Public Prosecutor, who communicates with the executioner. Three days.
On the morning of the fourth day the assistant to the Public Prosecutor says to himself, as he ties his neckcloth, “It is time that this affair was finished.” Then, if the assistant to the clerk of the court has not a few friends to breakfast who prevent him from attending to his duties, the order for the execution is noted, dated, registered, and sent out, and the next morning, at the break of day, a scaffold is erected in the Place de Grêve, and all through the city are heard the hoarse voices of the newsvendors calling out a full, true, and particular account of the execution. And all this in six weeks! That young girl was right.
So that five weeks, perhaps six, remain; but I dare not rely upon this, and I am in a cell in the Bicêtre, and it seems to me that Thursday has passed three days ago.
CHAPTER IX.
I am going to make my will; but no, it is useless. I am condemned to pay the costs of the trial, and all that I possess will hardly be sufficient to meet the expenses.
The guillotine is an expensive luxury.
I have a mother, a wife, and a child.
A little girl three years of age, gentle, rosy, and delicate, with large black eyes and long chestnut hair.
She was just two years and a month old when I last saw her.
Thus, after my death there will be three women without son, husband, or father; three orphans of different kinds, three widows made by the hand of the law.
I allow that I am justly punished; but what have these innocent creatures done? No; these are dishonoured and ruined for no fault of their own: and this is justice!
It is not the thought of my poor old mother that disquiets me; she is sixty-four; the blow will kill her at once, or even if she lingers on for a little while, as long as she has a little fire to warm her feet at she will not complain.
Nor am I uneasy regarding my wife; she is an invalid, and her mind is not very strong; she will die too.
Unless, indeed, she goes mad. They say that mad people live a long while; but if her intellect goes she will not suffer: she will sleep, she is as good as dead.
But my daughter, my child, my poor little Marie, who laughs and plays, who even now, perhaps, is singing and thinking of nothing—that is what cuts me to the heart.
CHAPTER X.
This is what my cell is like:
Eight feet square, four walls of hewn stone standing at right angles upon a flooring of flagstones raised a few inches above the exterior corridor.
On the right-hand side of the door as you enter is a kind of recess, a sort of burlesque alcove. A heap of straw has been thrown into it, on which the prisoner is expected to repose and sleep, clad in his canvas trousers and linen frock, winter and summer.
Above my head, instead of the skies of heaven, is an arched roof, from which hang huge spiders’ webs like masses of rags.
No window, not even a loophole, and a door the woodwork of which is hidden by its massive iron plates. No window? I am in error. Towards the top of the door is an opening nine inches square, with a grating over it which the gaoler can close at night.
Outside is a long passage, lighted and ventilated by narrow loopholes high up in the wall, and divided into stone compartments which communicate with each other by a series of low doors. Each of these compartments serves as a kind of ante-chamber to a cell similar to mine. It is in these dungeons that convicts who have infringed the gaol regulations are confined. The three first cells are reserved for criminals condemned to death, as they are nearer to the prison, and therefore more convenient for the officials.
These dungeons are the remains of the ancient castle of Bicêtre, built by the Cardinal of Winchester, the same priest who ordered Jeanne d’Arc to be burnt alive. I heard the gaoler telling this to some anxious sightseers who came and stared at me in my dungeon as if I was a beast in a menagerie. I should add that a sentinel is always on guard at the door of the cell, and that whenever my gaze falls upon the opening in the door it meets two widely opened eyes fixed intently upon mine. I believe that it is supposed that there is both air and light in the stone box in which I am confined.
CHAPTER XI.
As daylight has not yet come, what shall I do with the hours of the night? An idea has struck me: I have risen, and moved my lamp along the four walls of my cell. They are covered with writing, drawings, designs, and strange figures of all kinds. It seems as if each condemned prisoner had resolved here at least to leave some remembrance of himself, either in chalk or charcoal, in white or black letters, sometimes deeply graven in the stone, at other times rusty-looking, as though traced in blood. If my mind was more at ease I should take great interest in this strange book which opens its leaves before my eyes on every stone of my dungeon. I should have liked to have collected together all these fragments of thought scattered about on the walls, to have picked out the inscriptions of each man, and to have given sense and life to all these mutilated sentences, to these dismembered phrases, to these half-finished words, heads without bodies, like those who had carved them on the walls.
A little above my bed were two bleeding hearts pierced with an arrow, and above it was Love for Life: the unhappy man had not had his wish gratified. By the side of this was a sort of three-cornered hat, and underneath this a small figure clumsily executed, with these words, Long live the Emperor, 1824.
Again, I noticed the burning hearts with this motto: I love Mathias Dunvin-Jacques. On the opposite wall was the word Papavoine, the P covered with elaborate arabesques and flourishes; next to it were a few verses of an obscene song. A cap of Liberty deeply cut into the stone, with the name, Bovies—The Republic. This was the name of one of the non-commissioned officers of La Rochelle. Poor young fellow! How hideous are the pretended necessities of political intrigue, to risk for an idea, for a dream, that terrible reality, the guillotine, and I, who pity myself, miserable wretch, I have committed a real crime, and have spilt blood!
I did not continue my researches, for drawn in white, in a dark corner of the room, I saw an appalling design; it was a representation of that scaffold which may even now be in course of erection for me. My lamp almost fell from my hands.
CHAPTER XII.
I turned away and sat down on my bed, my face buried in my hands, and my elbows resting on my knees; my childish fright had passed away, and a strange desire had taken possession of me to continue my researches.
By the side of the name of Papavoine I tore away a large spider’s web covered with dust, and stretched across the angle of the wall; under it were four names, easy to decipher: Dantun, 1815; Poulain, 1818; Jean Martin, 1821; Castaing, 1823. As I read these names a flood of horrible recollections
