The Confessions of a Caricaturist (Vol. 1&2). Furniss Harry
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AN ALL-NIGHT SITTING.
Great political excitement, there is no doubt, turns men's heads. Once I recollect finding a most dignified provincial politician in this state, and necessity compelled me to turn him into a sketching-stool. Mr. Gladstone was speaking at Bingley Hall, Birmingham, and although close to him on the platform, I could not, being only five feet two, see over the heads of others when all stood to cheer. I mentioned this fact to my neighbour. "Oh, you must not miss this scene!" he said, and quickly, without ceremony, he had me on his back, his bald head serving as an easel. It has struck me since that had this old gentleman, a big man in his native town, and still bigger in his own estimation, seen himself as others saw him at that moment, the probability is that he would not have felt anything like so kindly to me as I did to him.
SKETCHES AT THE LIVERPOOL ELECTION: A WARD MEETING.—SEE PAGE 138.
Reduction of Page Design. Brush Drawing on wood, made after election meeting at night, and despatched to London by early morning train. See the Confessions of a Special Artist.
Another instance of a special artist having to depend upon his wits was when I found myself at a big central manufacturing town, sent down in a hurry from London by the Illustrated London News to illustrate a most important election meeting—an election upon which the fate of the Government of the day depended. When I arrived the mills had been closed, crowds were in the streets, and it would have been a simple matter to have got into Mafeking compared with getting into the hall in which the meeting was at the time being held.
MY EASEL. DRAWING MR.
GLADSTONE AT A PUBLIC MEETING.
If there is one thing I dislike more than another it is a crowd, particularly an electioneering crowd. Political fever is a bad malady, even when one is impervious to it, if he has to fight his way through an infected mob. Quickly slipping round to the principal hotel, and finding there the carriages engaged for the celebrities of the meeting, I got into one and was driven rapidly up to the hall, cheered by the mob, who doubtless looked upon me as some active politician. Had I put my head out of the window and promised them any absurdity, I believe they would have chosen me their member on the spot. Arriving at the hall, I was received by the tipstaffs, who, probably not catching my name distinctly, thought as the hotel people had done, that I was sent down in some official capacity, and politely ushered me to the platform, where I was given a seat in the front row.
Ah, you little know the difficulties of the poor artist in running his subjects to earth. When in New York I was specially engaged by the New York Herald to contribute a series of studies of the leading public men. These were to appear in the Sunday edition.
Those Sunday papers! What gluttons for reading the Americans are! The first Sabbath morning I was in the States I telephoned in an off-hand sort of way from my bedroom for "some Sunday papers." I went on dressing, and somehow forgot my order, but on leaving, or rather attempting to leave, my room afterwards, I found to my astonishment the doorway completely blocked with newspapers to the quantity of several tons. I rang my bell vigorously. The attendant arrived, and seemed considerably amused at my look of consternation. He explained to me that these were five of the Sunday papers, and added apologetically that they were all he could get at present. If I had stayed to read through that pile I should be in the States now.
THE AMERICAN SUNDAY PAPERS.
The first "subject" I was requested to caricature was the celebrated sensational preacher, Dr. Parkhurst. When I arrived at his church it was crowded to the doors, and I could not get near him. A churchwarden told me to sit down where I was, but I put my hand to my ear and shook my head, as much as to say "I do not hear you." Then one churchwarden said to the other churchwarden, "This man is deaf, he doesn't hear; I was telling him to sit down—"
"Pardon me, but are you speaking?" I whispered. "I regret to say that I am very deaf. I came specially from London to hear your great preacher, and I should not like to return without gratifying this one desire I have."
"Say, is your wife here to-day?" asked one churchwarden of the other.
"No, she is sick at home."
"Could not you squeeze this funny little Britisher into your pew?"
"Guess I could."
So they beckoned to me to follow them, and I was ushered up the aisle and sat under the Doctor. The result of that little manœuvre was that I did my work in peace, although sadly troubled to see his face in consequence of the church being dark and the reading lamp hiding portion of it.
In America introductions are superfluous, so knowing Dr. Parkhurst came over in the Germanic, the same ship that I travelled in some months later, I walked boldly after the service into his room, shook him by the hand, and mentioned in a familiar way the officers of the ship, the storm, and other matters connected with his journey, and in that way had the chance of ten minutes' chat and a closer observation of his facial expression.
It may happen, even when everything is carefully prepared to make the visit of a special artist easy and comfortable, that work may be difficult to accomplish. I must go to the United States for an illustration of what I mean.
Some years ago I met Max O'Rell at a London club, and was introduced by him to a very English-looking gentleman with an American accent, who immediately said:
"Glad to meet you, Mr. Furniss. When you come over to the States we must put you on the grill!"
What did he mean? I looked at Max. Max turned pale, and seemed for a moment to lose his self-possession, then hurriedly whispered in my ear:
"Jolly good fellow—very witty—president of strange club in America where they chaff their guests—see my last book!"
I recollected reading about a club that goes in for roasting as well as toasting its guests, and replied:
"Strange!"