“I will tell people that Baron Trigault, after losing all his money at play, repays his creditors with curses.”
The noise of an overturned chair told Pascal that the baron had sprung up in a furious passion “You may say what you like, you rascally fool! but not in my house,” he shouted. “Leave—leave, or I will ring——”
“Monsieur——”
“Leave, leave, I tell you, or I sha’n’t have the patience to wait for a servant!”
He must have joined action to word, and have seized Van Klopen by the collar to thrust him into the hall, for Pascal heard a sound of scuffling, a series of oaths worthy of a coal-heaver, two or three frightened cries from the baroness, and several guttural exclamations in German. Then a door closed with such violence that the whole house shook, and a magnificent clock, fixed to the wall of the smoking-room, fell on to the floor.
If Pascal had not heard this scene, he would have deemed it incredible. How could one suppose that a creditor would leave this princely mansion with his bill unpaid? But more and more clearly he understood that there must be some greater cause of difference between husband and wife than this bill of twenty-eight thousand francs. For what was this amount to a confirmed gambler who, without as much as a frown, gained or lost a fortune every evening of his life. Evidently there was some skeleton in this household—one of those terrible secrets which make a man and his wife enemies, and all the more bitter enemies as they are bound together by a chain which it is impossible to break. And undoubtedly, a good many of the insults which the baron had heaped upon Van Klopen must have been intended for the baroness. These thoughts darted through Pascal’s mind with the rapidity of lightning, and showed him the horrible position in which he was placed. The baron, who had been so favorably disposed toward him, and from whom he was expecting a great service, would undoubtedly hate him, undoubtedly become his enemy, when he learned that he had been a listener, although an involuntary one, to this conversation with Van Klopen. How did it happen that he had been placed in this dangerous position? What had become of the footman who had taken his card? These were questions which he was unable to answer. And what was he to do? If he could have retired noiselessly, if he could have reached the courtyard and have made his escape without being observed he would not have hesitated. But was this plan practicable? And would not his card betray him? Would it not be discovered sooner or later that he had been in the smoking-room while M. Van Klopen was in the dining-room? In any case, delicacy of feeling as well as his own interest forbade him to remain any longer a listener to the private conversation of the baron and his wife.
He therefore noisily moved a chair, and coughed in that affected style which means in every country: “Take care—I’m here!” But he did not succeed in attracting attention. And yet the silence was profound; he could distinctly hear the creaking of the baron’s boots, as he paced to and fro, and the sound of fingers nervously beating a tattoo on the table. If he desired to avoid hearing the confidential conversation, which would no doubt ensue between the baron and his wife, there was but one course for him to pursue, and that was to reveal his presence at once. He was about to do so, when some one opened a door which must have led from the hall into the dining-room. He listened attentively, but only heard a few confused words, to which the baron replied: “Very well. That’s sufficient. I will see him in a moment.”
Pascal breathed freely once more. “They have just given him my card,” he thought. “I can remain now; he will come here in a moment.”
The baron must really have started to leave the room, for his wife exclaimed: “One word more: have you quite decided?”
“Oh, fully!”
“You are resolved to leave me exposed to the persecutions of my dressmaker?”
“Van Klopen is too charming and polite to cause you the least worry.”
“You will brave the disgrace of a law-suit?”
“Nonsense! You know very well that he won’t bring any action against me—unfortunately. And, besides, pray tell me where the disgrace would be? I have a foolish wife—is that my fault? I oppose her absurd extravagance—haven’t I a right to do so? If all husbands were as courageous, we should soon close the establishments of these artful men, who minister to your vanity, and use you ladies as puppets, or living advertisements, to display the absurd fashions which enrich them.”
The baron took two or three more steps forward, as if about to leave the room, but his wife interposed: “The Baroness Trigault, whose husband has an income of seven or eight hundred thousand francs a year, can’t go about clad like a simple woman of the middle classes.”
“I should see nothing so very improper in that.”
“Oh, I know. Only your ideas don’t coincide with mine. I shall never consent to make myself ridiculous among the ladies of my set—among my friends.”
“It would indeed be a pity to arouse the disapproval of your friends.”
This sneering remark certainly irritated the baroness, for it was with the greatest vehemence that she replied: “All my friends are ladies of the highest rank in society—noble ladies!”
The baron no doubt shrugged his shoulders, for in a tone of crushing irony and scorn, he exclaimed: “Noble ladies! whom do you call noble ladies, pray? The brainless fools who only think of displaying themselves and making themselves notorious?—the senseless idiots who pique themselves on surpassing lewd women in audacity, extravagance, and effrontery, who fleece their husbands as cleverly as courtesans fleece their lovers? Noble ladies! who drink, and smoke, and carouse, who attend masked balls, and talk slang! Noble ladies! the idiots who long for the applause of the crowd, and consider notoriety to be desirable and flattering. A woman is only noble by her virtues—and the chief of all virtues, modesty, is entirely wanting in your illustrious friends——”
“Monsieur,” interrupted the baroness, in a voice husky with anger, “you forget yourself—you——”
But the baron was well under way. “If it is scandal that crowns one a great lady, you ARE one—and one of the greatest; for you are notorious—almost as notorious as Jenny Fancy. Can’t I learn from the newspapers all your sayings and gestures, your amusements, your occupations, and the toilettes you wear? It is impossible to read of a first performance at a theatre, or of a horse-race, without finding your name coupled with that of Jenny Fancy, or Cora Pearl, or Ninette Simplon. I should be a very strange husband indeed, if I wasn’t proud and delighted. Ah! you are a treasure to the reporters. On the day before yesterday the Baroness Trigault skated in the Bois. Yesterday she was driving in her pony-carriage. To-day she distinguished herself by her skill at pigeon-shooting. To-morrow she will display herself half nude in some tableaux vivants. On the day after to-morrow she will inaugurate a new style of hair-dressing, and take part in a comedy. It is always the Baroness Trigault who is the observed of all observers at Vincennes. The Baroness Trigault has lost five hundred louis in betting. The Baroness Trigault uses her lorgnette with charming impertinence. It is she who has declared it proper form to take a ‘drop’ on returning from the Bois. No one is so famed for ‘form,’ as the baroness—and silk merchants have bestowed her name upon a color. People rave of the Trigault blue—what glory! There are also costumes Trigault, for the witty, elegant baroness has a host of admirers who follow her everywhere, and loudly sing her praises. This is what I, a plain, honest man, read every day in the newspapers. The whole world not only knows how my wife dresses, but how she looks en dishabille, and how she is formed; folks are aware that she has an exquisite foot, a divinely-shaped leg, and a perfect hand. No one is ignorant of the fact that my wife’s shoulders are of dazzling whiteness, and that high on the left shoulder there is a most enticing little mole.
