bibliothèque Nationale, and one, as noted, in the possession of Nordenskiöld. On these gore maps North America bears the name “Terra Cuba” and “Parias.” South America has the name “America” inscribed in large letters, with an accompanying legend reading “Terra Noua Inuenta est Anno 1497.” “The New World discovered in the year 1497.”170 The austral land, appearing on the Schöner globes, is wanting. By reason of the fact that the names of but two European cities are inscribed, these being “Ingolstadt” and “St. Jacobus,” the suggestion has been made that the map is the work of Apianus, a celebrated geographer of Ingolstadt, author of the important map of 1520 and a globe maker.171 In their general features these gores are of the Schönerian type, which we may also characterize as Lusitano-Germanic.