six feet long, and said to have been found on Bosworth field. Opposite to the door is the fireplace of freestone, imitated from an arch in the cloister at Melrose, with a peculiarly graceful spandrel. In it stands the iron grate of Archbishop Sharpe, who was murdered by the Covenanters; and before it stands a most massive Roman camp-kettle. On the roof, at the center of the pointed arches, runs a row of escutcheons of Scott's family, two or three at one end being empty, the poet not being able to trace the maternal lineage so high as the paternal. These were painted accordingly in clouds, with the motto, "Night veils the deep." Around the door at one end are emblazoned the shields of his most intimate friends, as Erskine, Moritt, Rose, etc., and all around the cornice ran the emblazoned shields of the old chieftains of the border. …
Then there is the library, a noble room, with a fine cedar ceiling, with beautiful compartments, and most lovely carved pendants, where you see bunches of grapes, human figures, leaves, etc. It is copied from Rosslyn or Melrose. There are three busts in this room; the first, one of Sir Walter, by Chantrey; one of Wordsworth; and in the great bay window, on a table, a cast of that of Shakespeare, from Stratford. There is a full-length painting of the poet's son, the present Sir Walter, in his hussar uniform, with, his horse. The work-table in the space of the bay window, and the fine carved ceiling in this part of the room, as well as the brass hanging lamp brought from Hereulaneum, are particularly worthy of notice. There is a pair of most splendidly carved box-wood chairs, brought from Italy, and once belonging to some cardinal. The other chairs are of ebony, presented by George IV. There is a tall silver urn, standing on a prophyry table, filled with bones from the Piraeus, and inscribed as the gift of Lord Byron. The books in this room, many of which are secured from hurt by wire-work doors are said to amount to twenty thousand. Many, of course, are very valuable, having been collected with great care by Scott, for the purpose of enabling him to write his different works. …
The armory is a most remarkable room; it is the collection of the author of Waverly; and to enumerate all the articles which are here assembled, would require a volume. Take a few particulars. The old wooden lock of the Tolbooth of Selkirk; Queen Mary's offering-box, a small iron ark or coffer, with a circular lid, found in Holyrood-house. Then Hofer's rifle—a short, stout gun, given him by Sir Humphry Davy, or rather by Hofer's widow to Sir Humphry for Sir Walter. The housekeeper said, that Sir Humphry had done some service for the widow of Hofer, and in her gratitude she offered him this precious relic, which he accepted for Sir Walter, and delighted the poor woman with the certainty that it would be preserved to posterity in such a place as Abbotsford. There is an old white hat, worn by the burgesses of Stowe when installed. Rob Roy's purse and his gun; a very long one, with the initials R. M. C., Robert Macgregor Campbell, around the touch-hole. A rich sword in a silver sheath, presented to Sir Walter by the people of Edinburgh, for the pains he took when George IV. was there. …
Lastly, and on our way back to the entrance-hall, we enter the writing-room of Sir Walter, which is surrounded by book-shelves, and a gallery, by which Scott not only could get at his books, but by which he could get to and from his bedroom; and so be at work when his visitors thought him in bed. He had only to lock his door, and he was safe. Here are his easy leathern chair and desk, at which he used to work, and, in a little closet, is the last suit that he ever wore—a bottle-green coat, plaid waistcoat, of small pattern, gray plaid trousers, and white hat. Near these hang his walking-stick, and his boots and walking-shoes. Here are, also, his tools, with which he used to prune his trees in the plantations, and his yeoman-cavalry accouterments. On the chimney-piece stands a German light-machine, where he used to get a light, and light his own fire. There is a chair made of the wood of the house at Robroyston, in which William Wallace was betrayed; having a brass plate in the back, stating that it is from this house, where "Wallace was done to death by Traitors." The writing-room is connected with the library, and this little closet had a door issuing into the garden; so that Scott had all his books at immediate command, and could not only work early and late, without anybody's knowledge, but, at will, slip away to wood and field, if he pleased, unobserved.
1 From "Homes and Haunts of the Most Eminent British Poets."
DRYBURGH ABBEY1
By William Howitt
Dryburgh lies amid the scenes in which Scott not only took such peculiar delight, but which furnished him themes both for his poems and romances, and which were rich in those old songs and narratives of border feats and raids which he has preserved in his Border Minstrelsy. Melrose, the Eildon Hills, the haunt of Thomas of Ercildoune, Jedburgh, Yetholm, the Cowdenknowes, the Yarrow, and Ettrick, all lie on different sides within a circle of twenty miles, and most of them much nearer. Smailholme Tower, the scene of some of Scott's youthful days, and of his ballad of "The Eve of St. John," is also one of these. Grose tells us that "The ruins of Dryburgh Monastery are beautifully situated on a peninsula formed by the Tweed, ten-miles above Kelso, and three below Melrose, on the southwestern confine of the county of Berwick." …
The new Abbey of Dryburgh had the credit of being founded in 1150 by David I., who was fond of the reputation, of being a founder of abbeys, Holyrood Abbey, Melrose Abbey, Kelso Abbey, Jedburgh Abbey, and others, having David I. stated as their founder. However it might be in other cases, and in some of them he was merely the restorer, the real founders of Dryburgh were Hugh de Morville, Lord of Lauderdale, and Constable of Scotland, and his wife, Beatrice de Beauchamp. …
Edward II., in his invasion of Scotland in 1323, burned down Dryburgh Abbey, as he had done that of Melrose in the preceding year; and both these magnificent houses were restored principally at the cost of Robert Bruce. It was again destroyed by the English in 1544, by Sir George Bowes and Sir Brian Latoum, as Melrose was also. Among the most distinguished of its abbots we may mention Andrew Fordum, Bishop of Moray, and afterward Archbishop of St. Andrews, and Ambassador to France, and who held some of the most important offices under James IV. and James V. The favors conferred upon him were in proportion to his consequence in the state. Along with this abbey of Dryburgh, he held in commendam those of Pittenweem, Coldingham, and Dunfermline. He resigned Dryburgh to James Ogilvie, of the family of Deskford. Ogilvie was also considerably employed in offices of diplomacy, both at London and Paris.
The Erskines seemed to keep firm hold of the Abbey of Dryburgh; and Adam Erskine, one of Abbot James's successors, was, under George Buchanan, a sub-preceptor to James VI. This James I. of England dissolved the abbey in 1604, and conferred it and its lands, together with the abbeys and estates of Cambuskenneth and Inehmahorne, on John Erskine, Earl of Mar, who was made, on this occasion, also Baron of Cardross, which barony was composed of the property of these three monasteries. In this line, Dryburgh descended to the Lords of Buchan. The Earls of Buchan, at one time, sold it to the Halliburtons of Mortoun, from whom it was purchased by Colonel Tod, whose heirs again sold it to the Earl of Buchan in 1786. This eccentric nobleman bequeathed it to his son, Sir David Erskine, at whose death in 1837 it reverted to the Buchan family.
Two monasteries in Ireland, the abbey of Druin-la-Croix in the County of Armagh, and the abbey of Woodburn in the county of Antrim, acknowledged Dryburgh as their mother. A copy of the Liber S. Mariae de Dryburgh is in the Advocates' Library in Edinburgh, containing all its ancient charters. Such are the main points of history connected with Dryburgh; but, when we open the ballad lore of the South of Scotland, we find this fine old place figuring repeatedly and prominently. …
Grose says: "The freestone of which the monastery of Dryburgh and the most elegant parts of the Abbey of Melrose were built, is one of a most beautiful color and texture, and has defied the influence of the weather for more than six centuries; nor is the sharpness of the sculpture in the least affected by the ravages of time. The quarry from which it was taken is still successfully worked at Dryburgh; and no stone in the island seems more perfectly adapted for the purpose of architecture, as it hardens by age, and is not subject
