he would disregard them. In Trix's eyes he was one or two things worse than leisurely. He was very confident and rather condescending. On this point she did speak to Mrs. Bonfill, expressing some impatience. Mrs. Bonfill was sympathetic as always, but also, as always, wise.
'Well, and if he is, my dear?' Her smile appealed to Trix to admit that everything which she had been objecting to and rebelling against was no more than what any woman of the world would expect and allow for.
Trix's expression was still mutinous. Mrs. Bonfill proceeded with judicial weightiness.
'Now look at Audrey Pollington—you know that big niece of Viola's? Do you suppose that, if Mortimer paid her attentions, she'd complain of him for being condescending? She'd just thank her stars, and take what she could get.' (These very frank expressions are recorded with an apology.)
'I'm not Audrey Pollington,' muttered Trix, using a weak though common argument.
There are moments when youth is the better for a judicious dose of truth.
'My dear,' remarked Mrs. Bonfill, 'most people would say that what Audrey Pollington didn't mind, you needn't.' Miss Pollington was grand-daughter to a duke (female line), and had a pretty little fortune of her own. Mrs. Bonfill could not be held wrong for seeking to temper her young friend's arrogance.
'It's not my idea of making love, that's all,' said Trix obstinately.
'We live and learn.' Mrs. Bonfill implied that Trix had much to learn. 'Don't lose your head, child,' she added warningly. 'You've made plenty of people envious. Don't give them any chance.' She paused before she asked, 'Do you see much of Beaufort now?'
'A certain amount.' Trix did not wish to be drawn on this point.
'Well, Trix?'
'We keep friends,' smiled Trix.
'Yes, that's right. I wouldn't see too much of him, though.'
'Till my lord has made up his mind?'
'Silly!' That one word seemed to Mrs. Bonfill sufficient answer. She had, however, more confidence in Trix than the one word implied. Young women must be allowed their moods, but most of them acted sensibly in the end; that was Mrs. Bonfill's experience.
Trix came and kissed her affectionately; she was fond of Mrs. Bonfill and really grateful to her; it is possible, besides, that she had twinges of conscience; her conversations with Mrs. Bonfill were marked by a good deal of reserve. It was all very well to say that the matters reserved did not concern Mrs. Bonfill, but even Trix in her most independent mood could not feel quite convinced of this. She knew—though she tried not to think of it—that she was playing a double game; in one side of it Mrs. Bonfill was with her and she accepted that lady's help; the other side was sedulously hidden. It was not playing fair. Trix might set her teeth sometimes and declare she would do it, unfair though it was; or more often she would banish thought altogether by a plunge into amusement; but the thought and the consciousness were there. Well, she was not treating anybody half as badly as most people had treated her. She hardened her heart and went forward on her dangerous path, confident that she could keep clear of pitfalls. Only—yes, it was all rather a fight; once or twice she thought of Danes Inn with a half-serious yearning for its quiet and repose.
Some of what Mrs. Bonfill did not see Lady Blixworth did—distantly, of course, and mainly by putting an observed two together with some other observed but superficially unrelated two—a task eminently congenial to her mind. Natural inclination was quickened by family duty. 'I wish,' Lady Blixworth said, 'that Sarah would have undertaken dear Audrey; but since she won't, I must do the best I can for her myself.' It was largely with a view to doing the best she could for Audrey that Lady Blixworth kept her eye on Trix Trevalla—a thing of which Trix was quite unconscious. Lady Blixworth's motives command respect, and it must be admitted that Miss Pollington did not render her relative's dutiful assistance superfluous. She was a tall, handsome girl, rather inert, not very ready in conversation. Lady Blixworth, who was never absurd even in praise, pitched on the epithet 'statuesque' as peculiarly suitable. Society acquiesced. 'How statuesque Miss Pollington is!' became the thing to say to one's neighbour or partner. Lady Blixworth herself said it with a smile sometimes; most people, content as ever to accept what is given to them, were grave enough.
Audrey herself was extremely pleased with the epithet, so delighted, indeed, that her aunt thought it necessary to administer a caution.
'When people praise you or your appearance for a certain quality, Audrey dear,' she observed sweetly, 'it generally means that you've got that quality in a marked degree.'
'Yes, of course, Aunt Viola,' said Audrey, rather surprised, but quite understanding.
'And so,' pursued Aunt Viola in yet more gentle tones, 'it isn't necessary for you to cultivate it consciously.' She stroked Audrey's hand with much affection. 'Because they tell you you're statuesque, for instance, don't try to go about looking like the Venus of Milo in a pair of stays.'
'I'm sure I don't, Auntie,' cried poor Audrey, blushing piteously. She was conscious of having posed a little bit as Mr. Guise, the eminent sculptor, passed by.
'On the contrary, it does no harm to remember that one has a tendency in a certain direction; then one is careful to keep a watch on oneself and not overdo it. I don't want you to skip about, my dear, but you know what I mean.'
Audrey nodded rather ruefully. What is the good of being statuesque if you may not live up to it?
'You aren't hurt with me, darling?' cooed Aunt Viola.
Audrey declared she was not hurt, but she felt rather bewildered.
With the coming of June, affairs of the heart and affairs of the purse became lamentably and unpoetically confounded in Trix Trevalla's life and thoughts. Mrs. Bonfill was hinting prodigiously about Audrey Pollington; Lady Blixworth was working creditably hard, and danger undoubtedly threatened from that quarter. Trix must exert herself if Mervyn were not to slip through the meshes. On the other hand, the problems were rather acute. Lord Farringham had been decidedly pessimistic in a speech in the House of Lords, Fricker was hinting at a great coup, Beaufort Chance was reminding her in a disagreeably pressing fashion of how much he had done for her and of how much he still could do. Trix had tried one or two little gambles on her own account and met with serious disaster; current expenses rose rather than fell. In the midst of all her gaiety Trix grew a little careworn and irritable; a line or two showed on her face; critics said that Mrs. Trevalla was doing too much, and must be more careful of her looks. Mrs. Bonfill began to be vaguely uncomfortable about her favourite. But still Trix held on her way, her courage commanding more admiration than any other quality she manifested at this time. Indeed she had moments of clear sight about herself, but her shibboleth of 'revenge' still sufficed to stiffen, if not to comfort, her.
Some said that Lord Farringham's pessimistic speech was meant only for home consumption, the objects being to induce the country to spend money freely and also to feel that it was no moment for seeking to change the Crown's responsible advisers. Others said that it was intended solely for abroad, either as a warning or, more probably, as an excuse to enable a foreign nation to retire with good grace from an untenable position. A minority considered that the Prime Minister had perhaps said what he thought. On the whole there was considerable uneasiness.
'What does it all mean, Mr. Fricker?' asked Trix, when that gentleman called on her, cool, alert, and apparently in very good spirits.
'It means that fools are making things smooth for wise men, as usual,'
