Leo Strauss. Neil G. Robertson

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do a bit of both, but it is primarily thematically structured. This is not an intellectual biography, but in chapters 1 and 2, I will consider Strauss’s intellectual development in the context of the Weimar Republic, and especially the significance and meaning of what he calls his “change of orientation.” We will also follow him to the United States, where he taught for over thirty years and published the books that established him as one of the leading figures in political philosophy and the history of political philosophy in the mid-twentieth century. We will conclude the book by looking at his influence especially upon American conservative thought and American politics.

      While there is a general biographical trajectory through the course of the book, its more basic structure is thematic – and, in order to explore these themes across the range of Strauss’s thought, we will often look at writings from different decades in his life. The primary justification for this is that, once Strauss underwent his “change of orientation” sometime around 1930, his thought retained a basic stability of outlook. This is not to deny some important developments and even corrections within his thought, and certainly we will note them when they arise. Nonetheless, the essence of Strauss’s philosophical orientation and vision remained remarkably consistent.

      Let me turn, then, to the themes that will organize this book and help orient us in making sense of Strauss’s thought. This list is by no means exhaustive, but I want to suggest that these five themes do form something like the most fundamental aspects of Strauss’s thinking:

      1 the return to natural right and the recovery of classical rationalism;

      2 the theological-political problem;

      3 the recovery of the exoteric/esoteric distinction;

      4 classical political philosophy; and

      5 the critique of modern political philosophy.

      It is a basic claim of this book that Strauss’s work as a whole cannot be understood or properly assessed except by seeing it as a response to the crisis of politics, thought, and culture that belonged to the Weimar Republic. Strauss’s intellectual project clearly emerged from this context, and understood that crisis as indicative of a deeper and more fundamental crisis in western civilization: the crisis of the West, or nihilism. Our first three chapters will be an effort to understand and explain Strauss’s standpoint as a response to the crisis of nihilism. Of course, many of the most significant thinkers of the twentieth century were engaged in responding to similar circumstances. We need to see Strauss’s as one such response, but an importantly distinct and compelling one.

      Before considering these themes, it will be useful briefly to introduce three thinkers who are especially important in understanding and locating Strauss’s position. Friedrich Nietzsche, Edmund Husserl, and Martin Heidegger were crucial figures in articulating the intellectual world in which Strauss came to his own standpoint.

      Edmund Husserl (1859–1938) was important to Strauss in pointing to a way of philosophizing that might allow for a standpoint that could escape Nietzsche’s devastating critique of the western tradition of philosophy as implicated in the nihilism western culture found itself possessed by. Husserl developed “phenomenology” as a way to engage in a philosophic reflection on the experienced world that avoids the kind of causal or metaphysical approaches to philosophy that dominated western philosophy, and were especially at work in modern philosophy’s turn to questions of knowledge of the external world. Husserl’s phenomenology sought to pre-empt the turn to this kind of knowledge by engaging in a philosophy of the description of things as they appeared to the self, bracketing, or excluding, questions of causality or metaphysics. Strauss was deeply impressed by Husserl and took up his turn to the “natural understanding” – the way things appear to us naturally – as a beginning point for a philosophy that might point a way out of the nihilism of the age.

      Having briefly outlined the standpoints of these three major figures in Strauss’s intellectual background, we can turn to sketch five key themes in Strauss’s own thought.

      As a young man, Strauss was deeply struck by Nietzsche’s characterization of the contemporary western world

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