an opium smoker, an alcoholic inebriate. I have read this book of Dr. Nordau’s, and through it I am become the unwilling victim of a most deplorable, most odious, most blighting habit,—that of searching for degenerates. I do not want or like to do this, but I do it instinctively, mechanically. The habit has poisoned all the social relations of my life, has entered into my views of the general public; it has sapped my delight in novelty, choked my admiration of genius, deadened my enthusiasm, silenced my opinions; and it has brought these wretched conditions not only into my regard of matters and persons of the present times, but retrospectively it has tainted the glories of history. All this is exceeded by the introspective blight of the book through exacting a miserable and mortifying self-examination, which leads to the despairing, the unyielding conclusion that I am myself a degenerate.
The book is, unfortunately, so explicit in explanation as to lure every reader to amateur investigation. Indeed, such a vast array of mental and physical traits are enumerated as stigmata—the marks of the beast—as to paralyze the thoughtless, and to make the judicious grieve. Our mental traits we can ofttimes conceal from public view, our moral traits we always conceal, but many of our physical characteristics cannot, alas, be wholly hidden. Dr. Nordau enumerates many physical stigmata, all interesting, but perhaps the most prominent, most visible one, is the degenerate malformation of the ear.
I was present recently, at an interesting function whereat the subject of the evening was discussion of this book “Degeneration.” In the course of a brilliant and convincing address one of the lecturers chanced to name that most hateful and evident stigma, the ear-mark, so to speak, of the accursed. Though simple were his words, as subtle as sewer-gas was his poison; as all-pervading and penetrating as the sandstorm in the desert, it entered every brain in the room. I speedily and furtively glanced from side to side at my neighbors’ ears, only to find them regarding mine with expressions varying from inquisitiveness through surprise and apprehension, to something closely approaching disgust. After the discussion was ended, friends advanced to speak with me; they shook hands, not looking with pleasant greeting into my eyes, but openly staring at my ears.
Now, that would be necessarily most abhorrent to every one,—to quote Spenser:—
“For fear lest we like rogues should be reputed
And for eare-marked beastes abroad be bruited.”
And it is specially offensive to me—it would be anyway, for my ears are not handsome; but worse still must be admitted, they are not normal. They answer every purpose of hearing and of restraining my hat from slipping down over my eyes and on my neck, which is all I have demanded of them hitherto. But now I know that as emblems of my mental and moral characteristics they are wholly remiss, even degraded. They are .079 larger than normality; they stand out from my head at an angle which exhibits 2° too much obtusity; the lobule displays .17 too little pendulosity; and, worst of all, the fossa scaphoida of my pinna is basely unconvoluted. I am sore ashamed of all this. I think of having the twin base betrayers of my degenerate nature shaved off in spots, and already I tie them close to my head at night in a feeble attempt at improvement. But I am not in my callow youth; I fear they have not been bent in the way they should be inclined, that their degeneracy is irremediable.
It is not through physical stigmata alone that I find myself branded. I find that I am impulsive, I have a predilection for inane reverie, and for search for the bases of phenomena—all sad traits. Worst of all, I have “the irresistible desire of the degenerate to accumulate useless trifles.” Nordau says, “It is a stigmata of degeneration, and has had invented for it the name oniomania or buying craze. The oniomaniac is simply unable to pass by any lumber without feeling an impulse to acquire.” When I read that sentence I glanced guiltily at my cabinets of old china—well, I could use it on the table and thus make it unstigmatic; at my Dutch silver—I might melt it up and sell it; my books, my autographs, my photographs, all may find some excuse; but how can I palliate my book-plates, or ever live down having gone for a year through every village, city, and town where I chanced or sought to wander, asking at every jeweller’s, silversmith’s, and watch-repairer’s, “Have you any bridges of old verge watches?” I fear those watch-bridges stamp me an oniomaniac. And am I wholly free from Lombroso’s graphomania? Have I not an insane desire to write? I conceal my obsession, but it ever influences me. I may confess also (since I confess at all) that I have rupophobia (fear of dirt), iophobia (fear of poison), nosophobia (fear of sickness), belenophobia (fear of needles—especially on the floor), and one or two other wretched obsessions, particularly an inordinate love for animals, upon which I had hitherto rather bridled as the mark of a tender nature.
But let me dwell no more on my own peculiar stigmata, but show how—to paraphrase Prior:
“All earth is by the ears together
Since first that horrid book come hither.”
I haunt photograph shops, look over the frontispieces of illustrated magazines, and various collections of likenesses, until I am wearied to the core of looking at the ears of prominent persons, and it brings forth a sense of profound, of heartfelt gratitude that Daguerre was not born till this century, almost till our own day, and that thus the ears of centuries of countless geniuses are disguised in their counterfeit presentments by the meaningless conventionalities of the artist’s brush, which represent in peaceful and happy monotony and perfection that unfortunate, that abhorred member. I plainly see, too, what the result of all this will be. I picture to myself the poet of the future, hooded, veiled, to conceal his features; robed in flowing drapery to cover his feet; with his hands in a muff; living alone to hide his personal habits; studiously avoiding the subject of his health; painstaking in showing no decided preferences; void of passion lest he be deemed erotic; void of epigram or humor lest his wit be taken as earnest; until I sigh mournfully for the time spoken of in Genesis, when “there was no more earing.”
I will not sign my name to this heartfelt communication, since it would have no weight as the cognomen of either a genius or a mattoid, and perhaps the cry of warning will be more heeded from a suffering incognito. Besides, I do not wish to be shunned by my fellow-creatures as one who is determined to know their innermost worst, with as cruel a mental insistence, and with a method genetic to that employed by the Inquisition in penetrating the brain of its victims by pouring boiling oil in the ears. Nor am I willing to have such an odious position in society that none of my friends will visit me, or come in my presence unless fortified with ear-muffs against my insinuating gaze.
The Pleasures of Historiography
By Alice Morse Earle
THE PLEASURES OF HISTORIOGRAPHY
THE PLEASURES OF THE CHASE
I AM an historiographer; and being desirous and assiduous of accuracy in my statements, I am given to recourse to first sources of authority, to the fountain springs of great events; I am a scientifically historical Gradgrind; I build up my histories inductively from facts by the most approved scientific processes. And I can say with feeling and with emphasis, in the words of Sir Thomas Browne: “Sure, a great deal of conscience goes into the making of a history.”
A few days ago the need of exact knowledge upon a certain point in the criminal history of the colonies determined me to seek my information in the most unerring and unimpeachable historical records we have, those of the Criminal Court. Those I sought were of a large city, I might say of Chicago, only she has no colonial records; so I frankly reveal that I wished to search the records of the criminal courts of New Amsterdam.
Now I had read a score of times, and heard a score of times more in the glibly-rounded sentences of elegant historical lectures, patriotic addresses, commemorative
