Art as a Political Witness. Группа авторов
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Hyvärinen, Matti/Muszynski, Lisa (2008): ‘The Arts Investigating Terror’. In: Hyvärinen, Matti/Muszynski, Lisa (eds.): Terror and the Arts: Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib. New York and Houndmills: Palgrave Macmillan, pp. 1–22.
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Kennedy, Liam (2014): ‘“Follow the Americans”: Philip Jones Griffiths’s Vietnam War Trilogy’. In: Kennedy, Liam/Patrick, Caitlin (eds.): The Violence of the Image: Photography and International Conflict. London and New York: I.B. Tauris, pp. 34–59.
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[54]Lowe, Paul (2014): ‘The Forensic Turn: Bearing Witness and the “Thingness” of the Photograph’. In: Kennedy, Liam/Patrick, Caitlin (eds.): The Violence of the Image: Photography and International Conflict. London and New York: I.B. Tauris, pp. 211-234.
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Margalit, Avishai (2004): The Ethics of Memory. Cambridge, MA: Harvard University Press.
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[55]Taylor, Diana (2003): The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham and London: Duke University Press.
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1 The Shorter Oxford English Dictionary on Historical Principles, Vol. II, p. 2562.
2 The Shorter Oxford English Dictionary on Historical Principles, Vol. II, p. 2562.
3 Her example is Claude Lanzmann’s film Shoah. Importantly, the “witness is the bearer of an experience that, albeit unique, does not exist on its own, but only in the testimonial situation in which it takes places” (p. 82).
4 Wieviorka (2006: 57) reports that at the Eichmann trial, “[f]or the first time …, a historian, Salo Baron, then a professor at Columbia University, was called to the witness stand to provide a historical framework for the trial”. In literature, the expert witness appears for example in James (1977).
5 We would like to decouple Margalit’s discussion from “unmitigated evil regime[s]” and expand it to all political regimes.
6 See http://www.bbc.co.uk/programmes/b007y6k8/episodes/guide.
7 Hirsch (1997: 119) notes that the photograph normally reveals less than it promises to reveal.
8 “Postmemory characterizes the experience of those who grow up dominated by narratives that preceded their birth, whose own belated stories are evacuated by the stories of the previous generation shaped by traumatic events that can be neither understood nor recreated” (Hirsch 1997: 22).
9 US Secretary of State’s address to the United Nations Security