Shirley. Charlotte Bronte
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“For whom are we waiting?” he asked.
“For me, I believe,” returned Donne complacently, appearing to think it much to his credit that a party should thus be kept dependent on his movements.
“Tut!” cried Helstone. Then standing up, “Let us return thanks,” said he; which he did forthwith, and all quitted the table. Donne, nothing abashed, still sat ten minutes quite alone, whereupon Mr. Helstone rang the bell for the things to be removed. The curate at length saw himself forced to empty his cup, and to relinquish the rôle which, he thought, had given him such a felicitous distinction, drawing upon him such flattering general notice.
And now, in the natural course of events (Caroline, knowing how it would be, had opened the piano, and produced music books in readiness), music was asked for. This was Mr. Sweeting’s chance for showing off. He was eager to commence. He undertook, therefore, the arduous task of persuading the young ladies to favour the company with an air – a song. Con amore he went through the whole business of begging, praying, resisting excuses, explaining away difficulties, and at last succeeded in persuading Miss Harriet to allow herself to be led to the instrument. Then out came the pieces of his flute (he always carried them in his pocket, as unfailingly as he carried his handkerchief). They were screwed and arranged, Malone and Donne meanwhile herding together and sneering at him, which the little man, glancing over his shoulder, saw, but did not heed at all. He was persuaded their sarcasm all arose from envy. They could not accompany the ladies as he could; he was about to enjoy a triumph over them.
The triumph began. Malone, much chagrined at hearing him pipe up in most superior style, determined to earn distinction too, if possible, and all at once assuming the character of a swain (which character he had endeavoured to enact once or twice before, but in which he had not hitherto met with the success he doubtless opined his merits deserved), approached a sofa on which Miss Helstone was seated, and depositing his great Irish frame near her, tried his hand (or rather tongue) at a fine speech or two, accompanied by grins the most extraordinary and incomprehensible. In the course of his efforts to render himself agreeable, he contrived to possess himself of the two long sofa cushions and a square one; with which, after rolling them about for some time with strange gestures, he managed to erect a sort of barrier between himself and the object of his attentions. Caroline, quite willing that they should be sundered, soon devised an excuse for stepping over to the opposite side of the room, and taking up a position beside Mrs. Sykes, of which good lady she entreated some instruction in a new stitch in ornamental knitting, a favour readily granted; and thus Peter Augustus was thrown out.
Very sullenly did his countenance lower when he saw himself abandoned – left entirely to his own resources, on a large sofa, with the charge of three small cushions on his hands. The fact was, he felt disposed seriously to cultivate acquaintance with Miss Helstone, because he thought, in common with others, that her uncle possessed money, and concluded that, since he had no children, he would probably leave it to his niece. Gérard Moore was better instructed on this point: he had seen the neat church that owed its origin to the rector’s zeal and cash, and more than once, in his inmost soul, had cursed an expensive caprice which crossed his wishes.
The evening seemed long to one person in that room. Caroline at intervals dropped her knitting on her lap, and gave herself up to a sort of brain-lethargy – closing her eyes and depressing her head – caused by what seemed to her the unmeaning hum around her, – the inharmonious, tasteless rattle of the piano keys, the squeaking and gasping notes of the flute, the laughter and mirth of her uncle, and Hannah, and Mary, she could not tell whence originating, for she heard nothing comic or gleeful in their discourse; and more than all, by the interminable gossip of Mrs. Sykes murmured close at her ear, gossip which rang the changes on four subjects – her own health and that of the various members of her family; the missionary and Jew baskets and their contents; the late meeting at Nunnely, and one which was expected to come off next week at Whinbury.
Tired at length to exhaustion, she embraced the opportunity of Mr. Sweeting coming up to speak to Mrs. Sykes to slip quietly out of the apartment, and seek a moment’s respite in solitude. She repaired to the dining room, where the clear but now low remnant of a fire still burned in the grate. The place was empty and quiet, glasses and decanters were cleared from the table, the chairs were put back in their places, all was orderly. Caroline sank into her uncle’s large easy chair, half shut her eyes, and rested herself – rested at least her limbs, her senses, her hearing, her vision – weary with listening to nothing, and gazing on vacancy. As to her mind, that flew directly to the Hollow. It stood on the threshold of the parlour there, then it passed to the counting house, and wondered which spot was blessed by the presence of Robert. It so happened that neither locality had that honour; for Robert was half a mile away from both, and much nearer to Caroline than her deadened spirit suspected. He was at this moment crossing the churchyard, approaching the rectory garden-gate – not, however, coming to see his cousin, but intent solely on communicating a brief piece of intelligence to the rector.
Yes, Caroline; you hear the wire of the bell vibrate; it rings again for the fifth time this afternoon. You start, and you are certain now that this must be he of whom you dream. Why you are so certain you cannot explain to yourself, but you know it. You lean forward, listening eagerly as Fanny opens the door. Right! That is the voice – low, with the slight foreign accent, but so sweet, as you fancy. You half rise. “Fanny will tell him Mr. Helstone is with company, and then he will go away.” Oh! she cannot let him go. In spite of herself, in spite of her reason, she walks half across the room; she stands ready to dart out in case the step should retreat; but he enters the passage. “Since your master is engaged,” he says, “just show me into the dining room. Bring me pen and ink. I will write a short note and leave it for him.”
Now, having caught these words, and hearing him advance, Caroline, if there was a door within the dining room, would glide through it and disappear. She feels caught, hemmed in; she dreads her unexpected presence may annoy him. A second since she would have flown to him; that second past, she would flee from him. She cannot. There is no way of escape. The dining room has but one door, through which now enters her cousin. The look of troubled surprise she expected to see in his face has appeared there, has shocked her, and is gone. She has stammered a sort of apology —
“I only left the drawing room a minute for a little quiet.”
There was something so diffident and downcast in the air and tone with which she said this, anyone might perceive that some saddening change had lately passed over her prospects, and that the faculty of cheerful self-possession had left her. Mr. Moore, probably, remembered how she had formerly been accustomed to meet him with gentle ardour and hopeful confidence. He must have seen how the check of this morning had operated. Here was an opportunity for carrying out his new system with effect, if he chose to improve it. Perhaps he found it easier to practise that system in broad daylight, in his mill yard, amidst busy occupations, than in a quiet parlour, disengaged, at the hour of eventide. Fanny lit the candles, which before had stood unlit on the table, brought writing materials, and left the room. Caroline was about to follow her. Moore, to act consistently, should have let her go; whereas he stood in the doorway, and, holding out his hand, gently kept her back. He did not ask her to stay, but he would not let her go.
“Shall I tell my uncle you are here?” asked she, still in the same subdued voice.