Othmar. Ouida

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Othmar - Ouida

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Virgin, what think you? The petiote of Nicole, the wife of Othmar, is dead!'

      And the child, pausing with the daffodils lying in tumbled gold upon her lap, had listened and heard all that was known of that early death, which only the swallows had witnessed and the blind house-dog had mourned. She had always remembered it, and often, when she had seen the daffodils yellow in the grass of March, had thought of it again, and her imagination had been busy with it, creating bodily forms for the people of whom she knew naught but the names. Therefore, when the word 'Othmar' fell now upon her ear, it moved her with a certain thrill, almost as of personal pain.

      'You have heard of her?' said Loswa.

      'Not of her,' said Damaris gravely; 'of the one who died—who killed herself, they say, because he loved another woman.'

      'Bah!' said Loswa, with the light contempt for all such tragic follies which the boulevardier always affects, even when he does not feel it.

      'They said so,' repeated Damaris, with her eyes very large and serious.

      'Do you like this lady very much?' she asked, after a pause.

      'She is a charming person; yes.'

      'Is she a very great lady? Does she reign over anything?'

      'Over everyone she approaches, if she can,' said he with some impatience; 'and nearly always she can, for she is a person of very strong will, and influences others more than she knows or they know.'

      'And what does she do when she has influenced them? Monsignor says that to possess influence is to have the ten talents, and that we shall have to account for the use of every one of them.'

      'That is just the chief mischief,' said Loswa, gloomily thinking of himself, not of his auditor. 'It is the getting the influence that amuses her; that she cares about. When once she has got it you are nothing at all to her; no more than a glove she has worn.'

      'She must be a very cruel woman,' said Damaris.

      'Oh no,' he protested, with a sudden sense of his disloyalty, 'she is not cruel at all, she is only indifferent.'

      'Indifferent? That is to neither like nor dislike? I do not understand how one can be like that. One must either have good weather or bad; one must either love or hate.'

      'She does neither,' said he with a sigh; then, with a sense that it was altogether wrong to blame a great lady and a countrywoman of his own to a little country girl whom he had never seen before, he changed the subject abruptly.

      'Are you not very dull on your island? It is a long way off the mainland.'

      'Dull? Oh, people must be very stupid who are ever dull. There is always so much to do out among the fruit-trees or down by the beach. The days are always too short for me.'

      'That is the charm of being fifteen. Are you always on this island? Do you never go to Nice?'

      'I have never seen Nice. I did want to see the Carnival last year, but my grandfather would not hear of it. It was Raphael told me about it. It must have been very fine; but, of course, we have nothing to do with the mainland, that is only for the rich idle people. I hear they sleep all the day and buzz about all the night, like moths or like bats. What a strange life it must be!'

      Loswa thought of the great gaslit glittering Salle des Jeux which was not more than a dozen leagues off this primitive orange-island.

      'You are happier here, in the middle of your blue water, putting out your oil lamps as the moon rises,' he replied. 'Chateaubriand might have lived on Bonaventure. Who would have believed there was anything so solitary and so innocent as this within a few hours' sail of the Blanc paradise?'

      'What is that?' said Damaris, who, although she could see afar off the palms and domes of Monte Carlo gleaming in the sun on the northward horizon every time she sailed that way, was as profoundly ignorant of the tripot and its works as if Bonaventure had been in the Pacific.

      'I have heard,' she continued, 'that there are very strange things and people over there, that it is a feast-day every day with them, and all their life like a fair. My grandfather always says he would shoot them all down as they shot the hostages in the Commune, but I do not think that would be right. If they are silly, one should pity them.'

      'They are silly indeed, and I fear your sweet pity would not avail to save them. The feast-day is a sorry affair at its close.'

      'Oh, I know. I have seen Raphael come home drunk and beat Jacqueline (that is his wife) because she cried; and he is as good as gold when he is sober, and as gentle as a sheep when there is no drink.'

      'In some way we all drink, we unfortunates,' said Loswa; then, seeing her look of surprise, he added, 'I did not speak literally, my dear; your Raphael's drink is a petit vin bleu, and ours is a costly thing we call Pleasure, but it comes to the same result; only, I suppose, Raphael has some five or six days in the week that he is good for work, and we cannot say as much as that. We are all the week round at the fair.'

      She ruffled her pretty loose short locks that hung over her forehead, and her brilliant eyes looked at him perplexedly.

      'I am glad I live on the island,' she said as the issue of her perplexity.

      'And I too am glad you do,' said he, with more sincerity than he usually put into his pretty speeches.

      He felt that before he approached the great object of his voyage he must justify his pretences and win her confidence by painting something which would please her fancy. To his facility of touch it was easy and rapid work to sketch on his block of paper the sea view, the terrace wall, the interior of the sitting-room, the old chairs, and the silver tankards. Sheet after sheet was filled and cut off and sent fluttering into her eager hands. To her it seemed the work of magic. Just a little water and a few pans of colour could make all the sea and sky, all the plants and stones, all the pots and pans and household things, seem real again on fragments of paper! She did not heed or even know that he was a man, young and handsome, whose eyes spoke a bold and amorous language; she was absorbed in his creations; he seemed to her the most marvellous of sorcerers. With delighted cries of recognition she welcomed the likeness of all the places and the objects so familiar to her; she was filled with a rapture of childish ecstasy. She hung over his work and watched him with a wonder which was only not awe, because it was such frank and childish delight.

      Whilst he sketched, he let her talk at her will, in her own fashion, putting a few careless questions now and then. She was by nature gay and communicative; the seclusion and severity of her rearing had not extinguished the natural buoyancy and originality of her temper, and it was a pleasure to her to have anyone to speak to of other things than the land labours and the household work.

      In a few brief phrases she had described to him all her short simple life; how her mother had died at her birth, they said, and her father when she had been eight years old; how she had never been baptised 'or anything,' until, to please Melville, her grandsire had allowed her to enter the Church's fold like a little stray sheep; how she had been brought up by old Catherine, and taught to read by her, and how she had managed to read all the books her mother had left: Corneille, Racine, Lamartine, Lamotte, Fouquet, La Fontaine, and knew them almost all by heart, for she had no new ones; she told him all about the culture of the olive and the various kinds of oranges, and all the different methods of pruning, tending, packing them; the big fragrant golden balls were much nearer to her heart than the black oily olives, but she was learned about both; she told him also all about the poor

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