the bust need not stand in your rooms. The busts of the women of the house of Ptolemy stand on the rotunda, which you can see from your balcony, and which you can pass whenever you please; some of them are badly mutilated and must be got rid of. I will undertake to restore the Berenice and put your mother’s head on her shoulders. Then you have only to go out and look at her. Will that do?”
“Yes, Pollux; you are a good man.”
“So I told you just now. I am beginning to improve. But time—time! if I am to undertake to repair Berenice I must begin by saving the minutes.”
“Go back to your work now; I know how to apply a wet compress only too well.”
With these words Selene threw back her mantle over her shoulders so as to leave her hands free for use, and stood with her slender figure, her pale face, and the fine broadly-flowing folds of rich stuff, like a statue in the eyes of the young sculptor.
“Stop—stay so—just so,” cried Pollux to the astonished girl, so loudly and eagerly that she was startled.
“Your cloak hangs with a wonderfully-free flow from your shoulders—in the name of all the gods do not touch it. If only I might model from it I should in a few minutes gain a whole day for our Berenice. I will wet the handkerchief at intervals in the pauses.” Without waiting for Selene’s answer the sculptor hastened into his nook and returned first with one of the lamps he worked by in each hand, and some small tools in his mouth, and then fetched his wax model which he placed on the outer side of the table, behind which the steward was sleeping. The tapers were put out, the lamps pushed aside, and raised or lowered, and when at last a tolerably suitable light was procured Pollux threw himself on a stool, straddled his legs, craned his head forward as far as his neck would allow, looking, with his hooked nose, like a vulture that strives to descry his distant prey-cast his eyes down, raised them again to take in something fresh, and after a long gaze looked down again while his fingers and nails moved over the surface of the wax-figure, sinking into the plastic material, applying new pieces to apparently complete portions, removing others with a decided nip and rounding them off with bewildering rapidity to use them for a fresh purpose.
He seemed to be seized with cramp in his hands, but still under his knotted brow his eye shone earnest, resolute and calm, and yet full of profound and speechless inspiration. Selene had said not a word that permitted his using her as a model; but, as if his enthusiasm was infectious, she remained motionless, and when, as he worked, his gaze met hers she could detect the stern earnestness which at this moment possessed her eager companion.
Neither of them opened their lips for some time. At last he stood back from his work, stooping low to look first at Selene and then at his statuette with keen examination from head to foot; and then, drawing a deep breath, and rubbing the wax over with his finger, he said:
“There, that is how it must go! Now I will wet your father’s handkerchief and then we can go on again. If you are tired you can rest.”
She availed herself but little of this permission and presently he began work again. As he proceeded carefully to replace some folds of her drapery which had fallen out of place, she moved her foot as if to draw back, but he begged her earnestly to stand still and she obeyed his request.
Pollux now used his fingers and modelling tools more calmly; his gaze was less wistful and he began to talk again.
“You are very pale,” he said. “To be sure the lamp-light and a sleepless night have something to do with it.”
“I look just the same by daylight, but I am not ill.”
“I thought Arsinoe would have been like your mother, but now I see many features of her face in yours again. The oval of their form is the same and, in both, the line of the nose runs almost straight to the forehead; you have her eyes and the same bend of the brow, but your mouth is smaller and more sharply cut, and she could hardly have made such a heavy knot of her hair. I fancy, too, that yours is lighter than hers.”
“As a girl she must have had still more hair, and perhaps she may have been as fair as I was—I am brown now.”
“Another thing you inherit from her is that your hair, without being curly, lies upon your head in such soft waves.”
“It is easy to keep in order.”
“Are not you taller than she was?”
“I fancy so, but as she was stouter she looked shorter. Will you soon have done?”
“You are getting tired of standing?”
“Not very.”
“Then have a little more patience. Your face reminds me more and more of our early years; I should be glad to see Arsinoe once more. I feel at this moment as if time had moved backwards a good piece. Have you the same feeling?”
Selene shook her head.
“You are not happy?”
“No.”
“I know full well that you have very heavy duties to perform for your age.”
“Things go as they may.”
“Nay, nay. I know you do not let things go haphazard. You take care of your brothers and sisters like a mother.”
“Like a mother!” repeated Selene, and she smiled a bitter negative.
“Of course a mother’s love is a thing by itself, but your father and the little ones have every reason to be satisfied with yours.”
“The little ones are perhaps, and Helios who is blind, but Arsinoe does what she can.”
“You certainly are not content, I can hear it in your voice, and you used formerly to be as merry and happy as your sister, though perhaps not so saucy.”
“Formerly—”
“How sadly that sounds! And yet you are handsome, you are young, and life lies before you.”
“But what a life!”
“Well, what?” asked the sculptor, and taking his hands from his work he looked ardently at the fair pale girl before him and cried out fervently:
“A life which might be full of happiness and satisfied affection.”
The girl shook her head in negation and answered coldly:
“‘Love is joy,’ says the Christian woman who superintends us at work in the papyrus factory, and since my mother died I have had no love. I enjoyed all my share of happiness once for all in my childhood, now I am content if only we are spared the worst misfortunes. Otherwise I take what each day brings, because I can not do otherwise. My heart is empty, and if I ever feel anything keenly, it is dread. I have long since ceased to expect any thing good of the future.”
“Girl!” exclaimed Pollux. “Why, what has been happening to you? I do not understand half of what you are saying. How came you in the papyrus factory?”
“Do not betray me,” begged Selene. “If my father were to hear of it.”
“He is asleep, and what you confide to me no one will ever hear of again.”
“Why
