Wine Faults and Flaws. Keith Grainger

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wine is a physical fault, almost certainly indicating failure of the cork or other closure. Such a wine will almost certainly show other faults resulting from oxygen ingress, including oxidation.

      2.5.5.2 Legs

      One of the most misunderstood visual aspects of wine tasting is the presence or otherwise of legs, often referred to as tears. The wine should be swirled in the glass, held to eye‐level and, after waiting for several seconds, viewed horizontally and observed as to how the swirled wine runs back down the glass. If the liquid congeals into little tears, arches, or rivers running down the glass, these are called legs. The legs may be broad or narrow (thin), short or long, and run slowly or more quickly down the glass. Wines that contain a high degree of alcohol will normally show broad legs, formed by the difference in surface tension between water and alcohol and the differential evaporation of alcohol, influenced by sugar and glycol. Several authors and critics claim that legs are purely a sign of high‐alcohol, glycerol or very high residual sugar. This is refuted by examples of their presence in high‐quality wines which are relatively light in alcohol, for example, fine Riesling Kabinetts from the Mosel region in Germany. The amount of dry extract also contributes to legs. Further, the amount and type of legs, if any, can be very dependent on the condition, and particularly the washing and drying of the tasting glass.

      2.5.5.3 Deposits

      Grey or pale brown deposits are certainly a warning sign – they are most likely to be dead yeast cells or bacteria. Whilst it is possible that these are a consequence of inadequate racking and filtration, they are more likely an indication that the wine has undergone an alcoholic or MLF in the bottle, as discussed in Chapter 9. In any event, the aroma and flavour profiles together with the texture, will have been modified.

      The second stage in a tasting assessment is to nose the wine. The olfactory epithelium, situated at the top of the nasal cavity, is a very sensitive organ. The tongue reveals only a very limited number of tastes, and most of the ‘taste’ sensations are detected by the receptor cells of the olfactory epithelium, received either via the nasal or retro‐nasal passage. The information is turned into electrical signals and sent via the olfactory bulb to the olfactory cortex in the brain. There is a difference between the impressions of aromas obtained nasally and retro‐nasally, and the sensations transmitted via the retro‐nasal passage will be discussed later in this chapter. There is no doubt that repeated and overexposure to particular smells reduces sensitivity to them, and this can be an issue for winemakers who are regularly exposed to odours such as sulfur dioxide (SO2), or whose cellars are contaminated with haloanisoles (see Chapter 3).

      When nosing a wine, we are smelling the headspace in the glass, above the surface of the liquid. There must be plenty of headspace for the aromas, the volatile compounds in the wine, to develop. The inwards tapering bowl of a well‐designed tasting glass (narrower at the top than the bottom) enables aromas to be retained in the headspace.

      The nose of the wine should be assessed in the following stages:

       Condition;

       Intensity;

       Aroma characteristics;

       Development.

      2.6.1 Condition

      The initial nosing of the wine will assess the condition: is the wine clean, or does it show a fault? The wine should not be swirled before this, and just one or two short sniffs are all that is required. Long and deep sniffs of a wine affected by 2,4,6‐trichloroanisole (TCA) or 2,4,6‐tribromoanisole (2,4,6‐TBA), or possessing high volatile acidity, would result in the taster's nose being desensitised for some time! Basically, at this point, the light nosing is to check if we want to go any further in the tasting procedure. Most faults and flaws are detectable upon the nose to a trained and experienced taster. Depending on the nature and severity of any fault revealed, a decision has to be made whether to proceed with the wine tasting or not. A nose that is free from faults is described as clean. It should be borne in mind that on occasions wines, particularly after some years in bottle, may smell somewhat unclean when first opened, a phenomenon sometimes referred to as ‘bottle stink’. This should dissipate after aeration. If there is doubt on this matter, the wine should be nosed again, having being swirled around the glass and allowed to ‘breathe’ for a few minutes.

Olfactory indicator Possible fault Refer to:
Damp sack, wet cardboard, dusty, musty. Muted fruit Chloroanisoles or Bromoanisoles Chapter 3
Earthy, beetroot Geosmin Chapter 14
BAND‐AID® stables, faecal, animal, smoky, spicy Brettanomyces related faults Chapter 4
Burnt, dried‐fruitcake, metallic Oxidation Chapter 5
Struck match, burning on nose or back of throat Excessive sulfur dioxide Chapter 6
Rotten egg, drains Hydrogen sulfide Chapter 6
Garlic, gas, cabbage, sweetcorn, wet wool

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