The Golden Bowl - Complete. Генри Джеймс
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Making use then of clumsy terms of excess, the face was too narrow and too long, the eyes not large, and the mouth, on the other hand, by no means small, with substance in its lips and a slight, the very slightest, tendency to protrusion in the solid teeth, otherwise indeed well arrayed and flashingly white. But it was, strangely, as a cluster of possessions of his own that these things, in Charlotte Stant, now affected him; items in a full list, items recognised, each of them, as if, for the long interval, they had been "stored" wrapped up, numbered, put away in a cabinet. While she faced Mrs. Assingham the door of the cabinet had opened of itself; he took the relics out, one by one, and it was more and more, each instant, as if she were giving him time. He saw again that her thick hair was, vulgarly speaking, brown, but that there was a shade of tawny autumn leaf in it, for "appreciation"—a colour indescribable and of which he had known no other case, something that gave her at moments the sylvan head of a huntress. He saw the sleeves of her jacket drawn to her wrists, but he again made out the free arms within them to be of the completely rounded, the polished slimness that Florentine sculptors, in the great time, had loved, and of which the apparent firmness is expressed in their old silver and old bronze. He knew her narrow hands, he knew her long fingers and the shape and colour of her finger-nails, he knew her special beauty of movement and line when she turned her back, and the perfect working of all her main attachments, that of some wonderful finished instrument, something intently made for exhibition, for a prize. He knew above all the extraordinary fineness of her flexible waist, the stem of an expanded flower, which gave her a likeness also to some long, loose silk purse, well filled with gold pieces, but having been passed, empty, through a finger-ring that held it together. It was as if, before she turned to him, he had weighed the whole thing in his open palm and even heard a little the chink of the metal. When she did turn to him it was to recognise with her eyes what he might have been doing. She made no circumstance of thus coming upon him, save so far as the intelligence in her face could at any moment make a circumstance of almost anything. If when she moved off she looked like a huntress, she looked when she came nearer like his notion, perhaps not wholly correct, of a muse. But what she said was simply: "You see you're not rid of me. How is dear Maggie?"
It was to come soon enough by the quite unforced operation of chance, the young man's opportunity to ask her the question suggested by Mrs. Assingham shortly before her entrance. The license, had he chosen to embrace it, was within a few minutes all there—the license given him literally to inquire of this young lady how long she was likely to be with them. For a matter of the mere domestic order had quickly determined, on Mrs. Assingham's part, a withdrawal, of a few moments, which had the effect of leaving her visitors free. "Mrs. Betterman's there?" she had said to Charlotte in allusion to some member of the household who was to have received her and seen her belongings settled; to which Charlotte had replied that she had encountered only the butler, who had been quite charming. She had deprecated any action taken on behalf of her effects; but her hostess, rebounding from accumulated cushions, evidently saw more in Mrs. Betterman's non-appearance than could meet the casual eye. What she saw, in short, demanded her intervention, in spite of an earnest "Let ME go!" from the girl, and a prolonged smiling wail over the trouble she was giving. The Prince was quite aware, at this moment, that departure, for himself, was indicated; the question of Miss Stant's installation didn't demand his presence; it was a case for one to go away—if one hadn't a reason for staying. He had a reason, however—of that he was equally aware; and he had not for a good while done anything more conscious and intentional than not, quickly, to take leave. His visible insistence—for it came to that—even demanded of him a certain disagreeable effort, the sort of effort he had mostly associated with acting for an idea. His idea was there, his idea was to find out something, something he wanted much to know, and to find it out not tomorrow, not at some future time, not in short with waiting and wondering, but if possible before quitting the place. This particular curiosity, moreover, confounded itself a little with the occasion offered him to satisfy Mrs. Assingham's own; he wouldn't have admitted that he was staying to ask a rude question—there was distinctly nothing rude in his having his reasons. It would be rude, for that matter, to turn one's back, without a word or two, on an old friend.
Well, as it came to pass, he got the word or two, for Mrs. Assingham's preoccupation was practically simplifying. The little crisis was of shorter duration than our account of it; duration, naturally, would have forced him to take up his hat. He was somehow glad, on finding himself alone with Charlotte, that he had not been guilty of that inconsequence. Not to be flurried was the kind of consistency he wanted, just as consistency was the kind of dignity. And why couldn't he have dignity when he had so much of the good conscience, as it were, on which such advantages rested? He had done nothing he oughtn't—he had in fact done nothing at all. Once more, as a man conscious of having known many women, he could assist, as he would have called it, at the recurrent, the predestined phenomenon, the thing always as certain as sunrise or the coming round of Saints' days, the doing by the woman of the thing that gave her away. She did it, ever, inevitably, infallibly—she couldn't possibly not do it. It was her nature, it was her life, and the man could always expect it without lifting a finger. This was HIS, the man's, any man's, position and strength—that he had necessarily the advantage, that he only had to wait, with a decent patience, to be placed, in spite of himself, it might really be said, in the right. Just so the punctuality of performance on the part of the other creature was her weakness and her deep misfortune—not less, no doubt, than her beauty. It produced for the man that extraordinary mixture of pity and profit in which his relation with her, when he was not a mere brute, mainly consisted; and gave him in fact his most pertinent ground of being always nice to her, nice about her, nice FOR her. She always dressed her act up, of course, she muffled and disguised and arranged it, showing in fact in these dissimulations a cleverness equal to but one thing in the world, equal to her abjection: she would let it be known for anything, for everything, but the truth of which it was made. That was what, precisely, Charlotte Stant would be doing now; that was the present motive and support, to a certainty, of each of her looks and motions. She was the twentieth woman, she was possessed by her doom, but her doom was also to arrange appearances, and what now concerned him was to learn how she proposed. He would help her, would arrange WITH her to any point in reason; the only thing was to know what appearance could best be produced and best be preserved. Produced and preserved on her part of course; since on his own there had been luckily no folly to cover up, nothing but a perfect accord between conduct and obligation.
They stood there together, at all events, when the door had closed behind their friend, with a conscious, strained smile and very much as if each waited for the other to strike the note or give the pitch. The young man held himself, in his silent suspense—only not more afraid because he felt her own fear. She was afraid of herself, however; whereas, to his gain of lucidity, he was afraid only of her. Would she throw herself into his arms, or would she be otherwise wonderful? She would see what he would do—so their queer minute without words told him; and she would act accordingly. But what could he do but just let her