Samarah A city of the Babylonian Irak; supposed to have stood on the site where Nimrod erected his tower. Khondemir relates, in his life of Motassem, that this prince, to terminate the disputes which were perpetually happening between the inhabitants of Bagdat and his Turkish slaves, withdrew from thence, and having fixed on a situation in the plain of Catoul, there founded Samarah. He is said to have had, in the stables of this city, a hundred and thirty thousand pied horses, each of which carried, by his order, a sack of earth to a place he had chosen. By this accumulation an elevation was formed that commanded a view of all Samarah, and served for the foundation of his magnificent palace.—D’Herbelot, pp. 752, 808, 985. Anecdotes Arabes, p. 413.
4. ... in the most delightful succession The great men of the East have been always fond of music. Though forbidden by the Mahometan religion, it commonly makes a part of every entertainment. Nitimur in vetitum semper. Female slaves are generally kept to amuse them and the ladies of their harems. The Persian Khanyagere seems nearly to have resembled our old English minstrel; as he usually accompanied his barbut, or lute, with heroic songs.—Richardson’s Dissertation on the Languages, etc., of Eastern Nations, p. 211.
5. Mani This artist, whom Inatulla of Delhi styles the far-famed, lived in the reign of Schabur, or Sapor, the son of Ardschir Babegan, was founder of the sect of Manichæans, and was, by profession, a painter and sculptor. His pretensions, supported by an uncommon skill in mechanical contrivances, induced the ignorant to believe that his powers were more than human. After having secluded himself from his followers, under the pretence of passing a year in heaven, he produced a wonderful volume, which he affirmed to have brought from thence; containing images and figures of a marvellous nature.—D’Herbelot, p. 458. It appears, from the Arabian Nights, that Haroun al Raschid, Vathek’s grandfather, had adorned his palace and furnished his magnificent pavilion with the most capital performances of the Persian artists.
6. Houris The virgins of Paradise, called, from their large black eyes, Hur al oyun. An intercourse with these, according to the institution of Mahomet, is to constitute the principal felicity of the faithful. Not formed of clay, like mortal women, they are deemed in the highest degree beautiful, and exempt from every inconvenience incident to the sex.—Al Koran; passim.
7. ... it was not with the orthodox that he usually held Vathek persecuted, with extreme rigour, all who defended the eternity of the Koran; which the Sonnites, or orthodox, maintained to be uncreated, and the Motazalites and Schiites as strenuously denied.—D’Herbelot, p. 85, etc.
8. Mahomet in the seventh heaven In this heaven, the paradise of Mahomet is supposed to be placed, contiguous to the throne of Alla. Hagi Khalfah relates, that Ben Iatmaiah, a celebrated doctor of Damascus, had the temerity to assert that, when the Most High erected his throne, he reserved a vacant place for Mahomet upon it.
9. Genii Genn, or Ginn, in the Arabic, signifies a Genius or Demon, a being of a higher order, and formed of more subtile matter than man. According to Oriental mythology, the Genii governed the world long before the creation of Adam. The Mahometans regarded them as an intermediate race between angels and men, and capable of salvation; whence Mahomet pretended a commission to convert them. Consonant to this, we read that, when the Servant of God stood up to invoke him, it wanted little but that the Genii had pressed on him in crowds, to hear him rehearse the Koran.—D’Herbelot, p. 375. Al Koran, ch. 72. It is asserted, and not without plausible reasons, that the words Genn, Ginn—Genius, Genie, Gian, Gigas, Giant, Géant—proceed from the same themes, viz. Γὴ, the earth, and γάω, to produce; as if these supernatural agents had been an early production of the earth, long before Adam was modelled out from a lump of it. The Ωντες and Εωντες of Plato bear a close analogy to these supposed intermediate creatures between God and man. From these premises arose the consequence that, boasting a higher order, formed of more subtle matter, and possessed of much greater knowledge, than man, they lorded over this planet, and invisibly governed it with superior intellect. From this last circumstance they obtained in Greece the title of Δαίμονες, Demons, from δαήμων, sciens, knowing. The Hebrew word, נפלים, Nephilim (Gen. vi, 4), translated by Gigantes, giants, claiming the same etymon with νεφέλη, a cloud, seems also to indicate that these intellectual beings inhabited the void expanse of the terrestrial atmosphere. Hence the very ancient fable of men of enormous strength and size revolting against the gods, and all the mythological lore relating to that mighty conflict; unless we trace the origin of this important event to the ambition of Satan, his revolt against the Almighty, and his fall with the angels.
10. Assist him to complete the tower The Genii, who were styled by the Persians Peris and Dives, were famous for their architectural skill. The pyramids of Egypt have been ascribed to them. The Koran relates, that the Genii were employed by Solomon in the erection of his magnificent temple.—Bailly, Sur l’Atlantide, p. 146. D’Herbelot, p. 8. Al Koran, ch. 34.
11. ... the stranger displayed such rarities as he had never before seen In the Tales of Inatulla, we meet with a traveller who, like this, was furnished with trinkets and curiosities of an extraordinary kind. That such were much sought after in the days of Vathek, may be concluded from the encouragement which Haroun al Raschid gave to the mechanic arts, and the present he sent by his ambassadors to Charlemagne. This consisted of a clock, which, when put into motion, by means of a clepsydra, not only pointed out the hours in their round, but also, by dropping small balls on a bell, struck them, and, at the same instant, threw open as many little doors, to let out an equal number of horsemen. Besides these, the clock displayed various other contrivances.—Ann. Reg. Franc. Pip. Caroli, etc., ad ann. 807. Weidler, p. 205.
12. ... characters on the sabres Such inscriptions often occur in Eastern romances. We find, in the Arabian Nights, a cornelian, on which unknown characters were engraven; and, also, a sabre, like those here described. In the French king’s library is a curious treatise, entitled Sefat Alaclam; containing a variety of alphabets, arranged under different heads; such as the prophetic, the mystical, the philosophic, the magical, the talismanic, etc., which seems to have escaped the research of the indefatigable Mr. Astle.—Arabian Nights, vol. ii, p. 246; vol. i, p. 143. D’Herbelot, p. 797.
13. ... beards burnt off The loss of the beard, from the earliest ages, was accounted highly disgraceful. An instance occurs, in the Tales of Inatulla, of one being singed off, as a mulct on the owner, for having failed to explain a question propounded; and, in the Arabian Nights, a proclamation may be seen similar to this of Vathek.—Vol. i, p. 268; vol. ii, p. 228.
14. The old man put on his green spectacles This is an apparent anachronism; but such frequently occur in reading the Arabian writers. It should be remembered, the difficulty of ascertaining facts and fixing the dates of inventions must be considerable in a vast extent of country, where books are comparatively few, and the art of printing unpractised. Though the origin of spectacles can be traced back, with certainty, no higher than the thirteenth century, yet the observation of Seneca—that letters appeared of an increased magnitude when viewed through the medium of convex
