is the fault of Love,' she answered, with a smile.
As they left the shadow of the trees, crossing the grassland was a herd of cows and calves already passing away in the distance, going to their byres; far behind them, lingering willingly, were the herdsman and his love; he a comely lad in a blue blouse and a peaked cap, she a smiling buxom maiden with dusky tresses under a linen coif, and cheeks glowing like a 'Catherine pear, the side that's next the sun.'
'Lubin and Lisette,' said Béthune with a smile, 'practically illustrating what we have been spoiling with the too fine wire-drawing of analysis. I am sure that they come much nearer than we to the story-tellers of the Heptameron.'
The châtelaine of Amyôt looked at the two rustic lovers with a little wistfulness and a good-natured contempt.
They had passed out of the shade of the woods, and the rose-glow of evening illumined their interlaced figures as they followed their cows.
'"To know is much, yet to enjoy is more,"' she quoted. 'I suppose that is what you mean. Yet I rather incline to think that love as a sentiment is the product of education. The cows know almost as much of it as your Lubin and Lisette.'
'Brandès says,' observed one of her party, 'that love as a sentiment was always unknown in a state of nature, and was only created with the first petticoat. Petticoats have invariably been responsible for a great deal. They ruined France, according to the Great Frederic; but if they have raised us from the level of the cattle they have redeemed their repute.'
'Poor cattle! They have as much poetry in their eyes as there is in the Penseroso. Lubin and Lisette are Naturkinder; but when both a cow and Lisette become the property of Lubin, he will assign the higher place to the first, both in life and in death.'
'Well, he shall have both of them, for having met us at so apropos an instant,' she answered with, a little smile. 'Perhaps the only word of truth that has been said in the whole discussion was the quotation: "Il n'y a que les commencements qui sont charmants!"'
The great woodland which they traversed as she spoke opened into an avenue of beeches, long and straight, the branches meeting and interlacing overhead until the opening at the farther end looked like an arched doorway closing a cathedral aisle. The archway was filled with dim golden suffused light, and within that archway of twilight and golden haze there rose the snowy column of a high-reaching fountain; it was the first of the grandes eaux of the garden of Amyôt. And the sovereign of the Court of Love was she who had once been the Princess Napraxine.
CHAPTER II.
As they entered on the smoother sward of the stately gardens a figure came out of the deep shadow of clipped walls of bay and approached them.
'Is the Court over? At what decision has it arrived?' said the master of Amyôt as he saluted the party and kissed the hand of his wife with a graceful formality of greeting.
'It will have to sit for half a century if it be compelled to come to any,' returned the châtelaine. 'We have said many pretty things about love, Béthune in especial; but we met Lubin with Lisette loitering behind their cows, and I fear the living commentary was truer to nature than all our doctrines.'
'The only issue of its resolutions is that you are to give away a cow and a maiden to the admirable lover,' said M. de Béthune. 'He crossed our path just in time to point a moral for us: we were all sadly in want of one.'
'Could you not agree then? Surely you chose a very simple subject?'
'It might be simple in the days of Philemon and Baucis. It is sufficiently complicated now. Is the sentiment which sent d'Aubiac to the scaffold, pressing a little blue velvet muff to his lips, the same thing as the unpoetic impulse which makes the femelle de l'homme sought by Tom, Dick, and Harry? You will admit that a vast field of the most various emotions separates the two kinds of passion?'
'Certainly: there is a great difference between Montrose's Farewell and Sir John Suckling's verses.'
'Precisely: so we came to no decision. We have all too much of the terrible modern tendency to hesitation and melancholy. I do not know why; unless it come from the conviction of all of us that love is always melancholy when it is not absurd.'
'What a cruel sentiment!'
'A perfectly true assertion. The only loves respectable in tradition are those which have ended wretchedly. Suppose Romeo had been happy; or Stradella; what do you think the poets could have made of them? Love must end somehow: if it end in tragedy its dignity is saved like Cæsar's.'
'But why need it end? You, at least, have seen that through all disappointments it can endure,' murmured he who had cited the love of d'Aubiac for Marguerite.
She looked at him and shrugged her shoulders ever so slightly.
'Love is, so unhappily, like a comet. It mounts to its perihelion, increasing in splendour as it goes, and then slowly, little by little, the glory departs, the sovereign of the skies grows less and less, until at last there is no more sign of it anywhere, and all is darkness. But the comet is not really gone; it has only gone—elsewhere.'
Her slight delicate laugh robbed the speech of the melancholy which it would otherwise have possessed.
'My wife believes in no constancy,' said Othmar.
She looked at him with her mysterious smile:
'I believe in Romeo's, I believe in Stradella's, because the kindness of death saved them from the ridicule of forswearing themselves. What a pity you did not come home a little sooner. You would have been an invaluable ally to the sentimentalists headed by Béthune. He was eloquent, but his cause was weak.'
'My cause was strong,' said the Duc de Béthune; 'it was my tongue which lacked persuasiveness.'
'No, you were very poetical; you were only not convincing. My dear friend, we are too scientific in these days for sentiment to have any abiding place in us; we are pessimists, it is true, but we mourn for ourselves, not for others. We are neither gay enough nor sad enough to do justice to such discussions as this which we have tried to revive; we are only bored. We do not take our fooling joyously or our sorrows deeply. We are uneasily conscious that we are childish and unreal in both. Then there is the incurable modern tendency to end everything with a laugh en gouailleur, yet with tears in our eyes. We are always ridiculing ourselves, yet we are always vexed that, ridiculous as we are, we must still die.'
'At the present moment we must still eat,' said Othmar, as the boom of a silver-toned gong came over the gardens in deep waves of sound.
It was nine o'clock, and that repast which had been used to be called in the Valois Amyôt arrière-grand-souper, and was now called 'dinner,' awaited them.
There were some twenty-five guests then staying there; she did not approve of immense house parties, and she restricted her house list to the very choicest of her favourites and associates; she always asked double the number of men to that of women, but she was proportionately careful that the latter should be those whom men most liked and admired; she was wholly above the petty envies and jealousies of her sex. Her vanity rather consisted in having it said that she feared no rivals.
As the deep boom of the gong sounded
